我终于爬出“家屋洞穴”祭眺—家屋—故乡—中国香火宗土—一幅集体悲怆命运的的半坟半兽脸阵列！我被抛入到的这个“半坟半兽”世界，从未停止以“牺牲”要求我的“牺牲”。梦的袭击，投射出个体通往存在主义之路的凶恶与焦灼。

海二14岁，被学校开除。终日在乡镇上东游西荡、泡发廊、帮小弟打架，或是三五成群骑摩托疯飙，常被其父体罚训斥。他被当地派出所盘问过，接触曾蹲过看守所者及混社会者，并开始骚动着想去城市混社会。
Shen Jie’s Little Proletarian is a powerful documentary portrait of Hai, a 14-year-old troublemaker growing up in a small town in southwest China’s Guizhou Province. Hai gets kicked out of school for his mischievous antics—stealing, smoking, getting into fights, the usual. Called a “good for nothing” and a “loser” by his parents, he spends his days storming the town with his teenage motorcycle gang, drinking and joking with his hooligan friends under the fluorescent lights of the local hair salon, and dreaming big about one day becoming a “boss.” Rejecting his father’s countless attempts to discipline him, Hai takes off for the big city. From the dimly lit interiors of weathered wooden houses to the country landscapes that fly by on motorcycles, Shen Jie’s camerawork illuminates a social world in rural China that is seldom seen by outsiders. The director’s intimate connection to his native Guizhou also offers a rare glimpse at the everyday lives and coming of age of China’s “post-90s” generation. Little Proletarian vividly represents the violent struggles for day-to-day survival in an out-of-the-way place, and yet remains attuned to the comical absurdity and awkward humor of teenage life.

几个老年、中年“留土者”，他们的人生被浓缩在“环境场景的精神分泌”，散发出面无血色的一片死寂，如“一个麻风村的自言自语”。作者擎火燃烧故乡征用地上一棵即将被掩埋戕伐的老棬子树，召唤自由古典精神：自由古典/燃烧吧你加冕你/然后血气方刚的倒下。作者擎火燃烧山顶梍角树上供挂的猪脚及山路边捡来的解放鞋：审判“蒙昧闭路里的自我奴役”。