在每个人的掌握中, 作为失落的伊甸园可到达的形式, 每个人都来到大自然中寻找避难所。各行各业的人都有权利在这里: 富人、穷人、法国人、外国人、异性恋、一个人或有人陪、老派或时髦。森林是一个被城镇围绕的岛屿: 一个由疲惫的市民虚构的海市蜃楼。住在这个城市所遇到的困难被抛在脑后。在这里, 我们治愈, 我们玩耍, 我们开心, 我们做梦。整个季节里, 这一系列的交流都围绕着每个人所想象的乌托邦。
As a reachable form of a lost Eden within everyone's grasp, everybody comes to the Bois de Vincennes to seek refuge in Nature. People from all walks of life have the right to be here: rich, poor, french, foreign, gay, straight, alone or accompanied, old school or hip. The Woods are an island surrounded by the towns that encircle it: a mirage dreamed-up by a fatigued city-dweller. The difficulty of living in the city is left behind. Here we heal, we play, we have fun and we dream. Throughout the seasons, the series of exchanges speak of this utopia that everyone imagines for him or herself.
2015 国际人权电影节 最佳长篇纪录片/荷兰阿姆斯特丹国际纪录片节 最佳巡回影片

纪录法国最高电影学府La Femis长达六个月对考生的筛选，每年从数千人中选出40个人，以此窥探这所培养出无数著名法国导演的学府内部的秘密

与玛格丽特·杜拉斯相伴两年后，扬·安德烈亚感到有必要和她倾诉：他与这位女作家之间的恋爱关系让他不再有任何自由，他需要用语言表达他的喜悦和痛苦。他请一位记者朋友对他进行采访，以便使她能更清楚地了解情况。他清晰而真诚地描述了他的故事的复杂性、他们的爱情以及他所受到的禁忌，那些千百年来女性所忍受的禁忌......

在从事电影行业之前，克莱尔·西蒙是一名编辑，后来她开始了短片和纪录片的创作，并同时以摄像师和演员的身份活跃在电影行业中。这部影片聚焦在几个伊夫里的十一年级学生上，他们的家庭背景，和父母的关系，对于未来的爱与梦想，都被摄像机记录了下来。短暂的十七岁充满了磕磕碰碰，它也带来了慰藉，这也是克莱尔想要她睿智而敏感的方式想要说明的：人会因为知道自己并不孤独而感觉到慰藉。

在三到六岁的幼儿园里，课间休息会是什么样的场景？大人们远观，还以为是快乐的喧闹，但是走近看孩子们玩耍的情形，却让人模糊地想起我们也曾这样：这个奴役那个，这个虐待那个。但只是为了好玩，现在都已经结束。但真的结束了吗？不尽然，孩子们的课间游戏并不那么微不足道……

随着与男友关系的升温，德雅米拉想服用避孕药；泽爱的母亲向她提供保险套，却把她当婊子对待；尼吉玛把避孕药藏了起来，因为母亲会搜她的包；伊莲娜太容易怀孕，让克莱蒙害怕；艾德林想保住孩子，玛戈也如此；玛丽亚想知道所怀孩子的父亲是谁；安娜选择了爱情与自由。安娜、德尼斯、玛尔塔、雅思米、米雷娜每天接待并倾听这些困惑女孩的心声。在上帝的办公室，有苦也有笑。阳台上有人跳舞有人抽烟，在这儿谈论自己的寻常或不寻常的故事。

Set on a series of long walks through the streets of Nice and the mountain village of Saorge, Mimi charts the psychogeography of the filmmaker’s long time friend Mimi Chiola. Simon allows her subject to guide the conversation, pulling the viewer into Mimi’s discursive, enveloping stories of love, sex, work, life and friendship. (from Metrograph.com)

Every day, Ismael (Reda Kateb) is dazzled, fascinated and exhausted by his favourite place: the Gare du Nord in Paris.

影片拍摄的六个月时间里，导演克莱尔·西蒙（Claire Simon）纪录了一个小公司为了自身存亡和支付雇员的薪水而持续进行的抗争和奋斗。这是一部关于工作和我们赖以生存的世界的悲喜剧。
在尼斯附近，圣洛朗·杜瓦尔（Saint Laurent du Var）工业区的中心地带，一家小公司每天向超市供应餐食，为生存而战——老板和他的五名员工为了生存而发动了经济战争：维持日常运营，并寻找新客户和新供应商，不惜一切代价勇往直前。

15-year-old Livia gets back on her feet after falling from her horse with the help of Jean, a volunteer fireman with whom she falls in love. A few days later, vacation begins. June 24. The girl, alone and exasperated, will stop at nothing to conquer this older man; her passion burns more and more. Her love consumes her, driving her into a mounting frenzy, until she commits an irreparable act.

身体总是痛苦之源，不谈宗教，不论修行，老老实实走进医院寻问病人，聆听他们身体的故事。 一切最后都关乎爱与希望、各种恐惧和挣扎、生命及欲望。

In the Makarenko public elementary school in the Paris outskirts, children want to learn and to be cheered while teachers know they do not only teach, they also educate.
With care, tenacity and efforts, children are trained to become not only responsible citizens but also human beings.

A major figure in contemporary feminism and the first Frenchwoman to win the Nobel Prize for Literature, Annie Ernaux is seen by many as a source of individual and collective emancipation, blending the intimate with the universal. Filmmaker Claire Simon has devoted an original portrait to her, giving students and teachers a voice.