"The Thing in the Moonlight" is a short story by J. Chapman Miske. The story is based on a letter dated November 24, 1927 from H. P. Lovecraft to Donald Wandrei describing one of Lovecraft's dreams. The story was prepared for publication by Miske, who filled in the story surrounding the description of the dream. In places, the letter and published story are identical to Lovecraft's style.Morgan, the protagonist, is an illiterate man. One evening, Morgan is sitting alone and suddenly feels compelled to start writing. Despite his illiteracy, he records the dream of Howard Phillips, another man. In Morgan's writing, Phillips says that he fell asleep on November 24, 1927 and has never reawakened.The dream's setting takes place in a strange marshland. Phillips explores the marsh's cliff side, noting the eerie and mouth-like caves dotting the plateau. Eventually, Phillips encounters a set of railway tracks. On these tracks he finds "a yellow, vestibuled car numbered 1852—of a plain, double-trucked type common from 1900 to 1910." This car is able to start and he climbs aboard, searching for a light switch so that he can see better. He hears a noise behind him, and, turning to look, sees two men (assumed to be the motorman and conductor) approach him. The first man lifts his head to the sky, sniffs, and howls, while the second drops to all fours and charges toward the Phillips and the car. Phillips immediately flees out of the car until he is too tired to continue.Phillips reveals that the reason for his terror was not "because the conductor had dropped on all fours, but because the face of the motorman was a mere white cone tapering to one blood-red-tentacle..."Phillips is aware that it is a dream, but is unable to wake up. During the day, he travels the strange land, and each night, is brought back to the place with the train car. He always alerts the howling beast to his presence, and always flees from it.The narrator closes the story by saying that he would visit Phillips' house in Providence, but fears what he might find.

"Memory" is a flash fiction short story by American horror and science fiction writer H. P. Lovecraft, written in 1919 and published in May 1923 in The National Amateur. "Memory" uses many of H. P. Lovecraft's common images and ideas, such as relics of the deep past and things "without name". Also, his fondness for vast, monolithic ruins (a favourite with many other Cthulhu and horror writers) is evident in the intricate description found in the page-long story.

This story takes place in the ancient valley of Nis, in vegetation-covered stone ruins described by Lovecraft in great detail. These crumbling blocks of monolithic stone now serve only for grey toads and snakes to nest under. Interspersed in the ruins are large trees that are home to little apes. Through the bottom of this valley runs the great, slimy red river called Than.

"Memory" involves only two "the Genie that haunts the moonbeams" and "the Daemon of the Valley". The Genie inquires of the Daemon who it was that long ago placed the stones that were now the desolate ruin near the river Than. The Daemon replies that he remembers the name of the creatures "clearly," but only because their name rhymed with that of the they were called Man. He also remembers "dimly" that they appeared like the small apes that now leap through the ruins. The Genie flies back to his moonbeams, and the Daemon turns to regard an ape in silent contemplation.

H. P. Lovecraft was one of the greatest horror writers of all time. His seminal work appeared in the pages of legendary Weird Tales and has influenced countless writer of the macabre. This is one of those stories.
It was first published in The Scot, a Scottish amateur fiction magazine, in June 1920.

Presents horror legend HP Lovecraft's short prose piece Nyarlathotep. This book presents Lovecraft's original poem in its entirety and also features a visual interpretation.

What the Moon Brings is a short story by American horror fiction writer H. P. Lovecraft, written on June 5, 1922. This story was first published in the National Amateur in May 1923. It is shorter than most of Lovecraft's other short stories, and is essentially a fragment. It is based on one of Lovecraft's dreams (a common technique of his).

This story is told in the first person the narrator is never named. The story describes a surreal dreamscape. The narrator wanders through his garden one night and in the moonlight sees strange and bizarre things. He comes to a

Silent and sparkling, bright and baleful, those moon-cursed waters hurried I knew not whither whilst from the embowered banks white lotus-blossoms fluttered one by one in the opiate night-wind and dropped despairingly into the stream, swirling away horribly under the arched, carven bridge, and staring back with the sinister resignation of calm, dead faces.

He sees that now the garden has no end, and where the walls used to be there are now more trees and plants and terrifying stone idols and pagodas. The dead faces urge him on farther and farther, as the stream becomes a river and leads him to the shore of a sea. Here the frightening moon makes the lotus-faces

And as I saw therein the lotus-faces vanish, I longed for nets that I might capture them and learn from them the secrets which the moon had brought upon the night. But when that moon went over to the west and the still tide ebbed from the sullen shore, I saw in that light old spires that the waves almost uncovered, and white columns gay with festoons of green seaweed. And knowing that to this sunken place all the dead had come, I trembled and did not wish again to speak with the lotus-faces.

What the sea has uncovered are the ruins of an ancient city, a city of the dead. The narrator sees a black condor and wishes to ask it about the people he knows that have died. He watches the sea for a time and sees ripples in it, attributing them to sea worms. He suddenly feels a chill and notices something far off beneath the

Nor had my flesh trembled without cause, for when I raised my eyes I saw that the waters had ebbed very low, shewing much of the vast reef whose rim I had seen before. And when I saw that the reef was but the black basalt crown of a shocking eikon whose monstrous forehead now shown in the dim moonlight and whose vile hooves must paw the hellish ooze miles below, I shrieked and shrieked lest the hidden face rise above the waters, and lest the hidden eyes look at me after the slinking away of that leering and treacherous yellow moon.

Fleeing this monstrous thing, he dives into the city of the

And to escape this relentless thing I plunged gladly and unhesitantly into the stinking shallows where amidst weedy walls and sunken streets fat sea-worms feast upon the world's dead.

The speaker clearly prefers death among horrors to this perceived-even-greater-horror revealed in carven grandeur. The tale ends, but does not confirm whether this was the ending of the speaker's life.

"The Terrible Old Man" is a very short story (less than 1200 words) by H. P. Lovecraft, written on January 28, 1920, and first published in the Tryout, an amateur press publication, in July 1921. It's notable as the first story to make use of Lovecraft's imaginary New England setting, introducing the fictional town of Kingsport.

The Terrible Old Man is a strange elderly man "so old that no one can remember when he was young, and so taciturn that few know his real name". He lives alone in an ancient house on Water Street in the town of Kingsport. Even among the locals, few know the details of the Old Man's life, but it is believed that he captained East Indian clipper ships in his youth and had accumulated great jewels and riches throughout his life. Those who had visited the property had seen bizarre collections of stones in the front yard and observed the Old Man carrying on conversations with bottles on his table. Most locals care to avoid the Old Man and his house.

The story focuses on three robbers, Angelo Ricci, Joe Czanek and Manuel Silva, who are "of that new and heterogeneous alien stock which lies outside the charmed circle of New England life and traditions". They little heed the locals' cautionary whisperings and disregard them completely when they hear that the Old Man possesses a treasure. They act immediately on their avarice according to their natures, and go to the Old Man's house to commit robbery. Ricci and Silva go inside to "interview" the Old Man about the treasure and its hiding place. Czanek waits outside in the motor-car. Czanek waits impatiently for a long while. After a time, the gate of the house opens, but it is not his accomplices who emerge but the house's inhabitant.

The bodies of the three robbers are later found horribly mutilated down on the beach, "horribly slashed as with many cutlasses, and horribly mangled as by the tread of many cruel boot-heels".

Polaris is a short story by H. P. Lovecraft. It is noteworthy as the story that introduces Lovecraft's fictional Pnakotic Manuscripts, the first of his arcane tomes.

The story begins with the narrator describing the night sky as observed over long sleepless nights from his window, in particular that of the Pole Star, Polaris, which he describes as "winking hideously like an insane watching eye which strives to convey some strange message, yet recalls nothing save that it once had a message to convey".

He then describes the night of the aurora over his house in the swamp and how on this night he first dreamt of a city of marble lying on plateau between two peaks, with Polaris ever watching in the night sky.

"The Book" is an unfinished short story by American horror fiction writer H. P. Lovecraft, believed to have been written in late 1933. It was first published in the journal Leaves in 1938, after Lovecraft's death.

In the story fragment, the narrator is given an ancient book by a strange bookseller, and when he takes it home and examines it, weird and sinister events ensue.

"The Statement of Randolph Carter" is a short story by American writer H. P. Lovecraft. Written in December 1919, it was first published in The Vagrant, May 1920. It tells of a traumatic event in the life of Randolph Carter, a student of the occult loosely representing Lovecraft himself. It is the first story in which Carter appears. Its adaptations include the film The Unnamable The Statement of Randolph Carter. With Plot details.

Minimally illustrated.

"The Descendant" is a story fragment by American horror fiction writer H. P. Lovecraft, believed to have been written in 1927.[1] It was first published in the journal Leaves in 1938, after Lovecraft's death.

Lovecraft may have been referring to this attempt at a story when he wrote that he was "making a very careful study of London...in order to get background for tales involving richer antiquities than America can furnish."

H. P. Lovecraft was one of the greatest horror writers of all time. His seminal work appeared in the pages of legendary Weird Tales and has influenced countless writer of the macabre. This is one of those stories.

"The Street" is a short story by American horror fiction writer H. P. Lovecraft, written in late 1919 and first published in the December 1920 issue of the Wolverine amateur journal.

The story traces the history of the eponymous street in a New England city, presumably Boston, from its first beginnings as a path in colonial times to a quasi-supernatural occurrence in the years immediately following World War I.

Kalos and Musides are two Greek sculptors who are asked to sculpt statues for a competition. But while they are preparing their statues, something terrible happens – Kalos becomes ill. As the two of them are very good friends, the sickness of Kalos makes Musides very unhappy.

When Kalos is about to die, he asks Musides to bury olive branches with him. The result, however, is something beautiful and horrifying at the same time.



H.P. Lovecraft (1890–1937) was an American horror writer. His best known works include ‘The Call of Cthulhu’ and ‘the Mountains of Madness’. Most of his work was originally published in pulp magazines, and Lovecraft rose into fame only after his death at the age of 46. He has had a great influence in both horror and science fiction genres.

"The Cats of Ulthar" is a short story by H. P. Lovecraft. It belongs in the Dream Cycle series of tales and reads much like a fairy tale, explaining Ulthar's unusual law that "no man may kill a cat".

It was written June 15, 1920, and first published in the November 1920 issue of the amateur press journal Tryout. It was later reprinted in Weird Tales magazine in February 1926 and again in February 1933, then privately re-printed as a pamphlet for his friends in an edition of 42 copies, at Christmas 1935 - two years before Lovecraft's death.

The primary inspiration for the story is no doubt Lovecraft's well-known love of cats (as spelled out in his 1926 essay "Cats and Dogs", reprinted as the title essay in the 1949 Arkham House collection Something About Cats). Lovecraft seems to be speaking in his own voice in the story's introductory

For the cat is cryptic, and close to strange things which men cannot see. He is the soul of antique Aegyptus, and bearer of tales from forgotten cities in Meroe and Ophir. He is the kin of the jungles lords, and heir to the secrets of hoary and sinister Africa. The Sphinx is his cousin, and he speaks her language but he is more ancient than the Sphinx, and remembers that which she hath forgotten.

The story is considered one of Lovecraft's Dunsanian pieces the plot resembles the many revenge tales in Dunsany's The Book of Wonder (1912). The "dark wanderers" of Lovecraft's story recall the "Wanderers...a weird, dark tribe" in Dunsany's "Idle Days on the Yann" (1910).

This comic short story is a parody of romantic melodrama, centering on Ethyl Ermengarde Stubbs and her relationships with villainous mortgage-holder Squire Hardman, would-be rescuer Jack Manly and fiancé Algernon Reginald Jones.

"The Rats in the Walls" is a short story by H.P. Lovecraft. Written in August–September 1923, it was first published in Weird Tales, March 1924.

The story is narrated by the scion of the Delapore family, who has moved from Massachusetts to his ancestral estate in England, known as Exham Priory. On several occasions, the protagonist and his cats hear the sounds of rats scurrying behind the walls. Upon investigating further, he finds that his family maintained an underground city for centuries and that the inhabitants of the city fed on human flesh, even going so far as to raise generations of human cattle, who eventually began to de-evolve due to their sub-human living conditions.

Robert Blake - a young man with an interest in the occult - becomes fascinated by a large disused church set on a hill which he can see from his lodgings. His researches reveal that the church has a sinister history and is dreaded by the local inhabitants as being haunted by a primeval evil.