Two children run away from a Swiss boarding school and set out for Paris, with their frantic parents in hot pursuit.

在表现大屠杀的影片里，《最后的蝴蝶》的特殊之处在于它并未哭诉历史，而是选择沉静的方式来叙述，同样感人至深。希区柯克的御用配乐师Alex North为本片所创作的音乐也同样效果出众。

本影片由派翠西亚·海史密斯的一部快被人忘记却相当有趣的小说改编而成。蒙冤坐牢五年的丈夫刑满释放，可回到家中，他却发现了一系列与妻子有关的秘密，旋即坠入嫉妒泥潭，不可自拔。影片巧妙地展现出被嫉妒之火毁灭的过程，悲伤的结局令人唏嘘不止。影片中男女主角的表现堪称精准，令人佩服。

Thomas de Frémont, a precocious child obsessed with action films, sets himself up for a terrifying Christmas Eve after he unwittingly makes contact with a deranged psychopath who claims he's Santa Claus.

At Bertrand Morane's burial there are many of the women that the 40-year-old engineer loved. In flashback Bertrand's life and love affairs are told by himself while writing an autobiographical novel.

After serving together in the French Foreign Legion, a mercenary and a doctor leave the service and go their separate ways. Later, they are reunited and become involved with a caper involving millions in a high-security safe. The two men become locked in during a holiday weekend as they attempt to crack the safe's combination.

Polish Martin Gray recalls the Holocaust, New York prosperity, and losing his wife and family.

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.

An amazing movie...but hard to see
I saw this movie a long time ago when it was billed as "Femmes Fatales". I remember it as one of the most bizarrely amusing films I've ever seen. While perhaps not as sophisticated as Blier's later efforts, as I remember, it had a crude power and was a scathing look at male/female relations: a kind of cinematic exploration of the male id done with great honesty and comic bravura. I wish I could see it again...but I've never seen it offerred anywhere.

Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.

1980 film by Claude Pinoteau

A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.