德国著名前卫女导演莫尼卡 楚特的电影以非个人主义方式描绘主流媒介视为“异端/另类”的生活世界。
她的作品坚持不懈地围绕性少数人群和性身份，探索着富有挑战性和争议的问题。
她的作品包括短片、记录片和长片，全部关注性趋向问题。
本片以世纪末加利佛尼亚海湾区为背景，探索了性别变换问题。

芬格林的仙女们必须冒险走出雨林，营救几只被偷猎者捕获的小动物。

The story, reminiscent in tone of a Twilight Zone allegory, involves a strange woman with an odd accent who loses her husband in a graphically depicted scene of auto-erotic asphyxiation. To cope with her loss, she seeks a virtual-reality substitute (a ‘man chip’ as she calls it). This pursuit leads her into the prurient world of tech addicts who rely on ‘chip pushers.'