《月球旅行记》最初诞生于1902年，但出于诸多原因导致该影片的彩色版本遭到损坏遗失。直到影片重新被人们发现，才在大量技术人员的努力下得以修复。本片作为纪录片，记录了修复重制《月球旅行记》的全过程，同时，片中展示了大量电影技术的创造衍变。
这既是一部关于梅里埃和《月球旅行记》的纪录片，又是一部大量普及早期电影知识、电影修复技术的科教类影片。虽然如此，但本片绝不枯燥，大量妙趣横生的动画片的加入，让观众在会心一笑的同时，重读一遍影史。此外，还有众多重量级导演现身说法，讲解早期电影的奥秘，这其中包括了著名政治电影大师科斯塔·加夫拉斯（Costa-Gavras），刚刚拿到奥斯卡最佳导演奖的《艺术家》导演米歇尔· 哈扎纳维希乌斯（Michel Hazanavicius）。更令人欣喜的是，好莱坞明星汤姆·汉克斯也会出来讲解一小段。

1964年，亨利-乔治·克鲁佐执导的《地狱》制作陷入停滞。尽管期望很高，主要工作室支持和无限预算，但三周后制作崩溃了。这部纪录片展示了《地狱》令人难以置信的表现主义原始镜头、试镜和外景拍摄素材，并重建了克鲁佐最初的愿景，通过采访、未拍摄场景的戏剧化再现和克克鲁佐自己的笔记揭示了这个不幸的努力。

Featuring interviews with the likes of Hitchcock, Kurosawa, Robert Bresson and David Lynch, What is Cinema? is documentarian Chuck Workman’s engrossing visual essay about mastery of cinematic form. Our world premiere will be followed by a live conversation with Workman.

The feature documentary Searching for Mr. Rugoff is the story of Donald Rugoff, who was the crazy genius behind Cinema 5, the mid-century theater chain and film distribution company. Rugoff was a difficult (some would say impossible) person but was also the man who kicked art films into the mainstream with outrageous marketing schemes and pure bluster. Rugoff's impact on cinema culture in the United States is inestimable, and his influence on the art film business-from the studio classics divisions to the independent film movement to the rise of the Weinsteins-is undeniable. Yet, mysteriously, Rugoff has become a virtually forgotten figure. The story is told through the eyes of former employee Ira Deutchman, who sets out to find the truth about the man who had such a major impact on his life, and to understand how such an important figure could have disappeared so completely.

菲兹修姆（切维·切斯 Chevy Chase 饰）和梅尔巴格（丹·艾克罗伊德 Dan Aykroyd 饰）彼此之间并不相识，却同时参加了美国国务院的考试。在考场里，两个足智多谋古灵精怪的男人配合默契，完成了一次完美的作弊。这一切都被他们的上级看在眼里，事后，两人被国务院招募，成为了反间谍。
两个男人来到了巴基斯坦，要完成一项非常重要而又危险的任务，这和考试作弊可不一样，如果有一丝疏忽和闪失，他们分分钟要丢掉性命。然而，意外和巧合就是这样不尽如人意地接连发生，菲兹修姆和梅尔巴格必须凭借着他们的智慧和勇气，将其一一化解。最终，他们能否完成国家赋予他们的特殊任务呢？

Yves Montand would have been 100-years-old in 2021. A journey through the 20th century by the son of an Italian immigrant who reached the peak of his art and popularity. The song, the cinema, the commitments, a film all in archives.

斯坦利·阿呆是生活中一个愚蠢得让人捧腹不已的人。阿呆发现自家的垃圾总是被人偷走，于是阿呆决定采取行动，查出偷走垃圾的人。经过一夜的蹲守，阿呆终于发现自家的垃圾原来被两个垃圾清运工送到垃圾处理场。当熟睡的阿呆被垃圾清运工喜剧般带到垃圾场时，阿呆发现了一个惊人的秘密:一个中尉正带着几个战士和黑社会人员进行武器交易。为了杀人灭口，中尉命令两名士兵秘密跟踪阿呆并侍机把他干掉。爸爸的失踪让阿呆的两个孩子巴斯特和比德尼娜怀疑父亲遭到了绑架，巴斯特和比德尼娜给妈妈留个字条后就去了警察局。阿呆的妻子简回来发现孩子留下的字条后，也追出来寻找孩子。经过一系列有惊无险的闹剧后，简最终找到了两个孩子，而巴斯特和比德尼娜也从妈妈的讲述中知道了爸爸年轻时大量愚蠢可笑的故事。最终，在警察的帮助下，愚蠢的阿呆配合警察把从事武器交易的犯罪分子一网打尽。

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.