A hapless man tries to get undressed only to find himself magically layered in even more clothes. There is no credited director for this film. Modern attributions go to either Alice Guy or Ferdinand Zecca, according to the PG archives.

The special effects pioneer Segundo de Chomón reinterprets for the camera a famous stage illusion that featured a metamorphosis from one object (or person) into another. Here a statue turns into a butterfly fairy who performs a number of dazzling costume transformations that are a feast for the eyes.

A squat, muscular dog steals a leg of lamb or mutton from a butcher shop, and the local constabulary, armed with truncheons, gives chase. Man's best friend, keeping a firm-jowled grip on the meat, leads the town's finest down streets, across boulevards, through a cellar and up the side of the building to a steep roof, then down again, and to his doghouse. The cops gingerly surround the place, then out bursts the canine and chases the entire force back to their station.

The cell of a man condemned to death. He's sleeping and dreaming about the past that brought him to prison: a frantic pace of living, bad friendships, alcoholism, the murder of a bank-employer. At the end he dreams of climbing up scaffolding, and he suddenly wakes up... Written by Adalberto Fornario
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Duration of Projection, eight minutes. A Drama of a crime in six acts. The scene is laid in France, and depicts the life of a famous French Criminal from the time when he was an honest workman and enjoying a happy home, until he falls through the influence of drink and becomes first, a burglar and then a murderer. The entire story is followed closely and each scene is illustrated carefully. The scenes comprise, the Burglary, the Murder, the Arrest, Trial, Conviction, the Expiation and the Execution itself. During the death watch the prisoner's dream is demonstrated by the vision of his family seated at their evening meal, appearing on the wall of his cell. The picture is beautifully arranged and very pathetic from start to finish, and to exhibitors who wish a picture illustrating crime and its consequences, a better selection could not be made. Written by Edison Catalog