“Orlando is a true collaboration in that it incorporates a Western vocabulary of movement and images, based on Virginia Woolf’s text of Orlando and deriving from my background as an architect, from my life in the theater, and from my work as a visual artist.
“This work is counter-pointed and complemented by the classically trained Beijing opera star Wei Hai-min (魏海敏), which definitely brings an ancient sense of Chinese culture to the work — a culture where movement, language, the difference between spoken and sung words, are all very different from what I’ve inherited from my Western roots.
“I see this work as being one whole made of two opposites — the way you have two hands but one body, two sides of the brain, but one mind.
“This new Taipei production is based on earlier ones I did in Paris with Isabelle Huppert and in England with Miranda Richardson. The text and music are different, however, as well as the movement, because they are adapted to the talents of the great Wei Hai-min.
“As for the music, it will use traditional Chinese instruments and at times very profound contemporary electronic sounds.” ----Robert Wilson

“Orlando is a true collaboration in that it incorporates a Western vocabulary of movement and images, based on Virginia Woolf’s text of Orlando and deriving from my background as an architect, from my life in the theater, and from my work as a visual artist.
“This work is counter-pointed and complemented by the classically trained Beijing opera star Wei Hai-min (魏海敏), which definitely brings an ancient sense of Chinese culture to the work — a culture where movement, language, the difference between spoken and sung words, are all very different from what I’ve inherited from my Western roots.
“I see this work as being one whole made of two opposites — the way you have two hands but one body, two sides of the brain, but one mind.
“This new Taipei production is based on earlier ones I did in Paris with Isabelle Huppert and in England with Miranda Richardson. The text and music are different, however, as well as the movement, because they are adapted to the talents of the great Wei Hai-min.
“As for the music, it will use traditional Chinese instruments and at times very profound contemporary electronic sounds.” ----Robert Wilson

《科利奥兰纳斯》是莎老晚年的一出可与四大悲剧相媲美的古罗马历史悲剧。故事情节如下：马歇斯（后因攻下科利奥里城立功而被称为科利奥兰纳斯），最初是罗马共和国的英雄；而由于他性格上的弱点：脾气暴躁，不肯低头，而得罪了群众，成了罗马的敌人被放逐；他转而投靠敌人：伏尔斯人，带兵围攻罗马；后接受其母劝告，放弃攻打，而这行为又背叛了伏尔斯人，最后在战乱中被伏尔斯人杀死。此剧的主题是英雄和群众的关系。
　　《科利奥兰纳斯》是反映人性弱点的悲剧，莎士比亚用生动的语言和丰富的修辞塑造了一个个鲜明生动的人物形象，并描绘了一个个激动人心的场面。

《科利奥兰纳斯》是莎老晚年的一出可与四大悲剧相媲美的古罗马历史悲剧。故事情节如下：马歇斯（后因攻下科利奥里城立功而被称为科利奥兰纳斯），最初是罗马共和国的英雄；而由于他性格上的弱点：脾气暴躁，不肯低头，而得罪了群众，成了罗马的敌人被放逐；他转而投靠敌人：伏尔斯人，带兵围攻罗马；后接受其母劝告，放弃攻打，而这行为又背叛了伏尔斯人，最后在战乱中被伏尔斯人杀死。此剧的主题是英雄和群众的关系。
　　《科利奥兰纳斯》是反映人性弱点的悲剧，莎士比亚用生动的语言和丰富的修辞塑造了一个个鲜明生动的人物形象，并描绘了一个个激动人心的场面。

tv show aired in 2012

Five different actors bring one woman’s personal and political story to life, set against the backdrop of a rapidly changing post-war Europe.

Memory never stops. It pairs the dead with the living, real with imaginary beings, dreams with history.

She strikes a pose and the camera shutter clicks:

A child playing in the debris of the Second World War. Click. A student discovering parties and men’s bodies. Click. An activist fighting for the right to choose. Click. A wife picking out a velvet sofa. Click. A mother taking her eldest to judo. Click. A lover seducing a younger man. Click. A grandmother presenting her granddaughter to the camera. Click

Internationaal Theater Amsterdam’s new Artistic Director Eline Arbo directs her inventive stage adaptation of Nobel Prize winner Annie Ernaux’s critically acclaimed “masterpiece” (The Guardian) The Years.

We left the final series with Hannah and Nathan attempting to divide up their twenty years together, and trying to navigate their way through a “good divorce”, questioning whether that is even possible.
Two years on, formidable family lawyer Hannah Defoe (Nicola Walker) and her family are back and have gathered for a beautiful wedding at a magnificent vineyard, nestled in Catalonia’s wine region. Set across one sun soaked weekend, The Split will encompass break-ups, reunions and like all good weddings, plenty of romance. As the sun rises over the glorious Spanish countryside, Hannah is compelled to banish the ghosts of her past and open herself up to the possibility of love again. Can she find the courage to take the leap into a new future?

对滨海惠灵顿的小镇居民来说，这是一个难忘的圣诞节：史上最强的暴风雪打乱了所有人的计划 — 也包括圣诞老人的。

《表演》是西蒙·柯蒂斯（Simon Curtis）为英国广播公司（BBC）制作的英国电视剧集。于1991年10月5日至1998年3月21日期间，BBC2台共播出26集，几乎全部是经典/当代戏剧，包括安东·契诃夫的《万尼亚舅舅》、亨利克·易卜生的《玩偶之家》和《赫达·盖布勒》、路易吉·皮兰德罗的《寻找作者的六个角色》、威廉·莎士比亚的《李尔王》和特伦斯·拉蒂根的《深蓝之海》。