Stan Brakhage steps out of his usual role as experimental filmmaker to narrate animated visualizations of Venezuelan creation myths.

Several well-known and pioneering abstract filmmakers discuss the history of non-objective cinema, the works of those that came before them and their own experiments in the field of visionary filmmaking.

这部关于魅力十足的电影制作人、诗人和人类学家玛雅·黛伦的权威传记包含她的开创性作品《午后的迷惘》和她未完成的海地纪录片的摘录、对斯坦·布拉哈格和乔纳斯·梅卡斯的采访、以及她的讲座录音。由海伦·米伦讲述，这是一个短暂而非凡的一生的故事，也是一个开创性的电影作品的故事，它影响并形成了美国独立和艺术家电影制作实践的开始和随后的方向。

A brief short of Phil Solomon and Stan Brakhage going to the movies in the spring of 2002.

The Extraordinary Child applies his developing style to broad slapstick. His friends from the previous films and the director himself play out a riotous farce about an overgrown baby who steals his father’s cigars. Everyone mugs hilariously. The movie could be taken as another example of the Romantic notion of the artist as a monstrous child or misfit, or a parody of the same rather than the personal confessional statement seen so often in these film movements.