Judy Haussman, an elderly hippy, deals with the dysfunctionality of her family, including her children, Nick and Libby, and the baggage they have in tow.

Osborne's portrait of a family on the brink of total breakdown. Set in English coastal resort during the 1950s. Archie Fry, a music-hall comedian, tries to escape life's misery through petty schemes and drinking, while his wife whiles away hours at the cinema.

《地平线系列：被黑洞吞噬》讲述的是借2013年起天文学家观测气体云“喂”银河系中心黑洞的事情科普黑洞知识：银河系中心黑洞的发现、类星体=正在进食的黑洞（以及所以黑洞其实是宇宙中最亮的光源）、黑洞与其所掌控星系质量上的线性关系（0.5%）、因而黑洞主宰了星系的规模，对整个星系的形成当然也包括我们的存在实际上具有建设性作用。

19世纪末，英国伦敦的上空阴云密布。探险家马尔科姆·穆雷爵士与美丽的灵媒温妮莎·艾芙斯四处寻找他的女儿米娜，在与一群不明生物交手的过程中，似乎窥探到来自两千年前古埃及的秘密。天才外科医生维克多·弗兰肯斯坦用尸块创造了科学怪人，他体验到造物主的乐趣时，也被过去的阴影束缚。四处寻回表演的美国落魄公子哥伊森·钱德勒曾因出色的枪法受雇于温妮莎，匪夷所思的经历让他盘桓伦敦，难以逃遁，在此期间他和苦命女子比莉·派佩坠入爱河。这些人因各种原因走到一起，共同面对永世无法摆脱的噩梦……

极富魅力的美国富一代传媒大亨麦克斯与英国女继承人凯瑟琳离婚后，他们的儿子凯登经营着父亲的报社，还将追随父亲的脚步，登上权力巅峰。不幸的是卡登自毁前程，整个家族企业和处在变革边缘的国家岌岌可危…

Julie Walters returns to the National Theatre for the first time in more than a decade in this funny, touching and savage portrait of a family that's losing its grip.

High society drop-out Judy (Julie Walters) is the aging hippy matriarch of the Haussman clan. The spirit of the 1960s still infuses her anarchic lifestyle in a dilapidated Art Deco house on the Devon coast. Recovering from an operation, Judy welcomes her wayward adult children Nick (Rory Kinnear) and Libby (Helen McCrory). Also joining the party are her granddaughter Summer, local doctor Peter, and Daniel - a troubled local teen. Lubricated by alcohol in the sweltering heat over the next few months, infatuations, festering resentments and disappointments bubble to the surface. Stephen Beresford's new play is a blackly comic portrait of the consequences of being raised by the revolutionary 'free love' generation - with a peach of a role for much-loved Julie Walters.

《美狄亚》是西班牙舞蹈团近几十年来的最佳著作之一，很多编舞家都对这个神话题材有过高水平的诠释，编舞家何塞·格拉内罗、音乐家马诺罗·桑卢卡和服装设计师米格尔·纳罗在1984年创作了这个作品。美狄亚修长的手臂扭转缠绕，在弗拉明戈悲凉深邃的舞姿中，诠释着美丽、欲望与毁灭的永恒主题。
《美狄亚》的创作灵感来自于古希腊神话中“Medea”的形象。美狄亚为了爱情疯狂，她为了爱情毁灭了家庭和自己。其着重表现了美狄亚杀死自己亲生儿子之后的痛苦时刻，她自责又疯狂，她在理智与情感的煎熬中不惜伤害自己。通过舞蹈肢体语言表达内心的痛苦，是该剧的创作重点。

《美狄亚》是西班牙舞蹈团近几十年来的最佳著作之一，很多编舞家都对这个神话题材有过高水平的诠释，编舞家何塞·格拉内罗、音乐家马诺罗·桑卢卡和服装设计师米格尔·纳罗在1984年创作了这个作品。美狄亚修长的手臂扭转缠绕，在弗拉明戈悲凉深邃的舞姿中，诠释着美丽、欲望与毁灭的永恒主题。
《美狄亚》的创作灵感来自于古希腊神话中“Medea”的形象。美狄亚为了爱情疯狂，她为了爱情毁灭了家庭和自己。其着重表现了美狄亚杀死自己亲生儿子之后的痛苦时刻，她自责又疯狂，她在理智与情感的煎熬中不惜伤害自己。通过舞蹈肢体语言表达内心的痛苦，是该剧的创作重点。

《麦克白》故事发生在处于战乱连年的遥远苏格兰。3个命运女巫的出现，道出了改变命运的预言。麦克白和班柯，两员英勇无畏的大将在战斗中力挽狂澜。国王邓肯将叛变的考顿爵士的封号和领地转封给麦克白，将王位传给了长子马尔康。麦克白和夫人合谋杀害了邓肯国王。因为惧怕班柯泄露命运女巫的预言，也杀害了班柯。女巫们提醒他要小心已逃亡到英格兰的麦克德夫。麦克白为求心安，最后还是杀害了麦克德夫的妻儿。马尔康和麦克德夫从英格兰请到了援军，直逼麦克白所在的城堡。3个命运女巫的预言原是一种双关语，麦克德夫最终杀死了麦克白，马尔康得到王位，成为苏格兰的国王。

当陷入婚姻倦怠的法官之妻Hester Collyer（海伦•麦克洛瑞饰演）被邻居们发现自杀未遂的时候，她和前皇家空军飞行员Freddie（汤姆•伯克饰演）的婚外恋情以及和丈夫William Collyer感情破裂的事实浮出水面。寂寞、压抑和情感渴求，在二战后虚伪而脆弱的复苏表象背后，有一种残酷的渴望和绝望在燃烧。
该剧为英国舞台剧作家泰伦斯•拉提根（Terence Rattigan）创作于1952年的作品，故事有他自己一段隐秘情事的影子，同年即在英美两国相继上演，此后多次重排，并且被翻拍成影视剧作品，著名版本包括1955年费雯•丽主演的电影版，2011年蕾切尔•薇兹、汤姆•希德勒斯顿和西蒙•拉塞尔•比尔主演的电影版，及1994年科林•费尔斯的电视版，其经典程度可见一斑。
海伦•麦克洛瑞（Helen McCrory）在《美狄亚》和The Last of the Haussmans之后再度回归英国国家剧院！再度与导演凯莉•克拉克奈尔（Carrie Cracknell）导演复排的经典剧目《蔚蓝深海》。
The Deep Blue Sea begins with the discovery by her neighbours of Hester Collyer who has tried and failed to commit suicide. Some time before, she left her husband, a respectable High Court Judge, for a semi-alcoholic former R.A.F. pilot, 'Freddy Page'. The relationship was physical and passionate but his ardour has cooled, leaving her emotionally stranded and desperate. The aftershocks of her attempted suicide unravel even the remnants of this relationship, but by the end she is brought to a hard decision to live, partly through the intercession of another resident of the tenement house, Mr. Miller, an ex-doctor, struck off for what seems to have been a homosexual offence. These two outcasts, socially ostracised for their 'excessive' loves, find a curious and moving kinship.

Euripides’ controversial icon is reborn in visionary director Simon Stone’s (Yerma) stunning contemporary rewrite. Rose Byrne (Damages, Bridesmaids, You Can’t Take It with You) and Bobby Cannavale (The Lifespan of a Fact, The Hairy Ape, The Motherf**ker with the Hat) face off as a husband and wife in the tumultuous throes of an unraveling marriage. Transposing the devastation of Greek tragedy to a modern American home, Stone’s stripped-bare staging throws the couple’s every raw emotion into stark relief, from jealousy to passion, humor to despair. Who will pay the price?

Euripides’ controversial icon is reborn in visionary director Simon Stone’s (Yerma) stunning contemporary rewrite. Rose Byrne (Damages, Bridesmaids, You Can’t Take It with You) and Bobby Cannavale (The Lifespan of a Fact, The Hairy Ape, The Motherf**ker with the Hat) face off as a husband and wife in the tumultuous throes of an unraveling marriage. Transposing the devastation of Greek tragedy to a modern American home, Stone’s stripped-bare staging throws the couple’s every raw emotion into stark relief, from jealousy to passion, humor to despair. Who will pay the price?

The play tells the story of the revenge of a woman betrayed by her husband. All of the action of the play is at Corinth, where Jason has brought Medea after the adventures of the Golden Fleece. He has now left her in order to marry Glauce, the daughter of King Creon. (Glauce is also known in Latin works as Creusa — see Seneca the Younger's Medea and Propertius 2.16.30. This King Creon is not to be confused with King Creon of Thebes.) The play opens with Medea grieving over her loss and with her elderly nurse fearing what she might do to herself or her children.
Creon, also fearing what Medea might do, arrives determined to send Medea into exile. Medea pleads for one day's delay, and Creon begrudgingly acquiesces. In the next scene Jason arrives to confront her and explain himself. He believes he could not pass up the opportunity to marry a royal princess, as Medea is only a barbarian woman, but hopes to someday join the two families and keep Medea as his mistress. Medea, and the chorus of Corinthian women, do not believe him. She reminds him that she left her own people for him ("I am the mother of your children. Whither can I fly, since all Greece hates the barbarian?"), and that she saved him and slew the dragon. Jason promises to support her after his new marriage, but Medea spurns him: "Marry the maid if thou wilt; perchance full soon thou mayst rue thy nuptials."
Next Medea is visited by Aegeus, King of Athens; he is aggrieved by his lack of children, and does not understand the oracle that was supposed to give him guidance. Medea begs him to protect her, in return for her helping his wife conceive a child. Aegeus does not know what Medea is going to do in Corinth, but promises to give her refuge in any case, provided she can escape to Athens.
Medea then returns to her plotting how she may kill Creon and Glauce. She decides to poison some golden robes (a family heirloom and gift from the sun god), in hopes that the bride will not be able to resist wearing them, and consequently be poisoned. Medea resolves to kill her own children as well, not because the children have done anything wrong, but because she feels it is the best way to hurt Jason. She calls for Jason once more, falsely apologizes to him, and sends the poisoned robes with her children as the gift-bearers.
Forgive what I said in anger! I will yield to the decree, and only beg one favor, that my children may stay. They shall take to the princess a costly robe and a golden crown, and pray for her protection.
The request is granted and the gifts are accepted. Offstage, while Medea ponders her actions, Glauce is killed by the poisoned dress, and Creon is also killed by the poison while attempting to save her. These events are related by a messenger.

Alas! The bride had died in horrible agony; for no sooner had she put on Medea's gifts than a devouring poison consumed her limbs as with fire, and in his endeavor to save his daughter the old father died too.
Medea is pleased with her revenge thus far, but resolves to carry it further: to utterly destroy Jason's plans for a new family, she will kill her own sons. She rushes offstage with a knife to kill her children. As the chorus laments her decision, the children are heard screaming. Jason rushes to the scene to punish her for the murder of Glauce and learns that his children too have been killed. Medea then appears above the stage in the chariot of the sun god Helios; this was probably accomplished using the mechane device usually reserved for the appearance of a god or goddess. She confronts Jason, reveling in his pain at being unable to ever hold his children again:
"I do not leave my children's bodies with thee; I take them with me that I may bury them in Hera's precinct. And for thee, who didst me all that evil, I prophesy an evil doom."
She escapes to Athens with the bodies. The chorus is left contemplating the will of Zeus in Medea's actions:
Manifold are thy shapings, Providence!
Many a hopeless matter gods arrange.
What we expected never came to pass,
What we did not expect the gods brought to bear;
So have things gone, this whole experience through!

tv show aired in 2012

Frankie is in her forties, ambitious and successful. She works in the aerospace industry at Filton, designing surveillance drones for the military. Shes never married, and is completely in control of every part of her life. Her closest relationship is with her father, who worked as an engineer on Concorde. But her life changes forever when she embarks on a passionate affair with Kahil, a French/Algerian aerospace student, twenty years younger than her. One day, she arrives at work and is detained by the security services: Kahil is a person of interest to MI5. Her well-ordered life starts to unravel in a welter of suspicion and prejudice, as Frankie no longer knows whether to follow her passion or listen to the doubts that increasingly overwhelm her.