托尼·库什纳 — 编剧 (27)
天使在美国:千禧年降临 2013英国国家剧院版 [演出] 豆瓣
所属 演出: 天使在美国:千禧年降临
语言: 英语 english 剧院: The National Theatre 导演: Catherine Ashmore
其它标题: 2013英国国家剧院版 编剧: Tony Kushner 演员: Dominic Cooper / Andrew Scott
Set in New York City in 1985, Act One of Millennium Approaches introduces us to the central characters . As the play opens, Louis Ironson, a neurotic , gay Jew learns his lover, WASP Prior Walter, has AIDS . As the play and Prior's illness progress, Louis becomes unable to cope and moves out. Meanwhile, closeted homosexual Mormon and Republican law clerk Joe Pitt is offered a major promotion by his mentor , the McCarthyist lawyer Roy Cohn . Joe doesn't immediately take the job because he feels he has to check with his Valium -addicted, agoraphobic wife, Harper, who is unwilling to move. Roy is himself deeply closeted , and soon discovers that he has AIDS .

As the seven-hour play progresses, Prior is visited by ghosts and an angel who proclaim him to be a prophet ; Joe finds himself struggling to reconcile his religion with his sexuality ; Louis struggles with his guilt about leaving Prior and begins a relationship with Joe; Harper's mental health deteriorates as she realizes that Joe is gay; Joe's mother, Hannah, moves to New York to attempt to look after Harper and meets Prior after a failed attempt by Prior to confront Hannah's son; Harper begins to separate from Joe whom she has depended upon and finds strength she was unaware of; and Roy finds himself in the hospital, reduced to the companionship of the ghost of Ethel Rosenberg and his nurse, Belize, a former drag queen and Prior's best friend, who meanwhile has to deal with Louis's constant demands for updates on Prior's health. The subplot involving Cohn is the most political aspect of the play. Portrayed as a self-loathing, power-hungry hypocrite, he prides himself on his political connections and influence, which he has amassed through decades of corruption. In the play, he recollects with pride his role in having Ethel Rosenberg executed for espionage . As he lies alone in the hospital, dying of AIDS, the ghost of Rosenberg sings him a Yiddish lullaby and then brings him the news that the New York State Bar Association has just disbarred him, destroying his final hope of dying as a lawyer. The play ends on a note of optimism. After his friends procure for him a stash of AZT , in 1990 Prior is still alive and is managing to live with AIDS. With his friends, he looks at the statue of an angel in Bethesda Fountain and talks of the legend of the original fountain, and how it will flow again some day. The play is deliberately performed so that the moments requiring special effects often show their theatricality. Most of the actors play multiple characters ( eg, the actor playing Prior's nurse also appears as the Angel). There are heavy Biblical references and references to American society , as well as some fantastical scenes including voyages to Antarctica and Heaven , as well as key events happening in San Francisco and at Bethesda Fountain in Central Park .
天使在美国:千禧年降临 2017 National Theatre版 [演出] 豆瓣
所属 演出: 天使在美国:千禧年降临
语言: 英语 english 剧院: National Theatre 导演: Marianne Elliott
其它标题: 2017 National Theatre版 编剧: Tony Kushner 演员: Andrew Garfield / Rusell Tovey
Set in New York City in 1985, Act One of Millennium Approaches introduces us to the central characters . As the play opens, Louis Ironson, a neurotic , gay Jew learns his lover, WASP Prior Walter, has AIDS . As the play and Prior's illness progress, Louis becomes unable to cope and moves out. Meanwhile, closeted homosexual Mormon and Republican law clerk Joe Pitt is offered a major promotion by his mentor , the McCarthyist lawyer Roy Cohn . Joe doesn't immediately take the job because he feels he has to check with his Valium -addicted, agoraphobic wife, Harper, who is unwilling to move. Roy is himself deeply closeted , and soon discovers that he has AIDS .

As the seven-hour play progresses, Prior is visited by ghosts and an angel who proclaim him to be a prophet ; Joe finds himself struggling to reconcile his religion with his sexuality ; Louis struggles with his guilt about leaving Prior and begins a relationship with Joe; Harper's mental health deteriorates as she realizes that Joe is gay; Joe's mother, Hannah, moves to New York to attempt to look after Harper and meets Prior after a failed attempt by Prior to confront Hannah's son; Harper begins to separate from Joe whom she has depended upon and finds strength she was unaware of; and Roy finds himself in the hospital, reduced to the companionship of the ghost of Ethel Rosenberg and his nurse, Belize, a former drag queen and Prior's best friend, who meanwhile has to deal with Louis's constant demands for updates on Prior's health. The subplot involving Cohn is the most political aspect of the play. Portrayed as a self-loathing, power-hungry hypocrite, he prides himself on his political connections and influence, which he has amassed through decades of corruption. In the play, he recollects with pride his role in having Ethel Rosenberg executed for espionage . As he lies alone in the hospital, dying of AIDS, the ghost of Rosenberg sings him a Yiddish lullaby and then brings him the news that the New York State Bar Association has just disbarred him, destroying his final hope of dying as a lawyer. The play ends on a note of optimism. After his friends procure for him a stash of AZT , in 1990 Prior is still alive and is managing to live with AIDS. With his friends, he looks at the statue of an angel in Bethesda Fountain and talks of the legend of the original fountain, and how it will flow again some day. The play is deliberately performed so that the moments requiring special effects often show their theatricality. Most of the actors play multiple characters ( eg, the actor playing Prior's nurse also appears as the Angel). There are heavy Biblical references and references to American society , as well as some fantastical scenes including voyages to Antarctica and Heaven , as well as key events happening in San Francisco and at Bethesda Fountain in Central Park .
天使在美国:千禧年降临 2020 Comédie-Française 版 [演出] 豆瓣
所属 演出: 天使在美国:千禧年降临
语言: 法语 french 剧院: Comédie-Française 导演: Arnaud Desplechin
其它标题: 2020 Comédie-Française 版 编剧: Tony Kushner 演员: Clément Hervieu-Léger / Michel Vuillermoz
Set in New York City in 1985, Act One of Millennium Approaches introduces us to the central characters . As the play opens, Louis Ironson, a neurotic , gay Jew learns his lover, WASP Prior Walter, has AIDS . As the play and Prior's illness progress, Louis becomes unable to cope and moves out. Meanwhile, closeted homosexual Mormon and Republican law clerk Joe Pitt is offered a major promotion by his mentor , the McCarthyist lawyer Roy Cohn . Joe doesn't immediately take the job because he feels he has to check with his Valium -addicted, agoraphobic wife, Harper, who is unwilling to move. Roy is himself deeply closeted , and soon discovers that he has AIDS .

As the seven-hour play progresses, Prior is visited by ghosts and an angel who proclaim him to be a prophet ; Joe finds himself struggling to reconcile his religion with his sexuality ; Louis struggles with his guilt about leaving Prior and begins a relationship with Joe; Harper's mental health deteriorates as she realizes that Joe is gay; Joe's mother, Hannah, moves to New York to attempt to look after Harper and meets Prior after a failed attempt by Prior to confront Hannah's son; Harper begins to separate from Joe whom she has depended upon and finds strength she was unaware of; and Roy finds himself in the hospital, reduced to the companionship of the ghost of Ethel Rosenberg and his nurse, Belize, a former drag queen and Prior's best friend, who meanwhile has to deal with Louis's constant demands for updates on Prior's health. The subplot involving Cohn is the most political aspect of the play. Portrayed as a self-loathing, power-hungry hypocrite, he prides himself on his political connections and influence, which he has amassed through decades of corruption. In the play, he recollects with pride his role in having Ethel Rosenberg executed for espionage . As he lies alone in the hospital, dying of AIDS, the ghost of Rosenberg sings him a Yiddish lullaby and then brings him the news that the New York State Bar Association has just disbarred him, destroying his final hope of dying as a lawyer. The play ends on a note of optimism. After his friends procure for him a stash of AZT , in 1990 Prior is still alive and is managing to live with AIDS. With his friends, he looks at the statue of an angel in Bethesda Fountain and talks of the legend of the original fountain, and how it will flow again some day. The play is deliberately performed so that the moments requiring special effects often show their theatricality. Most of the actors play multiple characters ( eg, the actor playing Prior's nurse also appears as the Angel). There are heavy Biblical references and references to American society , as well as some fantastical scenes including voyages to Antarctica and Heaven , as well as key events happening in San Francisco and at Bethesda Fountain in Central Park .
卡萝莱与零钱 [演出] 豆瓣
Caroline, or Change
类型: Musical 编剧: Tony Kushner
其它标题: Caroline, or Change 导演: George C. Wolfe / Michael Longhurst 演员: Tonya Pinkins / Chuck Cooper / Harrison Chad / Veanne Cox / Anika Noni Rose
第一幕
卡蘿拉是一猶太家族的僱工,("16 Feet Beneath the Sea")她每天就是與收音機、("The Radio")乾衣機、洗衣機等等為伍("Laundry Quartet"),在她小小的地牢裡工作。小主人羅亞常常跟她談話,("Noah Down the Stairs")有時甚至會替她點一下煙。("The Cigarette")每天洗完衣服,("Laundry Finish")最痛苦莫過於要用乾衣機,("The Dryer")卡蘿拉亦向觀眾們反映自己是個單親媽媽,一共有四個孩子得照顧,其中大兒子參加了越戰,長女則踏入反叛期,兩個小弟弟仍然年幼。("I Got Four Kids")來到猶太家庭,母親死後不及,父親史德華娶了好友富裕的蘿絲,她嘗試著融入家庭裡。("Caroline, There's No Extra Food")史德華自妻子亡後心情低落,失去了希望("There is No God, Noah"),而蘿絲在新家庭中取不到羅亞信任,卡蘿拉也拒人於千里。("Rose Stopnick Can Cook")
蘿絲向父親交待生活,("Long Distance")另一邊廂卡蘿拉跟同是幫傭的好友多迪("Dotty and Caroline") 討論多迪的改變,("Moon Change")以及象徵南方居民的銅像被移走的事。("Moon Trio")突然傳來了堅尼地總統被暗殺的消息,("The Bus")眾人為之驚訝。("This Can't Be")在猶太家庭裡蘿絲為了讓羅亞記得金錢的重要,("Noah and Rose")便立下了新例,若羅亞再把零錢漏在口袋裡,那麼錢便歸卡蘿拉所有。這其實也是她想替卡蘿拉加薪的順水推舟點子。("Inside/Outside")總統遭刺殺的消息來到了,眾人又陷入討論。("JFK")
晚上,卡蘿拉點燃了煙聽著收音機。("No One Waitin'")此時其長女艾美回來,二人旋即因艾美的新觀念而爭吵,及後又快速言歸於好。("'Night Mama")羅亞在床上幻想與卡蘿拉交談,("Gonna Pass Me a Law")而卡蘿拉也由羅亞想到自己的孩子。("Noah Go to Sleep")蘿絲向卡蘿拉交待了零錢的事("Noah Has a Problem"),史德華向羅亞告誡,("Stuart and Noah")卻讓他更加故意把錢留在裡面。("Quarter in the Bleach Cup")卡蘿拉一開始是抗拒,終於也拿了一次。羅亞好奇她會怎麼用這些錢("Caroline Takes My Money Home"),他嚮往跟這些孩子相會。而艾美則向弟弟積基和祖說了一個虛構的故事解釋錢的來由("Roosevelt Petrucius Coleslaw")。
第二幕
卡蘿拉又在做工了,("Santa Comin' Caroline")她跟"同伴"們討論著零錢的事,("Little Reward")亦回想了當年的情事。("1943")蘿絲發覺史德華其中一件衣服裡被燙過的零錢弄污了。卡蘿拉聲稱不要她的施捨,("Mr. Gellman's Shirt")二人爭執,("Ooh Child")終於不歡而散,("Rose Recovers")然而卡蘿拉為了孩子卻仍拿了錢走。("I Saw Three Ships")聖誕派對,("The Chanukah Party")多迪和艾美也過了來幫手,("Dotty and Emmie")蘿絲之父因為把政治帶入家庭而不大受歡迎。("I Don't Want my Child to Hear That")然而他卻因批評黑人運動而與艾美來了場爭辯,("Mr. Stopnick and Emmie")卡蘿拉覺得艾美過了規矩打了她一巴。("Kitchen Fight")蘿絲之父覺得有趣,給了羅亞一張二十元大鈔,並要他好好保管。("A Twenty Dollar Bill and Why")整個派對不歡而散,艾美在巴士站抱怨著,("I Hate the Bus")眾人也在為生活而煩惱。("Moon, Emmie and Rose Trio")
正當羅亞想著如何用那二十大鈔時,卻發現他把之留了在口袋裡。("The Twenty Dollar Bill")卡蘿拉不肯把這二十元歸還,羅亞一時之氣向卡蘿拉說希望一個炸彈把所有黑人炸死。卡蘿拉氣憤的要他下地獄去,更把錢留在杯子裡離開;羅亞在不知道她把錢放在杯子裡,便留下了一張紙條。("Caroline and Noah Fight")蘿絲奇怪卡蘿拉為何不見了,杯子裡的二十元又是怎麼一回事,其父突然出現宣稱錢是他的,在羅亞面前將之沒收。("Aftermath")多迪收到消息後便去找卡蘿拉,並發現她正處於絕望中,("Sunday")經多迪和艾美鼓勵後她祈禱重拾信心。("Lot's Wife")終於伴隨著收音機,("Salty Teardrops")卡蘿拉回到猶太家庭。蘿絲和羅亞的關係破冰,("Why Does Our House Have a Basement")而雖然他與卡蘿拉不能回到從前,至少也是重新開始了。("Underwater")在尾幕中,艾美承認她是移走銅像的人,並跟兩位弟弟為母親而自豪。("Epilogue")
卡萝莱与零钱 Broadway Premiere版 [演出] 豆瓣
所属 演出: 卡萝莱与零钱
剧院: Eugene O'Neill Theatre 导演: George C. Wolfe
其它标题: Broadway Premiere版 编剧: Tony Kushner 作曲: Jeanine Tesori 演员: Tonya Pinkins / Chuck Cooper
第一幕
卡蘿拉是一猶太家族的僱工,("16 Feet Beneath the Sea")她每天就是與收音機、("The Radio")乾衣機、洗衣機等等為伍("Laundry Quartet"),在她小小的地牢裡工作。小主人羅亞常常跟她談話,("Noah Down the Stairs")有時甚至會替她點一下煙。("The Cigarette")每天洗完衣服,("Laundry Finish")最痛苦莫過於要用乾衣機,("The Dryer")卡蘿拉亦向觀眾們反映自己是個單親媽媽,一共有四個孩子得照顧,其中大兒子參加了越戰,長女則踏入反叛期,兩個小弟弟仍然年幼。("I Got Four Kids")來到猶太家庭,母親死後不及,父親史德華娶了好友富裕的蘿絲,她嘗試著融入家庭裡。("Caroline, There's No Extra Food")史德華自妻子亡後心情低落,失去了希望("There is No God, Noah"),而蘿絲在新家庭中取不到羅亞信任,卡蘿拉也拒人於千里。("Rose Stopnick Can Cook")
蘿絲向父親交待生活,("Long Distance")另一邊廂卡蘿拉跟同是幫傭的好友多迪("Dotty and Caroline") 討論多迪的改變,("Moon Change")以及象徵南方居民的銅像被移走的事。("Moon Trio")突然傳來了堅尼地總統被暗殺的消息,("The Bus")眾人為之驚訝。("This Can't Be")在猶太家庭裡蘿絲為了讓羅亞記得金錢的重要,("Noah and Rose")便立下了新例,若羅亞再把零錢漏在口袋裡,那麼錢便歸卡蘿拉所有。這其實也是她想替卡蘿拉加薪的順水推舟點子。("Inside/Outside")總統遭刺殺的消息來到了,眾人又陷入討論。("JFK")
晚上,卡蘿拉點燃了煙聽著收音機。("No One Waitin'")此時其長女艾美回來,二人旋即因艾美的新觀念而爭吵,及後又快速言歸於好。("'Night Mama")羅亞在床上幻想與卡蘿拉交談,("Gonna Pass Me a Law")而卡蘿拉也由羅亞想到自己的孩子。("Noah Go to Sleep")蘿絲向卡蘿拉交待了零錢的事("Noah Has a Problem"),史德華向羅亞告誡,("Stuart and Noah")卻讓他更加故意把錢留在裡面。("Quarter in the Bleach Cup")卡蘿拉一開始是抗拒,終於也拿了一次。羅亞好奇她會怎麼用這些錢("Caroline Takes My Money Home"),他嚮往跟這些孩子相會。而艾美則向弟弟積基和祖說了一個虛構的故事解釋錢的來由("Roosevelt Petrucius Coleslaw")。
第二幕
卡蘿拉又在做工了,("Santa Comin' Caroline")她跟"同伴"們討論著零錢的事,("Little Reward")亦回想了當年的情事。("1943")蘿絲發覺史德華其中一件衣服裡被燙過的零錢弄污了。卡蘿拉聲稱不要她的施捨,("Mr. Gellman's Shirt")二人爭執,("Ooh Child")終於不歡而散,("Rose Recovers")然而卡蘿拉為了孩子卻仍拿了錢走。("I Saw Three Ships")聖誕派對,("The Chanukah Party")多迪和艾美也過了來幫手,("Dotty and Emmie")蘿絲之父因為把政治帶入家庭而不大受歡迎。("I Don't Want my Child to Hear That")然而他卻因批評黑人運動而與艾美來了場爭辯,("Mr. Stopnick and Emmie")卡蘿拉覺得艾美過了規矩打了她一巴。("Kitchen Fight")蘿絲之父覺得有趣,給了羅亞一張二十元大鈔,並要他好好保管。("A Twenty Dollar Bill and Why")整個派對不歡而散,艾美在巴士站抱怨著,("I Hate the Bus")眾人也在為生活而煩惱。("Moon, Emmie and Rose Trio")
正當羅亞想著如何用那二十大鈔時,卻發現他把之留了在口袋裡。("The Twenty Dollar Bill")卡蘿拉不肯把這二十元歸還,羅亞一時之氣向卡蘿拉說希望一個炸彈把所有黑人炸死。卡蘿拉氣憤的要他下地獄去,更把錢留在杯子裡離開;羅亞在不知道她把錢放在杯子裡,便留下了一張紙條。("Caroline and Noah Fight")蘿絲奇怪卡蘿拉為何不見了,杯子裡的二十元又是怎麼一回事,其父突然出現宣稱錢是他的,在羅亞面前將之沒收。("Aftermath")多迪收到消息後便去找卡蘿拉,並發現她正處於絕望中,("Sunday")經多迪和艾美鼓勵後她祈禱重拾信心。("Lot's Wife")終於伴隨著收音機,("Salty Teardrops")卡蘿拉回到猶太家庭。蘿絲和羅亞的關係破冰,("Why Does Our House Have a Basement")而雖然他與卡蘿拉不能回到從前,至少也是重新開始了。("Underwater")在尾幕中,艾美承認她是移走銅像的人,並跟兩位弟弟為母親而自豪。("Epilogue")
卡萝莱与零钱 2020 Broadway Revival版 [演出] 豆瓣
所属 演出: 卡萝莱与零钱
语言: 英语 english 剧院: Studio 54 导演: Michael Longhurst
其它标题: 2020 Broadway Revival版 编剧: Tony Kushner 作曲: Jeanine Tesori 演员: Sharon D Clarke / Kaden Amari Anderson
第一幕
卡蘿拉是一猶太家族的僱工,("16 Feet Beneath the Sea")她每天就是與收音機、("The Radio")乾衣機、洗衣機等等為伍("Laundry Quartet"),在她小小的地牢裡工作。小主人羅亞常常跟她談話,("Noah Down the Stairs")有時甚至會替她點一下煙。("The Cigarette")每天洗完衣服,("Laundry Finish")最痛苦莫過於要用乾衣機,("The Dryer")卡蘿拉亦向觀眾們反映自己是個單親媽媽,一共有四個孩子得照顧,其中大兒子參加了越戰,長女則踏入反叛期,兩個小弟弟仍然年幼。("I Got Four Kids")來到猶太家庭,母親死後不及,父親史德華娶了好友富裕的蘿絲,她嘗試著融入家庭裡。("Caroline, There's No Extra Food")史德華自妻子亡後心情低落,失去了希望("There is No God, Noah"),而蘿絲在新家庭中取不到羅亞信任,卡蘿拉也拒人於千里。("Rose Stopnick Can Cook")
蘿絲向父親交待生活,("Long Distance")另一邊廂卡蘿拉跟同是幫傭的好友多迪("Dotty and Caroline") 討論多迪的改變,("Moon Change")以及象徵南方居民的銅像被移走的事。("Moon Trio")突然傳來了堅尼地總統被暗殺的消息,("The Bus")眾人為之驚訝。("This Can't Be")在猶太家庭裡蘿絲為了讓羅亞記得金錢的重要,("Noah and Rose")便立下了新例,若羅亞再把零錢漏在口袋裡,那麼錢便歸卡蘿拉所有。這其實也是她想替卡蘿拉加薪的順水推舟點子。("Inside/Outside")總統遭刺殺的消息來到了,眾人又陷入討論。("JFK")
晚上,卡蘿拉點燃了煙聽著收音機。("No One Waitin'")此時其長女艾美回來,二人旋即因艾美的新觀念而爭吵,及後又快速言歸於好。("'Night Mama")羅亞在床上幻想與卡蘿拉交談,("Gonna Pass Me a Law")而卡蘿拉也由羅亞想到自己的孩子。("Noah Go to Sleep")蘿絲向卡蘿拉交待了零錢的事("Noah Has a Problem"),史德華向羅亞告誡,("Stuart and Noah")卻讓他更加故意把錢留在裡面。("Quarter in the Bleach Cup")卡蘿拉一開始是抗拒,終於也拿了一次。羅亞好奇她會怎麼用這些錢("Caroline Takes My Money Home"),他嚮往跟這些孩子相會。而艾美則向弟弟積基和祖說了一個虛構的故事解釋錢的來由("Roosevelt Petrucius Coleslaw")。
第二幕
卡蘿拉又在做工了,("Santa Comin' Caroline")她跟"同伴"們討論著零錢的事,("Little Reward")亦回想了當年的情事。("1943")蘿絲發覺史德華其中一件衣服裡被燙過的零錢弄污了。卡蘿拉聲稱不要她的施捨,("Mr. Gellman's Shirt")二人爭執,("Ooh Child")終於不歡而散,("Rose Recovers")然而卡蘿拉為了孩子卻仍拿了錢走。("I Saw Three Ships")聖誕派對,("The Chanukah Party")多迪和艾美也過了來幫手,("Dotty and Emmie")蘿絲之父因為把政治帶入家庭而不大受歡迎。("I Don't Want my Child to Hear That")然而他卻因批評黑人運動而與艾美來了場爭辯,("Mr. Stopnick and Emmie")卡蘿拉覺得艾美過了規矩打了她一巴。("Kitchen Fight")蘿絲之父覺得有趣,給了羅亞一張二十元大鈔,並要他好好保管。("A Twenty Dollar Bill and Why")整個派對不歡而散,艾美在巴士站抱怨著,("I Hate the Bus")眾人也在為生活而煩惱。("Moon, Emmie and Rose Trio")
正當羅亞想著如何用那二十大鈔時,卻發現他把之留了在口袋裡。("The Twenty Dollar Bill")卡蘿拉不肯把這二十元歸還,羅亞一時之氣向卡蘿拉說希望一個炸彈把所有黑人炸死。卡蘿拉氣憤的要他下地獄去,更把錢留在杯子裡離開;羅亞在不知道她把錢放在杯子裡,便留下了一張紙條。("Caroline and Noah Fight")蘿絲奇怪卡蘿拉為何不見了,杯子裡的二十元又是怎麼一回事,其父突然出現宣稱錢是他的,在羅亞面前將之沒收。("Aftermath")多迪收到消息後便去找卡蘿拉,並發現她正處於絕望中,("Sunday")經多迪和艾美鼓勵後她祈禱重拾信心。("Lot's Wife")終於伴隨著收音機,("Salty Teardrops")卡蘿拉回到猶太家庭。蘿絲和羅亞的關係破冰,("Why Does Our House Have a Basement")而雖然他與卡蘿拉不能回到從前,至少也是重新開始了。("Underwater")在尾幕中,艾美承認她是移走銅像的人,並跟兩位弟弟為母親而自豪。("Epilogue")
天使在美国 [演出] 豆瓣
Angels in America
类型: Theater 编剧: Tony Kushner
其它标题: Angels in America 剧团: ITA ensemble 剧院: 阿姆斯特丹国际剧院 导演: Ivo van Hove 演员: Eelco Smits / Minne Koole / Hans Kesting / Krisjan Schellingerhout / Eefje Paddenburg
In 2008, Ivo van Hove directed a radical production of Angels in America, which Tony Kushner himself hailed as his favorite version. Hans Kesting received the Louis d'Or for his portrayal of Roy Cohn in this production. Now, we are bringing the performance back, featuring several actors from the original cast, complemented by new ensemble members. Presented within a minimalist stage design and accompanied solely by David Bowie’s songs, this adaptation of Angels in America is a tribute to the human ability to adapt, change, and survive. It is a true (re)discovery of a modern classic, but above all, it remains an incredibly relevant story to this day.

America during the Reagan years. The AIDS epidemic is spreading rapidly but is met with silence from the conservative government. Two New Yorkers grapple with the news of their diagnosis in very different ways: ex-drag queen Prior and the arch-conservative lawyer Roy Cohn, who forces those around him to lie about the nature of his illness.

In the first part, Millennium Approaches, all the characters are torn away from their roots and certainties: family, partners, religion, and political ideologies no longer provide solace in the face of pervasive disease and death. In the second part, Perestroika, tentative new friendships and relationships emerge as the characters confront the painful process of change.


In a whirlwind of tragicomic scenes and entanglements, Tony Kushner demonstrates that identity cannot be reduced to religion, race, or sexuality. Instead, it is a continuous process that can only take shape through interactions with others.

Angels in America is a gripping, hilarious, and heartbreaking story about the transformative power of love, the inevitability of change, resilience in times of crisis, and a tribute to imagination—not merely as an escape from an unlivable reality, but also as a source of understanding.