故事聚焦于格奥尔基一家，讲述这家人从罗马尼亚搬迁至挪威一座偏远小村庄后，本与邻居相处融洽，却意外陷入一桩令人不安的指控。随着调查深入，他们不仅要面对小镇居民的监视与敌意，生活也从此失序，坠入混乱的泥沼。
投诉

Lost and Found is a film project for which six young filmmakers from Central and Eastern Europe have each developed a short film on the theme of generation. Together, these six short films make a whole cinema evening. Unique thereby is the selection of young directors, who are currently among the most talented in the Central and Eastern European region. Also special is that five of the short films (four short narrative films and one short documentary) are visually framed by an independent animation story. The filmmakers made their films with local producers in their home countries; postproduction was carried out in Germany. The theme generation is the thread running through the whole film. It mirrors a new selfunderstanding of young filmmakers in Central and Eastern Europe. Traditions and national history are viewed in a new way and cinematically narrated. The concept of generation was not intended to neutralize the differences between the countries, but to create a fascinating frame for comparison. The stories were written in accordance with this thematic guideline especially for this project. Partner countries in Central and Eastern Europe were selected that have their own film culture, but in which available production structures are meager, due to economic and/or political developments.
"Lost and Found" was initiated by relations, an initiative project of the Kulturstiftung des Bundes (German Federal Cultural Foundation), which develops and fosters art and culture projects in various countries in Eastern Europe and Germany.
Short films are often more difficult to script and direct than full-length features. Not only must the message be as poignant as in a mainstream movie, but it must also be conveyed succinctly in a tight period of time.
Lost And Found showcases five new shorts from Eastern Europe, each as entertaining, fresh and inspiring as the one before. There is also a sixth, Gene + Ratio, which runs intermittently between the others, that can be viewed as its own piece, or as a link between the featured shorts.
Gene + Ratio deals with the need for water, or a thirst of some sort. Alternately featuring insects, possibly fleas, and a filthy looking feline, it serves well merging the other shorts into one piece. On its own, it is rather disturbing and baffling, in particular the clip where a tiny man is licking the camera lens, which turns into a cat lapping up a saucer of milk. It is almost enough to make you feel violated. There is also a bath sequence, involving the cat and its mistress... let's just say it makes Paris Hilton's nude photo shoot with her dog covering her unmentionables look like a Jane Austen book cover. The film is strange enough to be compelling, yet is in danger of being ignored as the audience take this opportunity to recover from the previous short and prepare themselves for the next.
The Ritual is a lovely depiction on the theme of generation, marriage and children. Goeshe is Bulgarian, but marrying a French girl. His parents are preparing for the wedding party and are determined to give him the best reception he could wish for. Sounds of the younger world are transposed into the older, making for a beautiful film which shows that both old and new can live in harmony. What is a pleasant surprise is that the younger couple strives to make the in-laws happy in as much as the parents attempt to give their son the best, which is a delightful change from Hollywood blockbusters, where there is either a monster-in-law, or an upstart sibling who doesn't care what parents think. This is the only short, I believe, to use two languages. It is a pleasure to watch.
Turkey Girl is my favourite of the collection. It manages to combine light comedy with themes of growing up and letting go - the very essence behind the idea of Lost And Found. Tatiana is a girl who must bribe her mother's doctor so that he gives his patient a second operation. It is difficult enough to know how much to offer, or hold back, how to fold the money, which pocket to keep it in. Her father also tells her to butcher her favourite pet and friend - a turkey - as an offering. For her mother's sake, Tatiana knows that she must do this, but as she tells her boyfriend (whom she is "just friends with", by the way), this is no ordinary turkey. He can tell the difference between a circle and a square. Turkey Girl will appeal to animal activists, philosophers, teenagers emerging fresh from puberty, or anyone who has ever had to make a sacrifice
Birthday is part documentary, part exploration of childhood innocence. It focuses on two girls on either side of the destroyed bridge at Mostar. Dunja loves strawberry ice cream and goes to a Muslim school, where she is taught that when the birds sing they chant their praises to Allah. Innes likes the colour pink and goes to a Catholic school that has no Bosnian children in it. Both girls love Jennifer Lopez. They are interviewed on similar subjects - why Mostar is divided into an east and a west (neither really understands) and the obvious point of the story is well put: these girls have birthdays a day apart and if they ever met would be indistinguishable. Since it is unlikely to happen, while they are still children, the camera poses as their Yugoslavian bridge. Presented in a light fashion, taking on the after-effects of the Bosnian war, this is a rueful examination of the way in which society inflicts its own differences within itself.
Shortlasting Silence is the darkest of the five. It conveys themes of loneliness, suicide and incest in a story of a man going to visit his dead mother. It is done so tastefully that all the audience should feel is a shiver at the sinister atmosphere created when the psychologist is the victim of his own making. There is an unsettling empathy for the protagonist, who knows all the advice to give and yet cannot take it himself. There is a definite potential for this to develop into a feature film, as its themes, though well portrayed, are yet to be fully explored... but perhaps that is our role as the audience.
Fabulous Vera begins with a shot of an incredibly bored woman on a tram. This is essentially Vera's difficulty. She's past middle-age, the man she loved left her, her daughter is emigrating to Cuba with a lover she has known barely three days and she must smile constantly at passengers on trams asking whether they would like to purchase tickets. Her boredom is juxtaposed with that of a policeman, sitting in his car, with so much time on his hands that he can afford to finish the embroidery started by his late wife. Milena Dravic performs well, particularly when Vera hijacks her own tram and puts her foot down, taking her life up a gear, and, when the brakes don't work, finding herself unable to stop, as she spirals out of control. This comedy examines the trouble with mid-life crises and the wonder of second youth.
These shorts are fantastic. Although my favourite is Turkey Girl, each are so appealing it is difficult to chose.

圣诞前夕，结束国外工作的马蒂亚斯，返回到他土生土长的罗马尼亚特兰西瓦尼亚多民族山村。马蒂亚斯一边担心着儿子鲁迪从罗马尼亚母亲安娜那里受到的教育，一边渴望着再次见到他的匈牙利前情人奇拉。
他发现他的儿子和整座村庄都笼罩在一种奇怪的非理性恐惧和不安的阴影之下。当奇拉管理的面包店雇佣了两名外国工人时，根深蒂固的冲动和怨恨涌现，冲突横生和情绪爆发，社区和平的表象被打破。

劇情從一對準備移民的小夫妻開始，發展成三段在冥冥之中相互影響的故事，以黑色喜劇方式諷刺地展示了羅馬尼亞年輕人急於前往歐美淘金的夢想，複雜的敘事手法與層出不窮的意外，織就出一幅幅現代的東歐圖像。以《4月3週又2天》將羅馬尼亞新浪潮推向巔峰的金棕櫚導演克里斯汀穆基，在這部處女作已遮掩不住令人驚豔的才華。

影片改编自记者塔蒂亚娜•尼古列斯库•布恩的报告文学。该报告文学讲述了一个在2005年驱魔仪式之后去世的老修女的故事。
在影片中，有两个主角，一个叫做阿丽娜，另一个叫做维克琪雅。她们在同一个孤儿院长大。成年之后，维克琪雅觉得修道院是自己心灵的庇护所，于是便去做了一个修女； 而阿丽娜则去了德国。她们已经很久没有联系了，但是她们的命运却因为一桩意外而重新连结到了一起。

《四月三周两天》导演克里斯蒂安·蒙吉联合其他四位罗马尼亚导演的最新短片集，《黄金时代的故事》由6个短片故事组成，讲述了罗马尼亚的共产主义时期的普通人生活。

罗密欧（阿德里安·蒂蒂耶尼 Adrian Titieni 饰）和妻子玛格达（莉亚·巴格纳 Lia Bugnar 饰）结婚多年，两人共同养育着女儿艾丽莎（玛丽亚·维多利亚·德拉格斯 Maria-Victoria Dragus 饰），漫长的婚姻生活令罗密欧和玛格达都感到疲惫不堪，对妻子早已经没有感情的罗密欧唯一的指望，就是将艾丽莎送出国留学，希望她能够尽早离开这个陈腐不堪的国家。
让罗密欧没有想到的是，艾丽莎竟然在会考前夕遭到了陌生男子的袭击，手臂受伤，导致她在之后的考试之中发挥不佳，为了不影响艾丽莎的前途，罗密欧不惜一意孤行贿赂官员买通阅卷老师，全然不顾妻子和女儿的感受，殊不知，这一连串的举动，令他坠入了万劫不复的深渊之中。

苏联解体前夕的1987年，其时还是社会主义国家的罗马尼亚仍有明确法律禁止堕胎。布加勒斯特被男友抛弃的女大学生Gabita意外怀孕，她的室友兼好友Otilia（Anamaria Marinca）决定帮她秘密堕胎。通过朋友的介绍，两人联系到了愿意做手术的医生，并估算着筹集到了一笔数目不小的钱。
不想，她们所筹的钱无法满足医生的要求。在做手术的地点——一家廉价旅馆里——医生提出用Otilia的身体做交换。为彻底帮助Gabita，Otilia答应了医生的要求，事后，她开始思考自己同男友的关系，并提出假设：如果她意外怀孕，男友会是怎样的态度？而影片名字“四月三周两天”，正是Gabita从怀孕到堕胎的时间总长。