On an unseasonably hot day in November, Hiro, a Japanese immigrant in New York City, decides to butcher a live chicken for dinner. While showing his visiting cousin Kei around, the pair encounter a medical emergency on the street. After they mishandle the situation and end up causing more harm than good, Hiro cannot bring himself to kill the chicken. Throughout, Kei observes his cousin’s new lifestyle as Hiro and his pregnant wife prepare for their move to Chinatown. As the day wears on, Hiro and Kei’s actions highlight how their lives are complicit in the structural violence that surrounds them.

这是一部试图捕捉现代阿伊努族形象的纪录片，影像导演兼艺术家空音央与意大利纪录片摄影师Laura Liverani在北海道沙流郡平取町二风谷逗留创作，细腻地反映了阿伊努族的人们及其社区在文化保存、传承的气息。在亲密的、肖像的和档案的影像下，观众游走于身份与属性的界限之间，反复质疑。

作为坂本龙一献给世界最后的礼物，影片记录了坂本龙一生前最后一场钢琴独奏音乐会，其中包括《圣诞快乐，劳伦斯先生》《末代皇帝》《水》等在内的二十首经典曲目。

A near-future Tokyo awaits destruction as the city is rocked by a series of foreshocks that predict a larger, more disastrous quake on the horizon. With the anxiety looming over them, a group of teenage best friends and musicians get into typical teenager trouble that tests the strength of their relationships.

在未來的東京，兩個高中死黨偷來糖製玻璃樽道具，大玩扑頭惡作劇洩憤。戲太假，遇上拾荒露宿阿伯才見識爆樽真章。機械警犬在街頭耀武，地產大鱷則在母親經營的小店挑釁；與死黨一言不合，盛怒下拿玻璃樽就扑下去……

A Very Straight Neck改编楢崎萌々恵（Momoe Narazaki）的短篇图像小说《我将继续前进》（I Will Go Ahead），携手日本著名演员安藤樱共同创作了这部作品。
短片A Very Straight Neck借助原著小说中日常生活对身体产生暴力的概念，进入了一段充满碎片化记忆、不安梦境以及无法移动身体的超现实旅程。安藤樱对身体动作和情感机制有着敏锐的感知，完美地诠释了这个故事。身体作为一个敏感的容器。它承受着日常生活及社会规训的打击，可能会变形。我们为什么必须生活在一个以暴力挟持我们生计的体系中？真的有出路吗？这部电影是对这些感受的探索。