到美國只三年，劉別謙已成首席導演，劉別謙筆觸這個詞兒開始出現，仿效導演無數。已是傳奇人物的他，對人家學步毫不在乎，翻翻手閒閒的又示範了一部抄也抄不來的妙品。醫生夫婦恩愛日子平靜如白開水，百無聊賴的太太將跌宕感情昇華在通俗愛情小說裏，直至一天小說中的美男袒胸在對窗出現。那邊廂，醫生碰上美男的豪放妻，卻原來是舊相好。兩對夫婦各懷鬼主意，不忠的結局出人意表。默片的喜劇動感在這裏妙不可言，手杖做偷情藉口這種神來之筆，也許可以叫大家意會什麼叫劉別謙筆觸。

The last of Lubitsch's silent sex comedies is exuberant, fanciful and teasingly elliptical at the same time. Since Paris is synonymous with sophistication and risqué romance, he deliberately cultivates the mood for love with an opening shot of a bed, subverting audience expectations of the obligatory Eiffel Tower. With equal subtlety, he gives his stock and trade subject of marital infidelities inventive treatment, wittily satirising "sheik fever" and other sex-oriented fads in the erotic masquerades between a doctor, his wife, his old flame and her husband. Unlike many Hollywood contemporaries, where sexual innuendoes serve only as evasions and euphemisms, in this film, they are bold announcements of the real thing.

Source: 28th HKIFF

Farmer Frank and his ward hunt brother Jesse's killers, the back-shooting Fords.

To share expenses unemployed Alabama move in with also unemployed Bill and Toodles. Bill is hired by a gangster's mistress and ultimately becomes the gangster's bodyguard. Alabama unknowingly applies for a stenographer's job at Mr. Weber's (the gangster's) business. Bill is forced to fly a plane carrying narcotics into the U.S. but fights back.

Spain, 1518: young caballero Pedro De Vargas offends his sadistic neighbor De Silva, who just happens to be an officer of the Inquisition. Forced to flee, Pedro, friend Juan Garcia, and adoring servant girl Catana join Cortez' first expedition to Mexico. Arriving in the rich new land, Cortez decides to switch from exploration to conquest...with only 500 men. Embroiled in continuous adventures and a romantic interlude, Pedro almost forgets he has a deadly enemy...

George Taylor returns from WWII with amnesia. Back home in Los Angeles, while trying to track down his old identity, he stumbles onto a 3-year old murder case and a hunt for a missing $2 million

The political career of Woodrow Wilson is chronicled, beginning with his decision to leave his post at Princeton to run for Governor of New Jersey, and his subsequent ascent to the Presidency of the United States. During his terms in office, Wilson must deal with the death of his first wife, the onslaught of German hostilities leading to American involvement in the Great War, and his own country's reticence to join the League of Nations. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2006.

Tensions erupt within an Arizona cattle baron's household when his three sons vie for control of the ranch.

In court for murder, Professor Moriarty is released seconds before Holmes arrives, too late, with vital evidence. Free again Moriarty vows to Holmes that his next crime will be so fiendish and amazing that Holmes's reputation will be finished. Moriarty sets about a fiendish plot involving the crown jewels and a series of mysteries to distract Holmes's mind.

I enjoy most of this series as they all seem to run to the same formula. Here the plot goes back to basics and adds more of the mystery and less of the comedy. The plot is an enjoyable battle of wits between the two great minds. The downside is that the side-mystery that Moriarty sets up takes up the majority of the time and the two don't cross swords as well as they do in a gentlemanly beginning. The mystery surrounding Miss Brandon works OK but not really great as you know the whole time who is behind it and why. The jump to the crown jewels is too easily made and is a bit of a letdown.

The comedy is less evident than usual but is still there. However it is overwhelmed by the more serious side. Bruce still does well but I was glad that he stood up to Holmes more than usual – telling him off for treating him like a child and such like. Rathbone is a good Holmes but his logic was off here and I wasn't as impressed by him as I usually am. Zucco is an interesting foil, but doesn't get enough time to work here. Lupino in an early role is interesting but a little too heavy and tads to overplay her tension a bit.

Overall this is an OK addition to the series. The plot is reasonable but focuses too much on the diversion than the central characters and the reduction in comedy makes it feel a lot heavier than usual.

An orphan is provisionally adopted by the manager of a hotel populated by show business people. The hotel's owner doesn't like the entertainers and wants the girl returned to the orphanage.

Heidi is orphaned and her uncaring maternal Aunt Dete takes her to the mountains to live with her reclusive, grumpy paternal grandfather, Adolph Kramer. Heidi brings her grandfather back into mountain society through her sweet ways and sheer love. When Dete later returns and steals Heidi away to become the companion of a rich man's wheelchair-bound daughter, the grandfather is heartsick to discover his little girl missing and immediately sets out to get her back.

Two hoodlum brothers are brought into hospital for gunshot wounds, and when one dies, the other accuses their Black doctor of murder.

During the Italian Renaissance, Pope Julius II contracts the influential artist Michelangelo to sculpt 40 statues for his tomb. When the pope changes his mind and asks the sculptor to paint a mural in the Sistine Chapel, Michelangelo doubts his painting skills and abandons the project. Divine inspiration returns Michelangelo to the mural, but his artistic vision clashes with the pope's demanding personality and threatens the success of the historic painting.