South of No North is a collection of short stories written by Charles Bukowski that explore loneliness and struggles on the fringes of society.

Henry Chinaski is a lowlife loser with a hand-to-mouth existence. His menial post office day job supports a life of beer, one-night stands and racetracks. Lurid, uncompromising and hilarious, Post Office is a landmark in American literature, and over 1 million copies have been sold worldwide. The new edition is augmented with an anecdotal introduction by the modern Welsh cult-literary author, Niall Griffiths - a writer who was working in a British post office when he first read Bukowski's Post Office.

the gas line is leaking, the bird is gone from the
cage, the skyline is dotted with vultures;
Benny finally got off the stuff and Betty now has a job
as a waitress; and
the chimney sweep was quite delicate as he
giggled up through the
soot.
I walked miles through the city and recognized
nothing as a giant claw ate at my
stomach while the inside of my head felt
airy as if I was about to go
mad.
its not so much that nothing means
anything but more that it keeps meaning
nothing,
theres no release, just gurus and self-
appointed gods and hucksters.
the more people say, the less there is to say.
even the best books are dry sawdust. —from "fingernails; nostrils; shoelaces"

These mad immortal stories, now surfaced from the literary underground, have addicted legions of American readers, even though the high literary establishment continues to ignore them. In Europe, however (particularly in Germany, Italy, and France where he is published by the great publishing houses), he is critically recognized as one of America's greatest living realist writers.

The poems in the first three sections of this book are from the years 1955-1968 and the poems in the last section are the new work of 1972-1973,The reader might wonder what happened to the years 1969-1971,since the author once did vanish from 1944to 1954 But not this time The Days Run Away Like Wild Horses Over The Hills contains the ppoems from late 1968 and most of 1969 plus selections from five early chapbooks not covered by the first three sctions of this book Mockingbird Wish Me prints poems written from late 1969to early 1972 So for my critics redaders friends enemies exlovers and nwe lolvers the present volune along with Days and Mockingbird contain what Ilike to condsider my best work written over the past nineteen years.

Ask the Dust is a virtuoso performance by an influential master of the twentieth-century American novel. It is the story of Arturo Bandini, a young writer in 1930s Los Angeles who falls hard for the elusive, mocking, unstable Camilla Lopez, a Mexican waitress. Struggling to survive, he perseveres until, at last, his first novel is published. But the bright light of success is extinguished when Camilla has a nervous breakdown and disappears . . . and Bandini forever rejects the writer’s life he fought so hard to attain.
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From iconic tortured artist/everyman Charles Bukowski, Hollywood is the fictionalization of his experience adapting his novel Barfly into a movie by the same name.
Henry Chinaski, Bukowski’s alter-ego, is pushed to translate a semi-autobiographical book into a screenplay for John Pinchot. He reluctantly agrees, and is thrust into the otherworld called Hollywood, with its parade of eccentric and maddening characters: producers, artists, actors and actresses, film executives and journalists. In this world, the artistry of books and film is lost to the dollar, and Chinaski struggles to keep his footing in the tangle of cons that comprise movie making.
Hollywood is Dirty Old Man Bukowski at his most lucid. It overflows with curses, sex, and alcohol. And through it all, or from it all, Bukowski finds flashes of truth about the human condition.
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The Chicago Tribune has dubbed Elmore Leonard, “the coolest, hottest writer in America.” In the same league as the legendary great ones—John D. MacDonald, Dashiell Hammett, James M. Cain—the “King Daddy of crime writers” (Seattle Times) demonstrates his remarkable mastery with Get Shorty, one of the most adored of his forty-plus novels. The basis of the hit movie starring John Travolta and Danny DeVito, Get Shorty chronicles the over-the-top, sometimes violent Hollywood misadventures of a Florida mob loan shark who chases a deadbeat client all the way to Tinseltown and decides to stick around and make movies. Get Shorty’s shylock protagonist, Chili Palmer, is a truly inspired creation—as memorable as another unforgettable Leonard hero, U.S. Marshal Raylan Givens of the hit TV series Justified—and readers will relish his moves and countermoves in this electrifying, funny, bullet train-paced winner from “the greatest crime writer of our time, perhaps ever!” (New York Times Book Review)
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For more than three decades Armistead Maupin's Tales of the City has blazed its own trail through popular culture;from a groundbreaking newspaper serial to a classic novel, to a television event that entranced millions around the world. The first of six novels about the denizens of the mythic apartment house at 28 Barbary Lane, Tales is both a sparkling comedy of manners and an indelible portrait of an era that changed forever the way we live.

"He loads his head full of coal and diamonds shoot out of his finger tips. What a trick. The mole genius has left us with another digest. It's a full house--read 'em and weep."--Tom Waits
After toiling in obscurity for years, Charles Bukowski suddenly found fame in 1967 with his autobiographical newspaper column, "Notes of a Dirty Old Man," and a book of that name in 1969. He continued writing this column, in one form or another, through the mid-1980s. "More Notes of a Dirty Old Man" gathers many uncollected gems from the column's twenty-year run. Drawn from ephemeral underground publications, these stories and essays haven't been seen in decades, making "More" a valuable addition to Bukowski's oeuvre. Filled with his usual obsessions--sex, booze, gambling--"More" features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters, climaxing with a long, hilarious adventure among French filmmakers, "My Friend the Gambler," based on his experiences making the movie "Barfly." From his lowly days at the post office through his later literary fame, "More" follows the entire arc of Bukowski's colorful career.
Edited by Bukowski scholar David Stephen Calonne, "More Notes of a Dirty Old Man" features an afterword outlining the history of the column and its effect on the author's creative development.
Born in Andernach, Germany in 1920, Charles Bukowski came to California at age three and spent most of his life in Los Angeles. He died in San Pedro, California, on March 9, 1994.

Henry Chinaski, an outcast, a loner and a hopeless drunk, drifts around America from one dead-end job to another, from one woman to another and from one bottle to the next. Uncompromising, gritty, hilarious and confessional in turn, his downward spiral is peppered with black humour. "Factotum" follows Charles Bukowski's bestselling "Post Office", his highly autobiographical first novel. Bukowski's Beat Generation writing reflects his slum upbringing, his succession of menial jobs and his experience of low life urban America. He died in 1994 and is widely acknowledged as one of the most distinctive writers of the last fifty years. Neeli Cherkovski was a close friend of Bukowski and is the author of "Hank: The Life of Charles Bukowski" (Random House, 1991).

The definitive collection of works on a subject that inspired and haunted Charles Bukowski for his entire life: alcohol Charles Bukowski turns to the bottle in this revelatory collection of poetry and prose that includes some of the writer’s best and most lasting work. A self-proclaimed “dirty old man,” Bukowski used alcohol as muse and as fuel, a conflicted relationship responsible for some of his darkest moments as well as some of his most joyful and inspired. In On Drinking, Bukowski expert Abel Debritto has collected the writer’s most profound, funny, and memorable work on his ups and downs with the hard stuff—a topic that allowed Bukowski to explore some of life’s most pressing questions. Through drink, Bukowski is able to be alone, to be with people, to be a poet, a lover, and a friend—though often at great cost. As Bukowski writes in a poem simply titled “Drinking,”: “for me/it was or/is/a manner of/dying/with boots on/and gun/smoking and a/symphony music background.” On Drinking is a powerful testament to the pleasures and miseries of a life in drink, and a window into the soul of one of our most beloved and enduring writers.

The Days Run Away Like Wild Horses is a book of poems written by Charles Bukowski for Jane, his first love. These poems explore a more emotional side to Charles Bukowski.

Exceptional stories that came pounding out of Bukowski's violent and depraved life. Horrible and holy, you cannot read them and ever come away the same again.

With Bukowski, the votes are still coming in. There seems to be no middle ground—people seem either to love him or hate him. Tales of his own life and doings are as wild and weird as the very stories he writes. In a sense, Bukowski was a legend in his time: a madman, a recluse, a lover; tender, vicious; never the same.

From prostitutes to classical music, Bukowski ingeniously mixes high and low culture in his "tales of ordinary madness." These stories are humorous and haunting, angry yet tender portrayals of life in the underbelly of Los Angeles.

“The Walt Whitman of Los Angeles."—Joyce Carol Oates, bestselling author

“He brought everybody down to earth, even the angels.”—Leonard Cohen, songwriter

Septuagenarian Stew is a combination of poetry and stories written by Charles Bukowski that delve into the lives of different people on the backstreets of Los Angeles. He writes of the housewife, the bum, the gambler and the celebrity to evoke a portrait of Los Angeles.

Edited by Abel Debritto, the definitive collection of poems from an influential writer whose transgressive legacy and raw, funny, and acutely observant writing has left an enduring mark on modern culture.

Few writers have so brilliantly and poignantly conjured the desperation and absurdity of ordinary life as Charles Bukowski. Resonant with his powerful, perceptive voice, his visceral, hilarious, and transcendent poetry speaks to us as forcefully today as when it was written. Encompassing a wide range of subjects—from love to death and sex to writing—Bukowski’s unvarnished and self-deprecating verse illuminates the deepest and most enduring concerns of the human condition while remaining sharply aware of the day to day.

With his acute eye for the ridiculous and the troubled, Bukowski speaks to the deepest longings and strangest predilections of the human experience. Gloomy yet hopeful, this is tough, unrelenting poetry touched by grace.

This is Essential Bukowski.

This second posthumous poetry collection from Charles Bukowski takes readers deep into a raw, wild vein of writing that extends from the early '70s to the 1990s.