我们的女主角是一位成功的上班族，过着平淡的生活，直到某日前男友的儿子出现在她的生活中。这位前男友的遗子也改变着她的生活。
主题曲《駅》由著名歌手竹内玛利亚演唱，而她也在片尾处客串了一个路人。

スーさんは、亡き友人の娘・和美（室井滋）を浜ちゃんとの福島県いわき市の投げ釣りに誘う。当日、案内役は浜ちゃんの釣りの弟子・湯川省平（柄本明）。一目惚れした2人は極度の恋愛経験不足。何とか結びつけた釣りバカコンビは式に出席した後、渓流釣りへ。が、鈴さんが足を滑らせ怪我をしてしまう。山小屋にたどり着いた2人だが、遭難を知った会社の連中が駆けつけてくる。2人の関係がついにバレてしまうのか！？(C)1996 松竹株式会社

2000年日本民間放送連盟賞優秀賞受賞作品。二組の会社員の家族を軸に企業社会の人間関係や夫婦、親子のきずなを描く。食品専門商社に勤める里見（中村雅俊）は、社長直属の営業戦略部長として商慣習の合理化に取り組んでいた。そんな中、営業戦略部を内部告発する文書が社長に届く。差出人が不明で沢口（堤真一）ら部員たちは疑心暗鬼になる。ロケ協力・シンデン、結城運輸倉庫、泰道リビング、建設省京浜工事事務所、京王電鉄、東日本旅客鉄道、東海旅客鉄道、ニッコクトラスト、Thanks Nature Garden。

花山美代（市原悦子）は、訪問看護師として、死を間近に意識した患者たちの自宅療養を支えている。一度倒れて以来、妻が口を聞いてくれなくなったと愚痴る野口重昭（神山繁）。商売が軌道にのったからと手術を拒否して自宅療養を続ける今泉典子（吉田日出子）。そして18歳の秋月恵美（上野樹里）は、どうしても、かつて住んで居た街に行ってみたいと言う。誰もがいつ訪れるかも知れない、間近に迫った死をみつめながらそれでも懸命に生きている。そんな中、美代と同じ看護師の由紀（星野真里）の妊娠が発覚した。

本剧讲述了坐落在歌舞伎町小巷里的圣真心医院，因为当地的关系，来急诊的患者大多是贫困的流浪者、外国人、牛郎、色情业小姐等，与一般医院不同，有着特殊背景的患者。就在这时，美国国籍的原军医——神秘女性，阳子·西·Freeman（小池荣子 饰）突然降临。然后，在年老的叔父的医院工作的美容皮肤科医生高峰享（仲野太贺 饰）遇到了她，齿轮开始转动。

2024 Japanese TV drama

身为高家旗本的吉良因欺负赤穗藩主浅野，遭其砍杀受了重伤，家臣找来吉良的和尚弟弟孝证充当替身，去应付幕府的责难。另一边因此被削藩的赤穗藩47位武士正准备为被迫切腹自尽的浅野展开复仇，这个替身城主该不该继续演下去呢？

电影讲述高家吉良遭赤穗藩主浅野砍杀重伤，家臣找来吉良的和尚弟弟充当替身，应付幕府召见，另一头47位武士正准备为被迫切腹自尽的浅野展开复仇，这个替身城主该不该继续演下去？喜剧男星室刚一人分饰两角，率众武士复仇的永山瑛太，以及川口春奈、北村一辉、柄本明等一票演技派吸睛演出，把时代剧魔改荒谬喜剧，令人捧腹大笑之余，更好奇剧情还能怎么走下去？

「法廷遊戯」の原作は、第62回メフィスト賞を受賞した五十嵐律人による法廷ミステリー小説。永瀬は法曹の道を目指す“セイギ”こと久我清義、杉咲はセイギの幼なじみで同じく法律を学ぶ織本美鈴、北村は“無辜（むこ）ゲーム”と呼ばれる模擬裁判をつかさどる天才・結城馨を演じる。劇中では裁判ゲームで実際に起こった殺人事件をきっかけに、セイギ、美鈴、馨の仮面の裏に隠された真実が暴かれていく。

本剧讲述了女高中生律师樱木雅从小接受祖父的严格培养，在历经司法考试后成为史上最年轻的女高中生律师（JKB）。随后，她来到东京，在祖母的律师事务所见习，因性格强势所以经常与前辈律师发生冲突。但尽管天真烂漫，在法庭上她总能展现出成熟的一面，用热情灌输正确的理论。同时，她也是个普通孩子，隐瞒律师的头衔的新学校生活并不顺利，但逐渐适应并作为律师接受同学们的咨询。作为“律政×校园”的混合剧，展现了小雅在法庭和学校中的奋斗与成长。

2008 Japanese TV drama

上世纪八十年代，市川安男在工业高校毕业后到运输公司工作，25岁时和战争孤儿美佐子结婚，三年后诞下儿子旭，一家人过着喜悦和幸福的生活。祸不单行，在旭三岁的时候，妈妈美佐子为了保护儿子旭而被木箱压死，这份喜悦因突如其来的悲剧而被打破。对美佐子留下来的这唯一的儿子，安男作为一个低学历，爱烟爱酒，不会带孩子的笨拙男人，只有咬紧牙关，用拳头和泪水，努力完成美佐子未了的心愿。从那天开始，安男一边怀着对美佐子的想念，一边笨手笨脚地养育儿子成人。

This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
comments from imdb:
This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
15 out of 10 and then some. 10/10
Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

私たちが生活する上でなくてはならないもの･･･それは、“家”＝不動産。不動産取引の裏側を描く、人気連載中のコミックを原作に、待望の特別編を制作します！
やり手の不動産営業マン・永瀬財地（山下智久）は、ある日、祠（ほこら）と石碑を壊した祟り（たたり）によって嘘がつけなくなり、正直さだけを武器に公私ともに悪戦苦闘の日々を送っていた。かつて、自分の家庭崩壊を、登坂社長（草刈正雄）に救われ、この仕事を志した永瀬財地。悪徳な不動産屋によって家族が崩壊した過去を持つが、“カスタマーファースト”で頑張ってきた月下咲良（福原遥）。今回は、永瀬が「競売・家の差し押さえ」の危機に瀕した親友一家を、月下は「原野商法」の魔の手が迫る大切な祖父を、救い出すべく家族の絆を守るために奮闘します。
永瀬＆月下の名コンビが不動産で悩む人々をあの“風”に乗って救います！

作为日中友好条约缔结10周年纪念，1986年五月至六月，日本广播协会(NHK)和中国电视剧制作中心合作拍摄六集（日本播放时是3集）的电视连续剧《不知其名》。电视剧表现了辛亥革命后，一些同情中国革命的日本青年和留日的中国青年，一同来到中国，为反对北洋军阀的统冶，建立革命政府而进行浴血奋战的故事。

由日本著名影星中井贵一和中国女演员耿忠主演，反映不法滞留的中国人与日本黑社会成员的恋爱故事的影片，片中歌舞伎町案内人李小牧扮演一位歌舞伎町引路人。

1991 Japanese TVseries, Taiga drama

2023 film directed by Daishi Matsunaga

A story of connection between Fukushima and Hawaii through traditional performing arts.
In 2015, four years after the Great East Japan Earthquake, the people of Futaba Town in Fukushima Prefecture, forced to continue to live scattered in evacuation destinations, are concerned about the preservation of their traditional "Bon Uta". However, during this difficult time, they find that the tradition of Bon Odori (Bon dance) has been inherited by people who had immigrated to Hawaii from Fukushima over 100 years ago. The people of Futaba headed to Maui, Hawaii to perform Bon Uta. The documentary follows their journey as they bravely work to preserve their cultural heritage and pass it down to future generations, all while holding onto hope for the continuation of their tradition. As the story unfolds, the "Bon Uta" not only becomes a way for the people of Futaba to share their heritage, but it also unveils the roots of those who have been living away from their homeland. Directed by NAKAE Yuji, who also runs Sakurazaka Theater, the film vibrantly captures the richness of Futaba Town's traditional performing arts, the music of Hawaii's Bon dance and their backgrounds.
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