资深特工伊森·亨特也有百密一疏时刻，他在接收最新任务时遭到神秘组织“辛迪加”的暗算落入对方手中。辛迪加是一支由全球各地前特工组成的秘密组织，此前一直被CIA视为空穴来风。在对方成员伊尔莎·福斯特的帮助下，伊森逃出生天，并及时向威廉·布莱德汇报了辛迪加确切存在的消息。然而此时布莱德的日子并不好过，他负责的IMF机构因俄罗斯核弹头等事件遭到CIA指控并责令解散。在得知该组织密谋刺杀奥地利总统时，伊森联系上了老搭档班吉·邓恩展开行动，并于谜样女郎伊莎再度相会。接下来的一连串事件中，辛迪加的真面目逐渐揭开，而他们也终于显露出真实的目的……

It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingebo rg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus. You hear longing, accusations, doubts, expressions of intimacy and alienation, news of separations and lengthy silences. You sense their struggle for words. What these words trigger can be seen in the faces of those reading them out. It’s not only the text but also its effects that are being performed and occasionally discussed. The intensity of the relationship drama is generated via the fascinating language, the actors’ presence, and the camerawork and editing, which break up the dialogue via changing perspectives and shot sizes. Chats during cigarette breaks, in the stairwell and the canteen, lead into the present. History, which was stronger than love, never slips out of focus. (berlinale 2016)
*****
In 1948 Paul Celan, a concentration camp survivor and esteemed post-war poet, met Ingeborg Bachmann, a fellow writer whose father was a Nazi. By 1971, Celan had committed suicide, before which the erstwhile lovers met on just one more occasion. However, they had amassed almost twenty years of long-distance correspondence. Inspired by fact and fiction, where document and literature intersect in the letters, Ruth Beckermann and writing partner Ina Hartwig (a literary agent) embarked on a screenplay based on the exchanges. The result is a cross between observational documentary and essay film, with a deceptively simple approach: two actors (Plaschg and Rupp) read the letters in a recording studio. Applying a documentarian’s intuition to this setup, Beckermann keeps her camera rolling between readings and into cigarette breaks. Capturing Plaschg and Rupp’s palpable on-screen chemistry, Beckermann succeeds in evoking a contemporary ambulatory romance from the historical source material. (Jemma Desai)

聚焦两千年前的著名大战、德国历史重要事件——日耳曼人与罗马帝国的条顿堡森林战役，其中“那不为人知的故事”，以三个命运相互联系起来的年轻人的视角展开。

改编自莱纳·施塔赫的“卡夫卡传三部曲”，讲述文学巨匠弗兰兹·卡夫卡伟大而又短暂的一生，以多焦点艺术还原了卡夫卡生命历程中的重要时点、事件和人物，展现出其人生与文学相互映照的AB面。

汉娜的儿子雅各布卷入了一场严重的车祸，并声称他记得自己早年是一架失踪客机的飞行员，这让三名妇女的生活发生了翻天覆地的变化。

梅纳德夫妇和他们的孩子过着近乎完美的亿万富翁家庭生活。阿蒙是一个充满激情的猎人，但不会射击动物，因为家族的财富让他们可以完全不受后果地生活。

The rise of Janos Hunyadi and his battles in the wars against the Ottomans in 15th century Europe.

The series follows Hunyadi’s adventures leading to the Siege of Belgrade in 1456, a pivotal battle in which Hunyadi led the Hungarian forces to successfully repel an invasion by the Ottoman Empire. Hunyadi’s bravery and military prowess earned him the nickname ‘The White Knight of Christendom.’ The show explores Hunyadi’s life, plagued by scandal, political power plays and conspiracies between noble families from Warsaw, Rome, Belgrade and Vienna. His strongest allies are the women in his life including his life partner Elizabeth Szilagyi.

Produced by BETA Film in partnership with Hungarian National Film Institute.

Due to premiere on October 22, 2024.

　　一辆德国虎式坦克的五名车组成员被派往战火纷飞的前线后方执行一项秘密任务。在德军亢奋药物的刺激下，他们的任务逐渐变成了一场深入黑暗之心的旅程。