While on leave in Paris, a G.I. pursues an ambassador's daughter. Meanwhile she's out to prove to her father that soldiers can be gentlemen, too.

This silent-screen classic, like many others produced near the end of the silent era, was both a theatrical extravaganza boasting an original orchestral score and an item which languished in obscurity for many years. When Carlo Piccardi took what was left of the score by Maurice Jaubert and re-created it, the existing footage was restored and paired with a new orchestral performance which was shown in Paris in 1988. The film's story concerns the travails of a woman who has been living quite comfortably as the mistress of a colonel in the Tsar's army in Russia. However, she eventually encounters a penniless young lieutenant and falls madly in love with him, as he does with her. Despite her best intentions of remaining with the colonel, and his intention to avoid trouble with his fellow soldiers, they cannot forswear this relationship, and tragedy is the inevitable result. The title refers to a moving incident in the story, and translates as "the wonderful lie of Nina Petrovna."

Former concert pianist, victim of Nazi torture, pursues a confused, melancholic existence on the island of Guadalupe.

A stock broker embezzles a million bucks and plans to take off to Shanghai. A number of obstacles stands in his path, however.

Near the end of World War II, a secret American raid on an enemy transportation hub goes very wrong when a turncoat warns the enemy. Led by Capt. Webster Carey, the mission causes the deaths of many bystanders -- among them, Carey believes, his Italian girlfriend, Giulia de Graffi. Back home, Carey stumbles across evidence that might uncover the identity of the informant. But, when he returns to Italy to get even, Carey is stunned by what he finds.

After a vampire leaves his native Balkans, he murders a Czech artist, assumes his identity, and moves in with the dead man's American cousins.