盛夏。一个古老的庄园。14岁的米佳在这里的夏令营度过了告别童年的100天。集合号、升旗仪式、懵懂的初恋、幻灯片上蒙娜丽莎的微笑、到邻近的集体农庄参加劳动、把莱蒙托夫的《假面舞会》搬上夏令营的舞台，这些便是米佳在“森林岛屿”夏令营中的主要生活。在感受大自然的美好和文学丰盈滋养的同时，米佳也经历着单相思的沮丧和对童年即将过去的怅惘。影片按11个标题划分出段落，每个段落衔接自然。影片内在的韵律节奏推进着情节的发展。
导演谢·索洛维约夫天才地将绘画、文学和音乐贯穿在本片中。用美和智慧拯救心灵似乎是他一贯表达的主题。本片也不例外。少年纯净天真的气质、内心尖锐的疼痛、自我意识的雏形都得到了完好的呈现。在镜头描绘大自然、光与影的细微图层的同时，索洛维约夫捕捉着人物转瞬即逝的情绪变化，就是在这样一个孤立的岛屿和人生必经的一段旅程上，主人公内心的力量慢慢积蓄。
无论是《童年过后一百天》，还是之后的《白夜的旋律》、《阿萨》、《黑玫瑰——悲伤的象征，红玫瑰——爱情的象征》、《星空下的房子》等，几乎所有索洛维约夫的影片都涌动着喷薄而发的激情，充满着无尽的魅力。
本片获1975年柏林电影节银熊奖，1977年苏联国家奖金。

　　在西伯利亚的原始森林里，有一个叫叶兰的小村庄。村里的富户所罗门家族和穷人乌斯丘宁家是世仇。1917年，风起云涌的革命从广大的城市波及到这密林深处的小村落。面对这场天翻地覆的革命，在西伯利亚这块土地上到底会发生什么？这两个家庭又将面临什么样的命运？ 　　 　　 　　第32届戛纳国际电影节 　　评委会特别大奖, 安德里·康查罗夫斯基

It's a truly extraordinary film, easily the best we’ll see about Chernobyl, and criminally rarely seen. It has satirical and surreal moments, but is ultimately a damning indictment of everything about the country in the 1980s. The visual allusions to Eisenstein and Tarkovsky are beautifully appropriate...
RASPAD is a hard-hitting Ukrainian film that details the horrors and aftermath of the Russian Chernobyl nuclear-reactor incident.
In April 1986, Soviet journalist Alexander Zhuralev (Sergei Shakurov) returns from assignment in Greece to his home in Kiev, only to discover, via an anonymous note, that his wife Ludmilla (Tatiana Kochesmasova) has been having an affair with his bureaucrat friend Shurik (Alexii Gorbunov). To consol himself, Alexander plans a visit with his friend Anatoli Stepanovich (Georgi Drozd), but before they can meet, a fiery explosion rips through one of the Chernobyl reactors, where Anatoli works, and he is one of the first victims. However, no announcements are made by the government, and life continues normally.
Newlyweds Valerii (Alexii Cerebriakov) and Lyuba (Marina Mogilevskaya) mount their motorcycle and set off on a camping honeymoon in the forests near Chernobyl. Soon towns near the site are being evacuated, and in Kiev (about 70 miles south of Chernobyl), Shurik tells Ludmilla about the accident and advises her to leave at once. Alexander, however, is able to find out nothing from his sources in the government. At the train station he discovers mass panic--all tickets are reserved for government officials and their friends. On their trip Valerii and Lyuba see dead animals and are startled by men in white radiation suits examining the area with their instruments; they flee to a church where an Easter mass is in progress. Still, no news from the government is forthcoming.
After a vodka-soaked Easter party, Alexander agrees to allow his wife and their son, Dimko (Taracik Mikitenko), to leave with Shurik only if he arranges access for Alexander to Chernobyl. He joins a small band of reporters on a helicopter that flies over the abandoned area, especially the town of Pripyat, where most of the Chernobyl workers lived. Stunned but feeling heroic for having been able to report on the disaster to his newspaper, Alexander returns home and finds that Ludmilla and Dimko have returned--they will face whatever future they have together as a family.
Translated into English as "Collapse" or "Disintegration", RASPAD is much more than a chronicle of the Chernobyl accident. In it, producer-director-coscreenwriter Mikhail Belikov aims to document a country's entire moral, social, political, and economic disintegration. There are scores of concise and telling details here, from the small (Alexander has forgotten to bring a requested packet of soil from Greece, the homeland of his father, and so he fools the old man with some backyard dirt), to the medium (Ludmilla lies to Alexander about her affair; Valerii and Lyuba have bribed an official to send a relative to an old-age home so that they can take over their small, shared apartment), to the large (government officials tell Alexander there is no danger, then head their limos to the airport for the next flight out). Belikov reserves his greatest scorn for his own profession: the media--in the aftermath of the explosion, the TV channels (seen throughout the film) continue to carry only a marathon bicycle race.
Mostly documentary-like in style, RASPAD is savage and unsubtle in its catalogue of ills, yet it's beautifully controlled, avoiding both cliche and sentimentality, by Belikov, a former director of photography helming his third feature following 1981's THE SHORT NIGHT and 1985's HOW YOUNG WE WERE. The character Alexander is an obvious stand-in for Belikov, who was living in Kiev during the incident and has based his film on stories he heard from friends, relatives and colleagues.
In addition to Kiev, Belikov was allowed to shoot on actual locations, including the contaminated town of Pripyat (row after row of abandoned, deathly still apartment buildings and streets) and, most horrifyingly, the reactor areas of Chenobyl itself (for which scenes Belikov and his crew, three years after the fact, risked contamination themselves). Yet there are also touches of poetry here and some near surreal scenes (the sudden appearances of the white-suited figures at public outdoor events, which the government had allowed to go on after the explosion).
Beginning production with a $600,000 budget on the third anniversary of Chernobyl, and with the Soviet film industry in a collapse of its own, Belikov was technically aided (film stock, etc.) by American producer Peter Almond and the Pacific Film Fund, which brought the movie and Belikov to San Francisco for post-production.
The film premiered at the 1990 Cannes Festival.

当整个国家都在关注1980年莫斯科奥运会时，伏尔加河上的少先队营地"布雷维斯特尼克"发生了一些怪事。孩子们在晚上神秘地消失，又神秘地回来，但和以前大有不同。对夏季自由和对彼此充满热情的领队并没有注意到可怕的先驱传说是如何在他们的队伍中复活的，营地的领导层则装作一切如常。男孩瓦莱克和伊戈尔的辅导员必须了解“布雷维斯特尼克”的秘密。首先，他们必须知道营地里是否还有人值得信任。

《烈日灼人》、《西伯利亚的理发师》导演尼基塔·米哈尔科夫的第一部长片，模仿美国西部片风格，加上紧张刺激的枪战、兄弟情谊、悬崖冒险和骑马追逐，讲述一个发生于苏俄内战刚结束时的故事。史洛夫和另外四名战友在内战期间相识，成为莫逆之交。战后苏联政府需要用火车运送一批黄金到莫斯科去，用来购买粮食救助饥饿人民。史洛夫和他的部队负责护送黄金，确保安全运到目的地。可是中途却遭到埋伏，黄金最后被盘踞山林的土匪抢走。史洛夫失去记忆，因黄金被盗，加之其兄的土匪身份，他被认为是泄密者。他为自证清白，决定混入土匪的队伍找回黄金。

2005年的传记电视剧关于苏联领导人勃列日涅夫。

孟什科夫企图重新控制彼得二世，但是在阴谋者的策划下这位小皇帝却逃跑了。这是殊死的博斗！因为阴谋者们都非常清楚，盛怒下的孟什科夫有多么的可怕，他曾亲手砍下了叛军的脑袋。他们逼皇帝签署了几份早已准备好了的文件，然后带着皇帝藏了起来…… 这场持续了几年的阴谋以强大的当权者孟什科夫等人被流放而告终。 在白雪皑皑的大路上，满头白发的孟什科夫甩掉了身上华贵的衣裳，还回了皇家勋章和女儿的定婚戒指。在他的身后，子女们乘坐的马车在慢慢的走着，其中也有被后人称之为“破产的新娘”的玛丽娅…… 两年来，孟什科夫在别廖佐夫只做一件事，就是祈祷，请求上帝的原谅，忏悔自己的罪过。临终前，孟科夫对子女们说：“学会去死，别为尘世间的空虚悲哀……”

为了巩固自己的势力，特级公司爵孟什科夫为十一岁的彼得二世和自己的女儿举行了订婚典礼，并将皇帝控制在自己的宫殿内。因为孟什科夫害怕多尔戈鲁基公爵兄弟对这个小皇帝有不好的影响，特别是害怕聪明美丽的叶丽扎维塔的影响，因为彼得二世非常喜欢她。孟什科夫想做顾命大臣，直到皇帝成年和玛丽娅结婚，然而他突然得了重病，不得已立了遗嘱，向彼得二世和玛丽娅交代了最后几句话…… 彼得二世终于从被人钳制中摆脱出来，大臣伊万·多尔戈鲁基地把他带到了皇族消暑的胜地——彼得夏宫，老奸巨滑的大臣奥奥斯捷尔曼伯爵企图在这里稳住皇帝，再和同党一道彻底推翻病危的孟什科夫的统治。他们唆使彼得二世反对孟什科夫。 然而孟什科夫却奇迹般的康复了，为了庆祝自己的康复，孟什科夫修建了教堂。在教堂落成当天，孟什科夫请来了年轻的皇帝，不料一贯听话的皇帝却给了孟什科夫一记响亮的耳光…… 孟什科夫明白了，在他生病期间政治局势已经发生了剧烈的变化……

这是一部童年回忆的电影，主要讲的是两个小男主的父亲战后从法国归家的情景。

television series

根据《纽约时报》和《华盛顿邮报》最畅销的连环杀手惊悚小说改编。圣彼得堡警察正在追踪一个疯子的踪迹，这个疯子不仅杀害年轻女性，还将她们的身体变成艺术品，在公共场所摆出受害者的姿势，好像她们还活着。著名的法医心理学家卓娅·沃尔金娜和特别行动处官员蒂莫菲·沃洛赫联手找到了凶手。他们必须一起深入连环杀手的心理，解开他扭曲的幻想，否则会有更多妇女死亡。

After traveling around the country, Alexey Krasheninnikov stayed in the city - they promised an apartment at work. But a letter came saying that the old people were sick. Alexey went home with his family and decided not to return to the city after his father's funeral...

Denis Sazonov, a former driver of the KAMAZ-master racing team, wants to return to his native team after a 12-year break and collapse on all fronts of life. But it turns out to be difficult: once, having become the youngest world champion in the history of rally raids, he was fired from KAMAZ-master for violating team ethics. Denis wants to regain his sense of self-respect and involvement in the "big deal" and win the rally raid again. But no one is waiting for him in the team. Eremin, the deputy director of the team, does not want to give him a chance, because he believes that Denis violated the team rules. Sazonov gets a job as a cleaner in the team, going all the way "to the wheel" from the very beginning. But even here an unpleasant surprise awaits him: he meets his ex-wife Zhenya, who plans to take the place of navigator and become the first female pilot in the men's team.

A woman who cleans toilets has dreams of meeting a lover and finding happiness.Will these dreams, in the winter of a USSR in its last years, come true?

According to ancient legend, the artist found a mineral that can revive any inanimate thing. To hide the mineral, he inserts it into a doll named Hagi. A century later, Hagi falls into the hands of a puppeteer, and he with horror discovers that the old doll is alive. Moreover, she also has a nasty character. Criminals try to take possession of it in order to use it for mercenary purposes. But they do not know the secrets of this doll - no one can take possession of it, but it has a destructive effect on any person who falls within its influence.

Former criminal investigator, Major Korenev, nicknamed Fox is released from prison. He has been detained there as a result of planted incriminating evidence of unlawful investigation techniques. Setting accounts with Shaman - a big criminal boss, who ordered the evidence planted and also with his former colleagues was not a part of Korenev's agenda. As he returns to Moscow he finds a new world ruled by underworld bosses, criminal clans fighting each other and utter chaos on the desperately keeping appearances streets of Russian capital. Facing death of his friends, Major Korenev decides to re-install law and order using some unorthodox methods that are only relevant in 21st century Russia.