Award-winning filmmaker and performing artist Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection. In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly -- they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives. No One Belongs Here More Than You is a stunning debut, the work of a writer with a spectacularly original and compelling voice.

The best of the groundbreaking website learningtoloveyoumore.com, which asks ordinary people to complete out-of-the-ordinary assignments--with extraordinary results.</p>
In a world obsessed with "reality" programming, the collaborative public art project known as "Learning to Love You More" offers a refreshing take on how actual people think, act, and love. Created by Miranda July and Harrell Fletcher, the web-based project, begun in 2002, offers more than sixty "assignments" that can be completed by anyone: "Write the phone conversation you wish you could have"; "Photograph two strangers holding hands"; "Draw a constellation from someone's freckles"; "Take a flash photo under your bed." Completed assignments are posted on the web site; to date, more than 5,000 people have participated in the project--artists and non-artists of all ages, from New York to Cullowhee, North Carolina, and from Tel-Aviv to Rio de Janeiro. For this book July and Fletcher have carefully curated a provocative selection of the most memorable submissions. These written and visual responses range from shocking and moving to hilarious and oddly brilliant. Together they create a pop culture collage that tells a larger story about life today. The result is an engaging, heartwarming, idea-sparking book sure to inspire, teach, and entertain.</p>

Award-winning filmmaker and performing artist Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection. In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly -- they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives. No One Belongs Here More Than You is a stunning debut, the work of a writer with a spectacularly original and compelling voice.

In the summer of 2009, Miranda July was struggling to finish writing the screenplay for her much-anticipated second film. During her increasingly long lunch breaks, she began to obsessively read the PennySaver, the iconic clas sifieds booklet that reached everywhere and seemed to come from nowhere. Who was the person selling the "Large leather Jacket,, $10"? It seemed important to find out - or at least it was a great distraction from the screenplay. Accompanied by photographer Brigitte Sire, July crisscrossed Los Angeles to meet a random selection of PennySaver sellers, glimpsing thirteen surprisingly moving and profoundly specific realities, along the way shaping her film, and herself, in unexpected ways. Elegantly blending narrative, interviews, and photographs with July's off-kilter honesty and deadpan humor, this is a story of procrastination and inspiration, isolation and connection, and grabbing hold of the invisible world.

From the acclaimed filmmaker, artist, and bestselling author of no one belongs here more than you, comes a spectacular debut novel that is so heartbreaking, so dirty, so tender, so funny, so Miranda July. Readers will be astonished.
Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people’s babies. Cheryl is also obsessed with Phillip, a philandering board member at the women’s self-defense nonprofit where she works. She believes they’ve been making love for many lifetimes, though they have yet to consummate in this one.
When Cheryl’s bosses ask if their twenty-one-year-old daughter, Clee, can move into her house for a little while, Cheryl’s eccentrically ordered world explodes. And yet it is Clee—the selfish, cruel blond bombshell—who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime.
Tender, gripping, slyly hilarious, infused with raging sexual obsession and fierce maternal love, Miranda July’s first novel confirms her as a spectacularly original, iconic, and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

AN INSTANT NEW YORK TIMES BESTSELLER

The New York Times bestselling author returns with an irreverently sexy, tender, hilarious and surprising novel about a woman upending her life

“A frank novel about a midlife awakening, which is funnier and more boldly human than you ever quite expect….the bravery of All Fours is nothing short of riveting.” —Vogue

“A novel that presses into that tender bruise about the anxiety of aging, of what it means to have a female body that is aging, and wanting the freedom to live a fuller life…Deeply funny and achingly true.” —LA Times
 
“All Fours possessed me. I picked it up and neglected my life until the last page, and then I started begging every woman I know to read it as soon as possible.” —The Cut

“July’s novel is hot and weird and captivating and one of the most entertaining, deranged, and moving depictions of lust and romantic mania I’ve ever read.” —New York Magazine

A semi-famous artist announces her plan to drive cross-country, from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey.

Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.

An irreverently sexy, tender, hilarious, and surprising novel about a woman upending her life

A semifamous artist announces her plan to drive cross-country, from LA to New York. Twenty minutes after leaving her husband and child at home, she spontaneously exits the freeway, beds down in a nondescript motel, and immerses herself in a temporary reinvention that turns out to be the start of an entirely different journey.

Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.