41%的捷克兒童曾在網路上收到他人寄來的色情照片，甚至有五分之一的孩童不會拒絕陌生人的見面邀約。導演為了讓世人看見這種性剝削現象對孩童的戕害，找來三位童顏成年演員，並讓她們親自上線接受陌生人搭訕，並從旁錄下這群戀童大叔的真實面貌。然而，數不清的馬賽克陽具照與變態性邀約，終將該計畫的參與者逼至絕望邊緣。這個紀錄片拍攝了「12歲」女孩，從選角試鏡到真的與性侵犯見面（在保安及六台監視器的監視下）的驚悚過程，利用性侵犯慣用的伎倆來反擊他們，讓這些「獵人」變成了「獵物」。

这是一部反映当今社会的人们对广告的盲目信任度究竟有多严重的影片，片中的两个主人公以捷克斯洛伐克的市民为对象，进行对广告的真实和虚假的试验。

Director Karel Žalud, with directors Vít Klusák and Filip Remunda, visited Poland over the course of several years to better understand Poles and their relationship with God. In the film, Žalud turns to casual passers-by, nuns celebrating the anniversary of the baptism of Poland, a representative of the anti-Semitic Radio Maryja, and a priest accused of sexual harassment. While they are all clear on matters of faith, the filmmaker, who himself seeks spiritual support, is increasingly skeptical. Christianity in today’s Poland seems to offer answers, but only to questions agreed upon by the church and the conservative government.

“It’s like a road movie through the medieval Catholic landscape. In short, it is a documentary football match, with one team being the most atheistic nation in Europe, which we are, versus the Poles, who are the most Catholic.” V. Klusák