《伪君子》写伪装圣洁的教会骗子答尔丢夫混进商人奥尔恭家，图谋勾引其妻子并夺取其家财，最后真相败露，锒镗入狱。剧作深刻揭露了教会的虚伪和丑恶，答尔丢夫也成为“伪君子”的代名词。其剧作在许多方面突破古典主义的陈规旧套，结构严谨，人物性格和矛盾冲突鲜明突出，语言机智生动，手法夸张滑稽，风格泼辣尖利，对世界喜剧艺术的发展有深远的影响。

Four outsiders suffering from lack of affection meet up on a stretch of waste ground littered with the remains of abandoned cars. One of them, Jérôme, falls madly in love with a strange and beautiful young woman named Anne, a governess with a wealthy bourgeois family. Unable to approach the woman, Jérôme weaves a wild fantasy romance

在一场政变后，某北非国家反对派领导人萨迪尔前往瑞士避难。 卡萨尔上校明锐的意识到萨迪尔所面对的危险，于是和法国安全部门联系，以帮助这位流亡政治家。

Seen through the filtered lens of boyhood memories, award-winning director Mohamed Lakhdar-Hamina crafted this half-fictional, half-autobiographical account of a brief period in the history of an Algerian village. It is 1940, and the quiet town is ruled by French colonialists appointed by the Vichy government. Algerians are being called up for service in the Vichy military, and Jews in the village are in danger of deportation. A beautiful young schoolteacher named Claire Boyer (Veronique Jannot) arrives in town and turns every male head within miles, including 14-year-old Mouloud (Merwan Lakhdar-Hamina, the director's son). Simon Attal (Michel Boujenah), a fellow teacher and a Jew, is also attracted to Claire, and so is Mouloud's older brother. Suddenly two murders occur in the village, Simon is in danger of being deported, and the tone shifts from the dreams of boyhood to the realities of manhood.

曾参选1972年戛纳电影节

The dictator Anastasio rules with an iron fist backed by business-men making deals and speeches about building canals, completely disconnected from the chaos amongst the population. Anastasio is rumored to have died after an incident with a mirror and a violent confrontation after literally crowing as a cock amongst his chicken followers. The afterlife is shown as a casino where Anastasio strong-arms his way into heaven. Divination is used to find the next dictator, and a sailor and his black, peasant sidekick find themselves attempting to start a revolution with an organ, dragging it through the countryside, as the movie explores the country, culture and music.