在得知亲生儿子拥有超能力后，父亲载著儿子展开了一趟亡命旅程，并揭开儿子拥有超能力的神秘真相。

Hulu的恐怖诗选剧《怪兽乐园 Monsterland》改编自Nathan Ballingrud短篇集《North American Lake Monsters: Stories》，剧集角色包括一些奇幻生物，例如堕落天使﹑狼人等，他们为求扭转自己的生活而绝望地采取一些行为，从而表达出人类与「他们」的差异其实并不大。

杰米·贝尔将出演新片[皮肤](Skin，暂译)，丹妮尔·麦克唐纳([帕蒂蛋糕$])也已加盟，导演盖·纳蒂弗([神之子])。影片改编自真人真事。布里恩·温德尔曾是黑帮组织“温兰德光头党”头目，全身刺满了纹身。2006年婚后的温德尔决定退出黑帮并进行了25次激光清除手术，去 除了面部颈部手部的纹身。
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本剧改编自非虚构作品《末日巨塔——基地组织与“9·11”之路》。2001年9月11日，美国本土遭遇史上最严重的恐怖袭击。四架波音客机被劫，先后撞击世贸中心双塔和国防部五角大楼，从而导致3000多人丧生和数千亿美圆的经济损失。《纽约客》记者劳伦斯·赖特踏上了漫长的报道之路，一份历时5年、长达500多页的深度报道。关于CIA、FBI、基地组织之间的关系。

在英国的一个小村庄里，来了一位曼妙的整容美女塔玛拉·德鲁（杰玛·阿特登 Gemma Arterton 饰），她曾经在这里长大，现在她已在外闯荡多年，还给自己天生的大鼻子整了形，成为一名年轻的记者，她此行只是为了将母亲遗留下的房子卖掉。然而，当曾经的大鼻子丑女以如此美艳的形象出现在众人面前时，宁静的村庄一下子波澜起伏，男人们接二连三地拜倒在塔玛拉的石榴裙下：小伙子安迪（卢克·伊万斯 Luke Evans 饰）从小就被她吸引，乐队鼓手本（多米尼克·库珀 Dominic Cooper 饰）更是与其展开热恋，甚至连中年作家尼古拉斯（罗杰·阿拉姆 Roger Allam 饰）也背着妻子与她纠缠。然而纸包不住火，事情渐渐暴露并发生一连串戏剧性的转折，塔玛拉和村民们的生活如何才能回归正轨？
电影改编自波西·西芒德斯深受大众喜爱的同名漫画小说，漫画的创作灵感来源于托马斯·哈代的经典小说《远离尘嚣》。

年轻的非裔美国人比格和母亲及兄弟姐妹住在芝加哥。他开始做富商道尔顿一家的司机，为道尔顿的女儿玛丽驾驶。直到他卷入了一场意外死亡事件后，其与强大的社会力量发生了冲突。

本片是马特·拉斯金的第二部长片作品，讲述了美国一起轰动一时的错案，年仅18岁的科林·华纳被误判入狱，科林的童年玩伴为了证明朋友的清白，走上漫长的洗冤之路。

故事发生在上世纪的六十年代，布莱恩（约翰·库萨克 John Cusack 饰）是乐队“海滩男孩”的队长。布莱恩极富魅力，才华横溢，唱作俱佳，在他的带领下，乐队很快就在业内赢得了不菲的声誉，稳坐畅销榜的首位。
乐队的扬名立万带来的却是一桩桩的麻烦和排山倒海而来的压力，最终，布莱恩不堪重负，精神濒临崩溃的边缘。就在这时，布莱恩遇见了名为尤金（保罗·吉亚玛提 Paul Giamatti 饰）的精神科医生。一直以来，尤金以其过激的治疗方式在业内引起过诸多的争议，然而，布莱恩的病情却在尤金的治疗之下渐渐好转，可是，随着时间的推移，尤金步步紧逼，渐渐掌控了布莱恩的全部生活，令他和他的乐队成员之间产生了激烈的矛盾。

　　本片讲述一位富豪被控谋杀妻子，一切证据都对他十分不利，陪审团认为罪名成立，将被判刑。他不服上诉，並延请一位法律教授出庭辨护，法律教授通过严密的调查分折，将一审有罪的判决推翻。尽管谋杀的可能性依然存在，但再无指控的法律根据。

Showtime直接预订剧集《铁锈 Rust》，这部剧改编自Philipp Meyer的小说《American Rust》，并且电视台已找了Jeff Daniels担当主演﹑Dan Futterman负责改编剧本。
《铁锈》是部家庭剧，背景在宾夕法尼亚州西南部的锈带小镇（锈带指美国东北部的一个地区，来由是以前区盛产钢铁产业，但后来工厂关门，只余下生锈大门）里，主角是警长Del Harris（Jeff Daniels饰）。
剧中主角爱人的儿子被指控谋杀，Del被迫决定自己愿意做到甚么地步以保护他们。

《白色通行证》改编自内拉·拉森于 1929 年撰写的著名同名小说，围绕两位黑人女性艾琳·雷德菲尔德（泰莎·汤普森饰）和克莱尔·肯德里（荣获奥斯卡金像奖提名的鲁丝·内伽饰）展开叙述，在 20 世纪 20 年代末纽约哈莱姆文艺复兴的鼎盛时期，她俩都可以冒充白人，却选择生活在以肤色为界的两个世界里。一个夏日午后，两名童年好友偶然再会，艾琳不情愿地让克莱尔登门拜访，结果克莱尔讨好起艾琳的丈夫（安德烈·霍兰饰）和家人，之后更打入她交游甚广的社交圈子。随着两人的生活更紧密地交织在一起，艾琳发现自己曾经稳定的生活开始因克莱尔的出现而天翻地覆。《白色通行证》是一部引人入胜的电影，审视了人性的痴迷和压抑。为了保护自己精心构筑的现实，人们可以对自己和他人说什么谎？

本片基于令人难以置信的真实事件改编。联邦探员蒂姆·巴拉德（吉姆·卡维泽 饰）在把一个小男孩从残忍的儿童拐卖犯罪中解救出来之后，得知男孩的姐姐同样被拐，他决定冒险前去营救，但政府无法派兵到他国领土救援。时间紧迫，蒂姆辞去工作，深入哥伦比亚丛林以身犯险，誓要把女孩从生不如死的命运中解救出来。

布莱恩（布莱德利·库珀 Bradley Cooper 饰）是一名军火承包商，年纪轻轻的他便在行业内闯出了一片属于自己的天地，攀登上了事业的最高峰。某日，他被上司派往夏威夷火奴鲁鲁军事基地，那里正在进行一项间谍卫星的开发和研制，需要布莱恩的监督，布莱恩兴致勃勃的踏上了旅途。
让布莱恩没有想到的是，在目的地，等待着他要和他一同共事，是一位名叫艾莉森（艾玛·斯通 Emma Stone 饰）的女飞行员，艾莉森冷若冰霜而又不苟言笑，着实是一个严肃而又无趣的女人，这令布莱恩感到十分郁闷，与此同时，布莱恩对前女友崔西（瑞秋·麦克亚当斯 Rachel McAdams 饰）依然抱有着不切实际的幻想，他联系到了崔西，企图和她破镜重圆。

安德斯·希尔（本·门德尔森饰演）长期生活在“痼习之地”，这是康涅狄格州一个富裕的小村庄，位于通勤铁路线上，如今他准备好享受明智生活的回报了。他五十多岁，刚刚退休，付清了成年儿子读大学的学费，安德斯觉得他已经受够了这种稳定的习惯：于是他离开了妻子（埃迪·法可饰演），买了一个公寓，等待无拘无束的自由给他生活带来转变。没有了之前身份带来的舒适感，安德斯开始了一段磕磕碰碰而又令人心碎的旅程……

作家本·米尔斯回到他儿时的故乡——撒冷镇，为他的下一本书寻找灵感，却发现他的家乡正被一个嗜血的吸血鬼掠夺。

Discover a side of Abraham Lincoln you’ve never seen before. Inspired by David S. Reynolds’s book “Abe: Abraham, Lincoln in his Times,” Lincoln’s Dilemma comes to Apple TV+ February 18.
In this four-part docuseries, a diverse panel of historians and rare archival materials offer a more nuanced look into Abraham Lincoln's presidency.

获奖真实犯罪惊悚片《波士顿勒杀狂》由迈特·卢金斯编剧并执导，讲述了1960年代率先披露臭名昭著的波士顿勒杀狂凶案记者的故事。本片围绕《美国人权记录报》的记者洛蕾塔·麦克劳克林展开。她是首个把一系列凶案串联起来的记者。随着神秘杀手日渐猖狂，洛蕾塔尽全力与同事兼密友珍·科尔继续调查，然而二人被当时盛行的性别歧视所阻挠。尽管如此，麦克劳克林和科尔英勇无畏，坚持调查，甘冒生命危险寻找真相。

根据真实事件改编，当握手交易失败时，殡仪馆老板耶利米·奥基夫邀请魅力十足的律师威利·加里来拯救他的家族企业。在这个鼓舞人心、充满胜利喜悦的故事中，这对不可能的搭档在揭露企业腐败和种族不公的同时，经历一番吵吵闹闹后，结下深厚的友谊。

一位小说家在无意中听到丈夫坦率地评价她的作品后，她们之间的婚姻关系便开始恶化。

Shaw characterised Saint Joan as "A Chronicle Play in 6 Scenes and an Epilogue". Joan, a simple peasant girl, hears voices which she claims to be those of Saint Margaret, Saint Catherine, and the archangel Michael, sent by God to guide her conduct.
Scene 1 begins with Robert de Baudricourt complaining about the inability of the hens on his farm to produce eggs. Joan claims that her voices are telling her to raise a siege against Orléans, and to allow her several of his men for this purpose. Joan also says that she will eventually crown the Dauphin in Rheims cathedral. de Baudricourt ridicules Joan, but his servant feels inspired by her words. de Baudricourt eventually begins to feel the same sense of inspiration, and gives his consent to Joan. The servant enters at the end of the scene to exclaim that the hens have begun to lay eggs again. de Baudricourt interprets this as a sign from God of Joan's divine inspiration.
In Scene 2 (8 March 1429), Joan talks her way into being received at the court of the weak and vain Dauphin. There, she tells him that her voices have commanded her to help him become a true king by rallying his troops to drive out the English occupiers and restore France to greatness. Joan succeeds in doing this through her excellent powers of flattery, negotiation, leadership, and skill on the battlefield.
In Scene 3 (29 April 1429), Dunois and his page are waiting for the wind to turn so that he and his forces can lay siege to Orléans. Joan and Dunois commiserate, and Dunois attempts to explain to her more pragmatic realities of an attack, without the wind at their back. Her replies eventually inspire Dunois to rally the forces, and at the scene's end, the wind turns in their favour.
Ultimately she is betrayed, and captured by the English at the siege of Compiègne. Scene 6 (30 May 1431) deals with her trial. John de Stogumber is adamant that she be executed at once. The Inquisitor, the Bishop of Beauvais, and the Church officials on both sides of the trial have a long discussion on the nature of her heresy. Joan is brought to the court, and continues to assert that her voices speak to her directly from God and that she has no need of the Church's officials. This outrages de Stogumber. She acquiesces to the pressure of torture at the hands of her oppressors, and agrees to sign a confession relinquishing the truth behind her voices, so that she can live a life in permanent confinement without hope of parole. Upon hearing this, Joan changes her mind:
Joan: "You think that life is nothing but not being dead? It is not the bread and water I fear. I can live on bread. It is no hardship to drink water if the water be clean. But to shut me from the light of the sky and the sight of the fields and flowers; to chain my feet so that I can never again climb the hills. To make me breathe foul damp darkness, without these things I cannot live. And by your wanting to take them away from me, or from any human creature, I know that your council is of the devil."
Joan accepts the ultimate punishment of death at the stake as preferable to such an imprisoned existence. de Stogumber vehemently demands that Joan then be taken to the stake for immediate execution. The Inquisitor and the Bishop of Beauvais excommunicate her and deliver her into the hands of the English. The Inquisitor asserts that Joan was fundamentally innocent, in the sense that she was sincere and had no understanding of the church and the law. de Stogumber re-enters, screaming and severely shaken emotionally after seeing Joan die in the flames, the first time that he has witnessed such a death, and realising that he has not understood what it means to burn a person at the stake until he has actually seen it happen. A soldier had given Joan two sticks tied together in a cross before the moment of her death. Bishop Martin Ladvenu also reports that when he approached with a cross to let her see the cross before she died, and he approached too close to the flames, she had warned him of the danger from the stake, which convinced him that she could not have been under the inspiration of the devil.
In the Epilogue, 25 years after Joan's execution, a new trial has cleared her of heresy. Brother Martin brings the news to the now-King Charles. Charles then has a dream in which Joan appears to him. She begins conversing cheerfully not only with Charles, but with her old enemies, who also materialise in the King's bedroom. An emissary from the present day (at the time of the play, the 1920s) brings news that the Catholic Church is to canonise her, in the year 1920. Joan says that saints can work miracles, and asks if she can be resurrected. At this, all the characters desert her one by one, asserting that the world is not prepared to receive a saint such as her. The last to leave is the English soldier, who is about to engage in a conversation with Joan before he is summoned back to hell at the end of his 24-hour respite. The play ends with Joan ultimately despairing that mankind will never accept its saints:
O God that madest this beautiful earth, when will it be ready to accept thy saints? How long, O Lord, how long?