1979 film by José Luis Garci

Benavidez is a frustrated art teacher, argues with his wife and seeks refuge in his psychiatrist's house. He becomes a victim of the house system, and at the end of the road he will change his life and his destiny forever.

In the summer of 1928, several inmates from the National Penitentiary in Buenos Aires managed to escape. The film narrates the fate of each of these runaways in search of their destiny - tough men with their own ethical codes and ready to do anything not to return to prison. Some of them will suffer violent deaths, while others manage de disappear. Sordid and moving stories, not excluding tenderness and love, mercy or horror sealed with a pact of prison love that will remain in the heart of Buenos Aires, as witness of the yearned-for freedom.

As they enter their third year of medical school, a group of young students must prepare to decide what they intend to specialize in. Somehow, they must impress the Chief of Surgery while learning how to survive the life-and-death area of medicine and the complexity of their everyday lives.

A comedy about a young girl who gets pregnant on a traditional Argentinean family.

Ezequiel is a film music composer that can't find the inspiration he needs to compose a new score and Paula is a pregnant woman recently abandoned by her boyfriend whose mother has just came from Spain to meet her husband. Together they will try to solve their problems.

A typical office employee decides one day rebelling against its routine and not going to work because it has a "lazy". His family, friends and colleagues are trying to dissuade him unsuccessfully at the beginning. But as time passed his situation complicated emotional and economically. These circumstances thwart his rebelliousness.

Living with his parents, 17-year-old Juan hangs out with several intellectuals who would like to photograph the human soul. The girlfriend of the group's financier is Ana, and Juan is attracted to her, despite the knowledge that she spent two years at a clinic because she was "crazy." Juan sees Ana when he can and trains as a door-to-door salesman, but when the German photographer on the soul project gives him a viewfinder, it changes his life, putting him on the path to his later success as a Hollywood director.

故事讲述了一个年轻的心理学老师Francisco染上毒瘾，而他的母亲，国会议员，还有一位叫Nina的女性倾尽全力，想将他救出苦难未来的故事

“Live-In Maid,” Jorge Gaggero’s remarkably assured first film, examines the complicated relationship between Beba (Norma Aleandro) and Dora (Norma Argentina), an upper-class Buenos Aires woman and her longtime housekeeper. The two women share a roomy apartment, which Dora keeps in immaculate order while Beba primps and sighs like an opera diva with an audience of one, or the queen of a small, secret nation. “Live-In Maid” is modest in scope, but it feels complete, fully inhabited, in a way that more overtly ambitious movies rarely do. Its story and themes are outwardly straightforward, but as the film develops, it acquires a glow of mystery, as Mr. Gaggero invites you to contemplate, within the context of two perfectly ordinary lives, the paradoxes of friendship and the challenge of maintaining dignity in a world that conspires to undermine it. — A. O. Scott, The New York Times

Clara Goldstein is a lovely, middle-aged Jewish woman who, because of an impending visit from her American brother, is forced to create a contrived relationship with a man of her own faith. She places an ad in a personals column and meets Raul, a well-spoken, handsome and charming man whom she soon discovers is a Gentile and does not fulfill her reason for placing the ad. Having no alternative, Clara proceeds to instruct Raul with an intensive course in Judaism. Their journey is both humorous and captivating, but not without pitfalls. These two mature people risk a last chance at a meaningful relationship in their lives.