詹米·多南、彼特·丁克拉奇主演新片[我与赫夫共进晚餐](My Dinner with Herve，暂译)首度曝光剧照。影片由萨沙·杰瓦西([金属精神])执导，取材于他采访[神秘岛]主演赫夫·维勒查泽的真实经历，二人也因此成为挚友。1993年维勒查泽自杀，令杰瓦西倍感痛心，20余年后，这段往事被他搬上大银幕。

《魔咒》讲述了上世纪50年代某个酒吧老板被谋杀的故事。

《老爸上战场》的主角是一群居住在英国小镇上的老爷子，他们的身份本是银行职员、小店老板。随着二战愈演愈烈，满怀报国热情的爷爷们没资格参加正规军，却自发组成志愿军团保家卫国，与德国间谍斗智斗勇。这支非正规军引起了媒体的主意，泽塔·琼斯饰演的女记者也来到小镇报道他们的故事。

基于真实故事改编，讲述了来自康沃尔的十位渔夫意外被环球唱片公司看中并签约，他们的首张海洋棚屋专辑最终获得了十大热门畅销专辑......

看门人Jean打碎了一只茶壶，里面装的是其他房间的钥匙，于是她无视聘用合同上的各项规定，用了庄园主人的东西，穿了主人的衣服，喝了主人的红酒，摇身一变成了主人。
Michael和Steph两个素不相识的人，因为一次对视，读出对方神情中的绝望，便将彼此视为仅存的一线希望，两人相约逃亡，Steph逃离得名正言顺，而Michael正好顺水推舟，畏罪潜逃。中途经过Jean临时看管的庄园，Steph又恰好临盆，于是就这样三个人一起住在庄园里。Michael和Steph各自躲避的人是不会找到这里了，而Jean的孤独生活也终于有了陪伴，庄园里一切应有尽有，包括游泳池。Jean, Michael, Steph, Steph的宝宝Matthew，曾经毫不相干的人在一起，如同完满的一家。
一切看似美好，然而。。。。。。

英伦喜剧[大叔花样游泳队](Swimming With Men，暂译)卡司曝光，除主演罗伯·布莱顿外，吉姆·卡特(《唐顿庄园》)、鲁珀特·格雷夫斯、简·霍洛克斯([荒唐阿姨大电影])加盟，导演奥利弗·帕克([憨豆特工2])。影片围绕中年男主(布莱顿饰)加入一支大叔组成的业余游泳队的故事展开。明年英国上映。

Daniel Mays (Line Of Duty, Rogue One: A Star Wars Story, Public Enemies) stars in BBC Two's powerful factual drama as Peter Wildeblood, a thoughtful and private gay journalist whose lover Eddie McNally (played by newcomer to television, Richard Gadd), under pressure from the authorities, turned Queen's evidence against him in one of the most explosive court cases of the 1950s - the infamous Montagu Trial.
More than ten years before the decriminalisation of homosexual acts in 1967, Peter Wildeblood, and his friends Lord Montagu (Mark Edel-Hunt) and Michael Pitt-Rivers, were found guilty of homosexual offences and jailed.
With his career in tatters and his private life painfully exposed, Wildeblood began his sentence a broken man, but he emerged from Wormwood Scrubs a year later determined to do all he could to change the way these draconian laws against homosexuality impacted on the lives of men like him.
Daniel says: 「I'm incredibly proud to be part of a drama that tells such an important real-life story. Peter Wildeblood is a fascinating, complex, yet flawed character from a time when being a gay man in Britain was incredibly difficult - I can't wait to bring his tale to life for the BBC Two audience.」
Patrick Holland, Channel Editor, BBC Two, said: 「50 years ago, it was a crime to be a gay man in the UK. Against The Law is a stunning piece that melds drama and documentary testimony to tell the story of one man, and his wider generation, as they struggled to make society accept their sexuality as non-criminal. It is brilliant to have a film that brings the authorship of Brian Fillis, the vision of director Fergus O'Brien, and the outstanding talent of Daniel Mays and cast to this important subject」
The drama also features Mark Gatiss (Taboo, Sherlock) as Wildeblood's prison psychiatrist, Doctor Landers and Charlie Creed-Miles (Ripper Street, Peaky Blinders) as Superintendent Jones.
Woven through this powerful drama is real-life testimony from a chorus of men who lived through those dark days, when homosexuals were routinely imprisoned or forced to undergo chemical aversion therapy in an attempt to cure them of their "condition". There is also testimony from a retired police officer whose job it was to enforce these laws, and a former psychiatric nurse who administered the so-called cures. All of these accounts serve to amplify the themes of the drama and help to immerse us in the reality of a dark chapter in our recent past, a past still within the reach of living memory.

“比格斯夫人”是一个真实存在的人物，她是英国臭名昭著的火车大盗Ronald Biggs背后的女人。本剧将有五集，讲述这个女人的心路历程，从一个天真少女被迫变成一个恶棍的情妇；从专横的父亲手中逃脱，体会自由与母性的美好。《比格斯夫人》向我们深入地展现了二十世纪最恶名昭彰的犯罪之一，但更重要的是为观众揭示了一段跨越三十余年、流传全世界的爱情故事。

2040年，地球生态环境遭到严重毁坏。为了寻找新的宜居家园，一群又一群无畏的拓荒者乘坐星际飞船前往其他星系展开探索。在一颗名叫「卡柏菲亚」 的星球上，拓荒者建造了殖民城市「港湾堡」（Forthaven），并建立起由Tate总统（Liam Cunningham扮演）和幕僚Stella（Hermione Norris扮演）、Cass（Daniel Mays扮演）、Fleur（Amy Manson）领导的「新人类社会」。他们希望用「民主」的方式来延续人类文明，但事情显然没那么简单。Tate总统的家人来到卡柏菲亚后不久便出了意外，而他自己则隐藏着一个秘密。Stella是一个很优秀的科学家，她是第一批来到卡柏菲亚的拓荒者之一。她的丈夫和女儿留在地球上，盼望她早日归来。Gass是卡柏菲亚的安全官和保护者，Fleur是他的搭档。
本剧开始的时候，港湾堡已经失去了和母星地球的一切联系。然而一艘由神秘人Julius Berger（Eric Mabius扮演）驾驶的地球运输船突然出现在港湾堡的通讯范围内，重新燃起了拓荒者对地球的希望。随着运输船的临近，Tate总统开始变得焦躁不安。而这艘载着Stella的丈夫和女儿的飞船能否安全着陆，也成了一个未知之数。
与此同时，包括队长Mitchell（Jamie Bamber扮演）和队员Jack（Ashley Walters扮演）在内的探险队正在卡柏菲亚星球表面执行探索任务。他们要为港湾堡收集尽可能多的环境信息。他们会发现什么？这颗星球还有其他「主人」吗？
拓荒者由多种多样的人群组成，但他们都有一个共同点－－他们远离了家乡、朋友和亲人，忘记了过去，获得了新生。他们努力工作，对未来充满理想，希望将卡柏菲亚打造成新的美好家园。然而他们能够逃避在地球上所犯的一切错误，却逃不掉人类与生俱来的欲望。他们很快发现，卡柏菲亚绝非一颗普通的星球。在卡柏菲亚高达的城墙之后，究竟隐藏着多少秘密？

Dom是一个年轻的足球爱好者，一次偶然的机会他卷入Bex的世界， 一个魅力无穷却又十分危险的足球流氓组织。由于嘴上功夫了得又有幽默感，Dom很快成为组织里的一分子。但是Bex和他的ICF在全国各地与其他对手的足球流氓组织关系不大好，很快暴力事件频发，事态开始失去控制。当Dom想抽身时才发现进门容易出门难。

Shifty, a young crack cocaine dealer in London, sees his life quickly spiral out of control when his best friend returns home. Stalked by a customer desperate to score at all costs, and with his family about to turn their back on him for good, Shifty must out-run and out-smart a rival drug dealer, intent on setting him up for a big fall. As his long time friend Chris, confronts the dark past he left behind him, Shifty is forced to face up to the violent future he's hurtling towards.

在不久的将来，一位在一次失败的刺杀行动中被枪杀的卧底探长，通过一个实验性的人工智能项目被唤醒。充满了故障，他必须追踪向他开枪的人，证明自己是一个警察，以便不被关闭，并拯救他的婚姻和他的友谊，所有这些都与他的伙伴Carver有关。

　　剧集翻拍自挪威剧《绝命医师》，讲述外科医生丹尼尔(斯特朗饰)在悲剧命运的驱使下来到了一家伦敦的地下诊所，这家诊所愿意接治任何付钱的病人。在一位心怀不满的运输工(梅斯饰)和一位内疚的医学研究员(侯登饰)帮助下，他们接治了各种极度绝望与危险的病人。卢克·斯奈林(《相对无言》)执导，巴尼·莱兹(《黑镜》)担任制作人，马克·奥罗([男孩A])操刀剧本。剧集将于今年秋季播出。

TV series

Act I

A night in winter

[Scene 1]

Aston has invited Davies, a homeless man, into his apartment after rescuing him from a bar fight (7–9). Davies comments on the apartment and criticizes the fact that it is cluttered and badly kept. Aston attempts to find a pair of shoes for Davies but Davies rejects all the offers. Once he turns down a pair that doesn’t fit well enough and another that has the wrong colour laces. Early on, Davies reveals to Aston that his real name is not "Bernard Jenkins", his "assumed name", but really "Mac Davies" (19–20, 25). He claims that his papers validating this fact are in Sidcup and that he must and will return there to retrieve them just as soon as he has a good pair of shoes. Aston and Davies discuss where he will sleep and the problem of the "bucket" attached to the ceiling to catch dripping rain water from the leaky roof (20–21) and Davies "gets into bed" while "ASTON sits, poking his [electrical] plug (21).

[Scene 2]
The LIGHTS FADE OUT. Darkness.

LIGHTS UP. Morning. (21) As Aston dresses for the day, Davies awakes with a start, and Aston informs Davies that he was kept up all night by Davies muttering in his sleep. Davies denies that he made any noise and blames the racket on the neighbors, revealing his fear of foreigners: "I tell you what, maybe it were them Blacks" (23). Aston informs Davies that he is going out but invites him to stay if he likes, indicating that he trusts him (23–24), something unexpected by Davies; for, as soon as Aston does leave the room (27), Davies begins rummaging through Aston's "stuff" (27–28) but he is interrupted when Mick, Aston’s brother, unexpectedly arrives, "moves upstage, silently," "slides across the room" and then suddenly "seizes Davies' "arm and forces it up his back," in response to which "DAVIES screams," and they engage in a minutely-choreographed struggle, which Mick wins (28–29), ending Act One with the "Curtain" line, "What's the game?" (29).
Act II

[Scene 1]
A few seconds later

Mick demands to know Davies' name, which the latter gives as "Jenkins" (30), interrogates him about how well he slept the night before (30), wonders whether or not Davies is actually "a foreigner"—to which Davies retorts that he "was" indeed (in Mick's phrase) "Born and bred in the British Isles" (33)—going on to accuse Davies of being "an old robber […] an old skate" who is "stinking the place out" (35), and spinning a verbal web full of banking jargon designed to confuse Davies, while stating, hyperbolically, that his brother Aston is "a number one decorator" (36), either an outright lie or self-deceptive wishful thinking on his part. Just as Mick reaches the climactic line of his diatribe geared to put the old tramp off balance—"Who do you bank with?" (36), Aston enters with a "bag" ostensibly for Davies, and the brothers debate how to fix the leaking roof and Davies interrupts to inject the more practical question: "What do you do . . . when that bucket's full?" (37) and Aston simply says, "Empty it" (37). The three battle over the "bag" that Aston has brought Davies, one of the most comic and often-cited Beckettian routines in the play (38–39). After Mick leaves, and Davies recognises him to be "a real joker, that lad" (40), they discuss Mick's work in "the building trade" and Davies ultimately discloses that the bag they have fought over and that he was so determined to hold on to "ain't my bag" at all (41). Aston offers Davies the job of Caretaker, (42–43), leading to Davies' various assorted animadversions about the dangers that he faces for "going under an assumed name" and possibly being found out by anyone who might "ring the bell called Caretaker" (44).

[Scene 2]

THE LIGHTS FADE TO BLACKOUT.
THEN UP TO DIM LIGHT THROUGH THE WINDOW.
A door bangs.
Sound of a key in the door of the room.
DAVIES enters, closes the door, and tries the light switch, on, off, on, off.

It appears to Davies that "the damn light's gone now," but, it becomes clear that Mick has sneaked back into the room in the dark and removed the bulb; he starts up "the electrolux" and scares Davies almost witless before claiming "I was just doing some spring cleaning" and returning the bulb to its socket (45). After a discussion with Davies about the place being his "responsibility" and his ambitions to fix it up, Mick also offers Davies the job of "caretaker" (46–50), but pushes his luck with Mick when he observes negative things about Aston, like the idea that he "doesn't like work" or is "a bit of a funny bloke" for "Not liking work" (Davies' camouflage of what he really is referring to), leading Mick to observe that Davies is "getting hypocritical" and "too glib" (50), and they turn to the absurd details of "a small financial agreement" relating to Davies' possibly doing "a bit of caretaking" or "looking after the place" for Mick (51), and then back to the inevitable call for "references" and the perpetually-necessary trip to Sidcup to get Davies' identity "papers" (51–52).

[Scene 3]
Morning

Davies wakes up and complains to Aston about how badly he slept. He blames various aspects of the apartment's set up. Aston suggests adjustments but Davies proves to be callous and inflexible. Aston tells the story of how he was checked into a mental hospital and given electric shock therapy, but when he tried to escape from the hospital he was shocked while standing, leaving him with permanent brain damage; he ends by saying, "I've often thought of going back and trying to find the man who did that to me. But I want to do something first. I want to build that shed out in the garden" (54–57). Critics regard Aston's monologue, the longest of the play, as the "climax" of the plot.[3] In dramaturgical terms, what follows is part of the plot's "falling action".
Act III

[Scene 1]
Two weeks later [… ]Afternoon.

Davies and Mick discuss the apartment. Mick relates "(ruminatively)" in great detail what he would do to redecorate it (60). When asked who "would live there," Mick's response "My brother and me" leads Davies to complain about Aston's inability to be social and just about every other aspect of Aston's behaviour (61–63). Though initially invited to be a "caretaker," first by Aston and then by Mick, he begins to ingratiate himself with Mick, who acts as if he were an unwitting accomplice in Davies' eventual conspiracy to take over and fix up the apartment without Aston's involvement (64) an outright betrayal of the brother who actually took him in and attempted to find his "belongings"; but just then Aston enters and gives Davies yet another pair of shoes which he grudgingly accepts, speaking of "going down to Sidcup" in order "to get" his "papers" again (65–66).

[Scene 2]
That night

Davies brings up his plan when talking to Aston, whom he insults by throwing back in his face the details of his treatment in the mental institution (66–67), leading Aston, in a vast understatement, to respond: "I . . . I think it's about time you found somewhere else. I don't think we're hitting it off" (68). When finally threatened by Davies pointing a knife at him, Aston tells Davies to leave: "Get your stuff" (69). Davies, outraged, claims that Mick will take his side and kick Aston out instead and leaves in a fury, concluding (mistakenly): "Now I know who I can trust" (69).

[Scene 3]
Later

Davies reenters with Mick explaining the fight that occurred earlier and complaining still more bitterly about Mick's brother, Aston (70–71). Eventually, Mick takes Aston's side, beginning with the observation "You get a bit out of your depth sometimes, don't you?" (71). Mick forces Davies to disclose that his "real name" is Davies and his "assumed name" is "Jenkins" and, after Davies calls Aston "nutty", Mick appears to take offense at what he terms Davies' "impertinent thing to say," concludes, "I'm compelled to pay you off for your caretaking work. Here's half a dollar," and stresses his need to turn back to his own "business" affairs (74). When Aston comes back into the apartment, the brothers face each other," "They look at each other. Both are smiling, faintly" (75). Using the excuse of having returned for his "pipe" (given to him earlier through the generosity of Aston), Davies turns to beg Aston to let him stay (75–77). But Aston rebuffs each of Davies' rationalisations of his past complaints (75–76). The play ends with a "Long silence" as Aston, who "remains still, his back to him [Davies], at the window, apparently unrelenting as he gazes at his garden and makes no response at all to Davies' futile plea, which is sprinkled with many dots (". . .") of elliptical hesitations (77–78).

Set entirely within the seedy Atlantic club, Silver Johnny - a young and talented performer on the road to fame and fortune - is held back by his jealous and protective manager Ezra, owner of the nightclub and father to a psychotic unloved son, Baby. As Silver Johnny progresses up the ladder to stardom, local gangster/entrepreneur Sam Ross begins to take an interest, and the only way to remove opposition (Ezra) appears to be sawing him in half, kidnapping Silver Johnny and leaving the club's fate in a state of limbo.

Ezra is discovered the next morning by his second-in-command, the highly ambitious Mickey, who announces that Ross intends to take over the Atlantic Club, setting the stage for a major power struggle; "He's been fucking cut in half. He's in two bins..."

Terrified by the potential threat of extermination by Ross and his gang, associates of the now deceased Ezra, (Potts, Sweets, Skinny and Baby) begin to lose their nerve, and try to convince themselves it's Mickey's idea of a joke; "It's Mickey's joke, it's Mickey's morning joke!" When this turns out to be false, the Atlantic Club gang prepare for what could be their final night. With just an ancient cutlass and an old Derringer as defence, the group starts to argue amongst themselves and even considers joining Ross, or simply leaving.

As the day wears on, people begin to gather outside the club waiting for the doors to open, oblivious to the situation. Sweating it out inside, the small group of four have to break the tragic news of Ezra's grisly death to Baby, who takes the news in a dreamlike, distant manner. Uneasy about Baby's mental stability, the Atlantic gang begins to become restless - especially about their catering. Arguments break out over frivolous matters (Uncle Tommy), and the group finally settles to consider just what its rivals are doing at that very moment.

In the climax to the fast-paced story, Sweets checks downstairs to see if the coast is clear for the gang to have a little space, rather than being cooped up in a single room, and finds Silver Johnny hanging from the ceiling. In sheer panic, Sweets calls for help, and is joined by the others. Baby reveals that by saving Silver Johnny he killed Mr Ross and discovered that Micky had betrayed them all for a share in the business. Skinny arrives and insults Baby, who responds by shooting him in the head with the Derringer. Mickey, Potts and Sweets attempt to cover the wound and to calm Skinny down, while Baby wanders around aimlessly. Silver Johnny is lowered to the floor and, tragically, Skinny dies. Unable to save Skinny's life, Mickey's authority and status break down, and he kneels beside his friend's body.

故事围绕编辑Susan Ryeland展开，她拿到了作家Alan Conway最新小说未完成的手稿，毫不知情这将改变她的生活。这是一次对侦探小说的真正颠覆；一场阿加莎•克里斯蒂式的谋杀盛宴；一首神秘童谣，幻化成一曲夺命交响；两个互为镜像的平行世界，衍生出双倍的邪恶；是书中混乱的字符跃进了现实？还是现实早已写好宿命的剧本？

　　吉姆·哈弗金斯（Toby Regbo 饰）与母亲（Shirley Henderson 饰）在乡下经营一家小旅。某天，旅馆接收一名惶恐嗜酒的海盗水手比利（David Harewood 饰），他曾是臭名昭著的海盗头子福林特船长（Donald Sutherland 饰）的手下。福林特凶残贪婪，手中握有一份藏宝图的地图。在他死之后，最为忠诚的比利似乎掌握了地图，而他也成为所有海盗急于找到的目标。吉姆从死去的比利身上找到藏宝图，借着和当地的伙伴乘船前往那个堆满了无数宝贝的金银岛。与此同时，邪恶的海盗乔装打扮登上他们的船，随时准备攫取令人垂涎欲滴的宝藏…… 　　本片根据英国作家罗伯特·路易斯·史蒂文森（Robert Louis Stevenson）的同名原著改编。

继收视和口碑均表现喜人的《白屋农场谋杀案》《丹斯》后，ITV预定了下一部真实罪案类剧集《约克郡开膛手 The Yorkshire Ripper》(暂定名)。

《杀死伊芙》《审讯室：英国》编剧George Kay负责剧本，《白屋农场谋杀案》导演执导。

本剧共6集，基于Michael Bilton的书籍《Wicked Beyond Belief: The Hunt for the Yorkshire Ripper》创作，将讲述世界上最臭名昭著、令人震惊的连环杀手案件之一，即对被称为"约克郡开膛手"的Peter Sutcliffe的追捕。

在1975年10月至1981年1月期间，警方进行了英国犯罪史上最大规模的搜捕行动。对Sutcliffe的搜寻持续了五年，有超过一千名警员参与，彻底改变了英国警方的工作方式。

该剧不会仅仅着墨于警方的工作，还会聚焦受害者和他们的家属，以及那些被袭击却不被他人相信、生活被永久改变的人们。编剧George Kay表示："这不是一个讲述约克郡开膛手的故事，而是约克郡如何被撕裂的故事。"