New York Times Bestseller
Fierce in its imagining and stupefying in its scope, Jerusalem is the tale of everything, told from a vanished gutter.
In the epic novel Jerusalem, Alan Moore channels both the ecstatic visions of William Blake and the theoretical physics of Albert Einstein through the hardscrabble streets and alleys of his hometown of Northampton, UK. In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap housing projects. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes, and derelicts, a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-colored puddles and the fractured dreams of those who navigate them.
Employing, a kaleidoscope of literary forms and styles that ranges from brutal social realism to extravagant children’s fantasy, from the modern stage drama to the extremes of science fiction, Jerusalem’s dizzyingly rich cast of characters includes the living, the dead, the celestial, and the infernal in an intricately woven tapestry that presents a vision of an absolute and timeless human reality in all of its exquisite, comical, and heartbreaking splendor.
In these pages lurk demons from the second-century Book of Tobit and angels with golden blood who reduce fate to a snooker tournament. Vagrants, prostitutes, and ghosts rub shoulders with Oliver Cromwell, Samuel Beckett, James Joyce’s tragic daughter Lucia, and Buffalo Bill, among many others. There is a conversation in the thunderstruck dome of St. Paul’s Cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath toward the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth, poverty, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city.
1 map; 3 illustrations

The definitive autobiographical book on Alan Moore finally returns to print in a new expanded and updated version! In "The Extraordinary Works of Alan Moore: Indispensable Edition", Moore reflects on his life and work in an insightful and candid fashion through an extensive series of interviews about his entire legendary career, including new interviews covering his career since the original edition of this book was published in 2003. From "Swamp Thing", "V For Vendetta", and "Watchmen", to the future of "The League of Extraordinary Gentlemen" and beyond - all of his most important works and major themes are discussed. Within this tome, readers will find rare strips, scripts, artwork, and photographs of the author, most never published elsewhere. Also, best-selling author Neil Gaiman headlines a series of tribute comic strips featuring many of Moore's closest collaborators elaborating on their relationship with the great writer! Included as well is a color section, featuring the rare Moore story "The Riddle of the Recalcitrant Refuse" (newly remastered, and starring Mr. Monster), plus his unseen work on Judge Dredd, and other tales by the creator of "Watchmen" (soon to be a blockbuster 2009 film).

From the subterrean depths of comics' most innovative mind comes a supremely deranged duo. Alan Moore (Watchmen, Batman:Killing Joke) and Alan Davis (Excalibur, X-Men) are proud (and should be ashamed) to present D.R. & Quinch.
Outrageous, unrestrained,heavily armed: college students D.R. & Quinch gleefully provide irredeemably poor role-modelling for today's youth. Comes complete with tips on death, extremely painful death and the art of total destruction.
Wildly offensive tales of alien slime wars, psychotic girlfriends and warped war veterans make for a volatile mix of malicious mayhem and deeply dark humour, available now in this gorgeous collectors edition that's way too good for them!

Alan Moore and Kevin O’Neill steer their fifty-year-long Nemo trilogy to its pulse-pounding and heart-wrenching conclusion.
In a world where all the fictions ever written coalesce into a rich mosaic, it’s 1975. Janni Dakkar, pirate queen of Lincoln Island and head of the fabled Nemo family, is eighty years old and beginning to display a tenuous grasp on reality. Pursuing shadows from her past — or her imagination — she embarks on what may be a final voyage down the vastness of the Amazon, a last attempt to put to rest the blood-drenched spectres of old. With allies and adversaries old and new, we accompany an aging predator on her obsessive trek into the cultural landscape of a strange new continent, from the ruined city of Yu-Atlanchi to the fabulous plateau of Maple White Land. As the dark threads in her narrative are drawn into an inescapable web, Captain Nemo leads her hearse-black Nautilus in a desperate raid on horrors believed dead for decades.
Through the exotic spectacle of an imagined South America, Moore and O'Neil guide their readers through this epic final act, borne upon a River of Ghosts.

The new volume detailing the exploits of Miss Wilhelmina Murray and her extraordinary colleagues, "Century" is a 240-page epic spanning almost a hundred years. Divided into three 80-page chapters - each a self-contained narrative to avoid frustrating cliff-hanger delays between episodes - this monumental tale takes place in three distinct eras, building to an apocalyptic conclusion occurring in our own, current, twenty-first century. Chapter one is set against the backdrop of London, 1910, twelve years after the failed Martian invasion and nine years since England put a man upon the moon. In the bowels of the British Museum, Carnacki the ghost-finder is plagued by visions of a shadowy occult order who are attempting to create something called a Moonchild, while on London's dockside the most notorious serial murderer of the previous century has returned to carry on his grisly trade. Working for Mycroft Holmes' British Intelligence alongside a rejuvenated Allan Quartermain, the reformed thief Anthony Raffles and the eternal warrior Orlando, Miss Murray is drawn into a brutal opera acted out upon the waterfront by players that include the furiously angry Pirate Jenny and the charismatic butcher known as Mac the Knife.

This book is written by Alan Moore. It includes art and cover by Kevin O'Neill. It's one month after the events in "League of Extraordinary Gentlemen Vol. 1", and the skies over England are filled with flaming rockets as Mars launches the first salvo of an invasion. Only our stalwart adventurers - Allan Quatermain, Mina Harker, Captain Nemo, Hawley Griffin, and Mr. Edward Hyde - can save mother England and the very Earth itself. But there are many startling revelations along the way, including the blossoming of love and the uncovering of a traitor in their midst.

Drawing upon an overlooked and energetic pool of local talent as well as numerous friends and co-conspirators from comic books, the arts or entertainment, Dodgem Logic sets out to provide a splash of subterranean exotica in a bleached-out cultural and social landscape. Published every other month by counter-culture veterans KNOCKABOUT, Dodgem Logic is a forty page full-colour spectacle that, in addition, has an eight-page local section in each issue, thus inviting other areas to publish regional editions by providing their own inserts.

London, 1898. The Victorian Era draws to a close and the twentieth century approaches. It is a time of great change and an age of stagnation, a period of chaste order and ignoble chaos. It is an era in need of champions. In this amazingly imaginative tale, literary figures from throughout time and various bodies of work are brought together to face any and all threats to Britain. Allan Quatermain, Mina Murray, Captain Nemo, Dr. Henry Jekyll and Edward Hyde and Hawley Griffin, the Invisible Man, form a remarkable legion of intellectual aptitude and physical prowess: "The League of Extraordinary Gentlemen".

Winner of the Eisner, Harvey, and Ignatz Awards for Best Graphic Novel.
"Remarkable." -- Leo Carey, The New Yorker
" … dark, fearsomely complex …" -- Douglas Wolk, Publishers Weekly
"My all-time favorite graphic novel … an immense, majestic work about the Jack the Ripper murders, the dark Victorian world they happened in, and the birth of the 20th century." -- Warren Ellis, Entertainment Weekly
"Moore's works have often defied the public's expectations of the medium, and his most ambitious work, the massive graphic novel From Hell, is no exception. … The result is at once a meditation on evil, a police procedural and a commentary on Victorian England. … an impressive piece of work." -- Patrick Day, The Los Angeles Times
"… a massive exploration of the Jack The Ripper murders that incorporates British history, Masonic ritual, and London geography in a fascinating and horrifying conspiracy theory." -- Tasha Robinson, The Onion
From Hell is the story of Jack the Ripper, perhaps the most infamous man in the annals of murder. Detailing the events leading up to the Whitechapel killings and the cover-up that followed, From Hell is a meditation on the mind of a madman whose savagery and violence gave birth to the 20th century. The serialized story, presented in its entirety in this volume, has garnered widespread attention from critics and scholars, and has been adapted into a major motion picture from Twentieth Century Fox starring Johnny Depp and Heather Graham. Often regarded as one of the most significant graphic novel ever published, From Hell combines meticulous research with educated speculation, resulting in a masterpiece of historical fiction both compelling and terrifying. This new edition has been completely re-mastered, and is definitely the nicest edition of the book produced to date.

In a world of used ideas spun out into unending single-premise sagas and told in full cyber-enhanced Technicolor, unapologetically we offer up CINEMA PURGATORIO, a black and white horror anthology which reaches for something both new and startling beyond the endlessly recycled characters and concepts of the 60s and the 70s. An anthology, to let its authors exercise the discipline and the invention that only short stories can provide – and out of which the vast majority of today’s memorable franchises were created – and black and white in order to impose that selfsame discipline upon its artists by removing the alluring camouflage of colour and requiring the same values that the classic comic illustrators made their byword. Why shouldn’t the 21st century enjoy the craft and quality that the E.C. and Warren luminaries managed, but with an originality and freshness born entirely of our anxious present and uncertain future? Why shouldn’t the world once more have horror stories which compel their audience to tremulously tell themselves “It’s just a movie; just a film”?
CINEMA PURGATORIO is an unholy resurrection of the backstreet bug-hutches and fleapits practicing their eerie silver mesmerism on our post-war predecessors, drenched in atmosphere and other less identifiable decoctions. The threadbare arenas to a generation’s adolescent fumblings and upholstery-slashing rage alike, these peeling Deco temples were the haunted, flickering spaces where were bred the dreads and the desires of those Macmillan days; Eisenhower nights. Varnished with blood and Brylcreem, in our razor-collared cutting edge collection we restore the broken-bulb emporiums where, in the creaking backseats, modern terror and monstrosity were shamelessly conceived. In our worn aisles and glossy pages the most individual and inventive talents in contemporary comics are delivering a landmark midnight matinee in monochrome, intent on pushing both the genre and the medium beyond their stagnant formulas and into shapes that suit the unique shadows and disquiets of our present moment.
Take your curling ticket from the withered and embittered woman in the booth, regard uneasily the lobby cards for movies recalled vaguely from a clammy dream, then, if you dare, follow the failing flashlight-puddle of the usherette on down into a different kind of dark.
- Alan Moore