When a group of former childhood friends reconnect, their reunion takes a wild turn as they stumble upon a dangerous international plot—and must save the world.

一部引人入胜的家庭剧和一个永恒的故事，通过宾夕法尼亚州铁锈镇的警察局长德尔哈里斯复杂而妥协的视角讲述，那里充满了做出错误选择的好人。

本是豪门继承人的贝克特·雷德费洛（格伦·鲍威尔 Glen Powell 饰）被家族抛弃，为了确保成为巨额遗产的唯一继承人，他不择手段干掉了七个亲戚。
影片灵感来源于1949年的喜剧《仁心与冠冕》。

德文觉得她姐姐西蒙娜与新上司 — 神秘的社交名流迈克拉·凯尔——之间有着一种令人毛骨悚然的关系。对西蒙娜而言，迈克拉那类似邪教般的奢华生活犹如毒品般让人沉迷。德文认为时候该出手干预这段关系了，但她根本没想到迈克拉会是多么令人生畏的对手。《妖惑心计》的故事发生在一个充满爆炸性事件的周末，场景设在凯尔家族位于海滨的豪华庄园。这是一部犀利、性感且带着黑色幽默的剧集，深入探索了女性、权力及社会阶层间的微妙关系。

在天眼尚未密布，监场保安仍会打瞌睡的二十世纪七十年代，名画大盗就是会光天化日，大剌剌走进美术馆，直接把猎物从墙上取下放入布袋运走。看似儿戏的一切，背后主谋还要是住在市郊、人畜无害的住家男人。凯莉·莱卡特完全弃用好莱坞盗宝片叙事公式，改以其擅长的左翼简约主义镜头，捕捉触犯艺术罪行者的日常生活、双面人的言行处境，以及事件周遭人情冷暖。阿瑟多夫的抽象画作未必是一个借口，但到头来凸显存在荒谬的公路逃亡，俨然为观众添加了不少欣赏和思考的层次。

美国“镀金时代”是经济和社会发生巨大变革的时期，各类帝国在这一时期建立起来，但任何成功都离不开牺牲。歌剧院之战后，守旧势力被削弱，Russell一家准备好了在社会前列占据一席之地。Bertha将目光投向了一个奖项，这个奖项能把他们一家提升到难以想象的高度，而George冒着倾家荡产的风险，进行了一场能彻底改变铁路行业的赌局，如果这场赌局不会先毁了他的话。街对面，Brook一家陷入混乱，因为Agnes拒绝接受Ada作为女主人的新位置。Peggy遇到了一位来自纽波特的英俊医生，他的家人对她的事业并不是很欣赏。当整个纽约都在匆忙迈向未来时，各位的野心可能会以牺牲自己真正珍视的东西为代价。

上世纪六十年代著名迷幻摇滚乐队“海滩男孩”（The Beach Boys）队长布莱恩·威尔逊（约翰·库萨克 John Cusack 饰 ），词曲创作、和声以及编曲样样精通，创作才华惊人，他带领“海滩男孩”走向事业巅峰。布莱恩虽打造出影响全世界的畅销专辑，但却因压力过大导 致精神崩溃，直到他遇到饱受争议的心理医生尤金·兰迪（保罗·吉亚玛提 Paul Giamatti 饰）。尤金·兰迪的治疗方法极其激进并富有对抗性，在他的治疗下，布莱恩的病情有所好转，于此同时，布莱恩的生活和事业也被他操控……
本片改编自曾荣获格莱美终身成就奖的传奇摇滚乐队“海滩男孩”中的成员布莱恩·威尔逊的真实经历。约翰·库萨克（John Cusack）与保罗·达诺（Paul Dano）分别饰演中年布莱恩与青年布莱恩。

背景设定在上世纪二、三十年代的禁酒时期，地点则是当时贩运私酒最猖狂的弗兰克林县，故事便围绕富瑞斯特（汤姆·哈迪 饰）、霍华德（杰森·克拉克 饰）和杰克（希亚·拉博夫 饰）三兄弟展开，从事着非法活动的三人难免会与副警长查理（盖·皮尔斯饰）发生冲突...在两名卧底缉毒人员的掩饰被打破后，墨西哥企业联合绑架了他们的家庭。想让他们回来，他们必须在以后24个小时做难以想象的事。规则是简单的：没有枪、没有炸弹和没有证人。他们必须无法无天……

已退休的美国前总统临危受命，寻找致命网络攻击的源头，却发现一个谎言与阴谋交织的迷网。

面对无情的敌人和突然的破产，亚特兰大的房地产大亨必须在他的帝国开始崩溃时重新回到顶峰。

一桩骇人听闻的谋杀案闹得芝加哥检察官办公室天翻地覆，因为该办公室的一名成员成了这起犯罪的嫌疑人，使其不得不为维系家庭而战。

讲述无拘无束、特立独行的杰米因又一次和女友分手而哀叹，她端庄娴静的好友玛丽安则迫切需要放松，为寻找新的开始，两人踏上了前往塔拉哈西的即兴公路行，当遇到一群无能的罪犯后，事情开始出现差错。

《局外人》基于史蒂芬·金同名畅销小说改编开发。故事背景建构在俄克拉荷马州的虚拟小镇芬林市（Flint City），警探拉斐尔·安德森（Ralph Anderson）在众目睽睽下逮捕了极受欢迎的英语教师兼少棒联盟教练的泰瑞·梅特兰（Terry Maitland） ，指控他涉嫌强暴、分尸一名11岁的男童。尽管泰瑞·梅特兰坚称自己是无辜的，但安德森却有目击证人和明确的物理证据（DNA及指纹）显示他是有罪的。在私家侦探霍莉·吉伯尼（Holly Gibney，《宾士先生》中的一名角色）的协助下，安德森深入挖掘这起扑朔迷离的案件，进而发现事件的真相…

出生于巴基斯坦移民家庭的高中生纳兹（里兹·阿迈德 Riz Ahmed 饰），偷偷开走父亲的出租车去赴一场朋友爽约的派对。他中途迷路，焦急之际搭载了带着落寞绝望表情的女孩安吉拉（索菲亚·布莱克-德埃利亚 Sofia Black-D'Elia 饰）。霓虹闪烁的海边，两人互吐心声。纳兹随对方回到家中，在迷幻的氛围中一切自然而然地发生。可当他醒来时，却发现安吉拉已被人残忍杀害。他惊慌失措，夺路而逃，结果半路因酒驾遭到逮捕，继而因涉嫌杀害安吉拉遭到指控。在押期间，善于为边缘人辩护盈利的小律师约翰·斯通（约翰·特托罗 John Turturro 饰）决定帮他洗脱罪名。临近退休的警长丹尼斯（比尔·坎普 Bill Camp 饰）和检察官海伦（珍妮·柏林 Jeannie Berlin 饰）则磨刀霍霍，发誓要坐实纳兹的罪名。被人称为有着“小鹿斑比似的大眼睛”的纳兹，更要在炼狱般的牢房内接收黑暗和罪恶的洗礼……

Shaw characterised Saint Joan as "A Chronicle Play in 6 Scenes and an Epilogue". Joan, a simple peasant girl, hears voices which she claims to be those of Saint Margaret, Saint Catherine, and the archangel Michael, sent by God to guide her conduct.
Scene 1 begins with Robert de Baudricourt complaining about the inability of the hens on his farm to produce eggs. Joan claims that her voices are telling her to raise a siege against Orléans, and to allow her several of his men for this purpose. Joan also says that she will eventually crown the Dauphin in Rheims cathedral. de Baudricourt ridicules Joan, but his servant feels inspired by her words. de Baudricourt eventually begins to feel the same sense of inspiration, and gives his consent to Joan. The servant enters at the end of the scene to exclaim that the hens have begun to lay eggs again. de Baudricourt interprets this as a sign from God of Joan's divine inspiration.
In Scene 2 (8 March 1429), Joan talks her way into being received at the court of the weak and vain Dauphin. There, she tells him that her voices have commanded her to help him become a true king by rallying his troops to drive out the English occupiers and restore France to greatness. Joan succeeds in doing this through her excellent powers of flattery, negotiation, leadership, and skill on the battlefield.
In Scene 3 (29 April 1429), Dunois and his page are waiting for the wind to turn so that he and his forces can lay siege to Orléans. Joan and Dunois commiserate, and Dunois attempts to explain to her more pragmatic realities of an attack, without the wind at their back. Her replies eventually inspire Dunois to rally the forces, and at the scene's end, the wind turns in their favour.
Ultimately she is betrayed, and captured by the English at the siege of Compiègne. Scene 6 (30 May 1431) deals with her trial. John de Stogumber is adamant that she be executed at once. The Inquisitor, the Bishop of Beauvais, and the Church officials on both sides of the trial have a long discussion on the nature of her heresy. Joan is brought to the court, and continues to assert that her voices speak to her directly from God and that she has no need of the Church's officials. This outrages de Stogumber. She acquiesces to the pressure of torture at the hands of her oppressors, and agrees to sign a confession relinquishing the truth behind her voices, so that she can live a life in permanent confinement without hope of parole. Upon hearing this, Joan changes her mind:
Joan: "You think that life is nothing but not being dead? It is not the bread and water I fear. I can live on bread. It is no hardship to drink water if the water be clean. But to shut me from the light of the sky and the sight of the fields and flowers; to chain my feet so that I can never again climb the hills. To make me breathe foul damp darkness, without these things I cannot live. And by your wanting to take them away from me, or from any human creature, I know that your council is of the devil."
Joan accepts the ultimate punishment of death at the stake as preferable to such an imprisoned existence. de Stogumber vehemently demands that Joan then be taken to the stake for immediate execution. The Inquisitor and the Bishop of Beauvais excommunicate her and deliver her into the hands of the English. The Inquisitor asserts that Joan was fundamentally innocent, in the sense that she was sincere and had no understanding of the church and the law. de Stogumber re-enters, screaming and severely shaken emotionally after seeing Joan die in the flames, the first time that he has witnessed such a death, and realising that he has not understood what it means to burn a person at the stake until he has actually seen it happen. A soldier had given Joan two sticks tied together in a cross before the moment of her death. Bishop Martin Ladvenu also reports that when he approached with a cross to let her see the cross before she died, and he approached too close to the flames, she had warned him of the danger from the stake, which convinced him that she could not have been under the inspiration of the devil.
In the Epilogue, 25 years after Joan's execution, a new trial has cleared her of heresy. Brother Martin brings the news to the now-King Charles. Charles then has a dream in which Joan appears to him. She begins conversing cheerfully not only with Charles, but with her old enemies, who also materialise in the King's bedroom. An emissary from the present day (at the time of the play, the 1920s) brings news that the Catholic Church is to canonise her, in the year 1920. Joan says that saints can work miracles, and asks if she can be resurrected. At this, all the characters desert her one by one, asserting that the world is not prepared to receive a saint such as her. The last to leave is the English soldier, who is about to engage in a conversation with Joan before he is summoned back to hell at the end of his 24-hour respite. The play ends with Joan ultimately despairing that mankind will never accept its saints:
O God that madest this beautiful earth, when will it be ready to accept thy saints? How long, O Lord, how long?

一位小说家在无意中听到丈夫坦率地评价她的作品后，她们之间的婚姻关系便开始恶化。

根据真实事件改编，当握手交易失败时，殡仪馆老板耶利米·奥基夫邀请魅力十足的律师威利·加里来拯救他的家族企业。在这个鼓舞人心、充满胜利喜悦的故事中，这对不可能的搭档在揭露企业腐败和种族不公的同时，经历一番吵吵闹闹后，结下深厚的友谊。

获奖真实犯罪惊悚片《波士顿勒杀狂》由迈特·卢金斯编剧并执导，讲述了1960年代率先披露臭名昭著的波士顿勒杀狂凶案记者的故事。本片围绕《美国人权记录报》的记者洛蕾塔·麦克劳克林展开。她是首个把一系列凶案串联起来的记者。随着神秘杀手日渐猖狂，洛蕾塔尽全力与同事兼密友珍·科尔继续调查，然而二人被当时盛行的性别歧视所阻挠。尽管如此，麦克劳克林和科尔英勇无畏，坚持调查，甘冒生命危险寻找真相。

Discover a side of Abraham Lincoln you’ve never seen before. Inspired by David S. Reynolds’s book “Abe: Abraham, Lincoln in his Times,” Lincoln’s Dilemma comes to Apple TV+ February 18.
In this four-part docuseries, a diverse panel of historians and rare archival materials offer a more nuanced look into Abraham Lincoln's presidency.

作家本·米尔斯回到他儿时的故乡——撒冷镇，为他的下一本书寻找灵感，却发现他的家乡正被一个嗜血的吸血鬼掠夺。