汤姆·威茨 — 艺术家 (55)
Nighthawks At The Diner (Remastered) [音乐] Spotify
发布日期 1975年10月21日 出版发行: 2018 Lost Henry. Manufactured and Distributed by Anti, a division of Epitaph, A California Corp. / 2018 Lost Henry. Manufactured and Distributed by Anti, a division of Epitaph, A California Corp.
狂野年代 [音乐] 豆瓣
Tom Waits 类型: 布鲁斯
发布日期 2002年10月3日 出版发行: Universal/Island
汤姆·威兹(Tom Waits),又译为汤姆·韦斯或汤姆·韦茨,美国艺人。1949年12月7日生于美国加利福尼亚州波莫纳(Pomona)。代表作品有专辑《剑鱼长号》、《福兰克的狂野时光》、《骨头机器》、电影《法外行走》、《咖啡和香烟》等。
The Asylum Years [音乐] 豆瓣
Tom Waits 类型: 布鲁斯
发布日期 2005年2月17日 出版发行: Wea/Elektra
13 track 1986 retrospective of his finest output for the Asylum label, including 'The Heart Of Saturday Night', 'Small Change', 'I Never Talk To Strangers', 'Blue Valentines', the 'Westside Story' classic 'Somewhere' and more! A WEA release.
Nighthawks at the Diner [音乐] 豆瓣
9.2 (8 个评分) Tom Waits 类型: 民谣
发布日期 1975年10月1日 出版发行: Elektra / Wea
As tour guide on a trip through the midnight-to-dawn streets of Los Angeles that the beautiful people never see through the smoked-glass windows of their limos, Waits details the lives of hipsters, down-and-outers, and lost causes in latter-day beat poetry and small-jazz-combo arrangements. This live album from 1975 almost has the quality of standup comedy, but the routines are richer and more carefully drawn. Check out the vivid detail, low humor, and hooker-with-a-heart-of-gold emotionalism Waits brings to songs such as "Nighthawk Postcards," "Putnam County," and a memorable reading of trucker poet Red Sovine's "Big Joe and Phantom 309." --Daniel Durchholz
The Early Years VOL 1 [音乐] 豆瓣
Tom Waits 类型: 布鲁斯
发布日期 1991年1月1日 出版发行: Get Back
Tom Waits wasn't always the intense, even bizarre pop expressionist he'd become by the '80s. Before the brilliant dementia of his later work, Waits was just another soft-spoken troubadour with a wicked sense of humor and a special fondness for jazz, blues, and the Beat generation. The roots of his music are revealed within the 13 tracks of The Early Years, a collection of previously unreleased 1971 demo tapes. Waits never intended these recordings for public consumption. But the wise guy pathos of "I'm Your Late Night Evening Prostitute" and the intentionally bad puns of "Had Me a Girl" hold up well as intelligent, charming, early snapshots of an important artist. --Steve Appleford