瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

Ms. Baez's most successful album, artistically and commercially...and she recorded it on her own terms and direction. The material she chose to cover includes songs originally by Jackson Browne, Stevie Wonder, her forever love Bob Dylan and The Allman Brothers. But it was the title track that must have brought her the most satisfaction, as it was self-penned. An ode to her fabled affair with Dylan, it speaks from the heart frankly, affectionately and unapologetically. She was rewarded with it becoming a Top 40 hit (something that had eluded her since the 1960's), one of the biggest in her career. Musicians include Crusaders Wilton Felder and Joe Sample along with Larry Carlton, as well as Joni Mitchell (with Tom Scott & The L.A. Express) who duets on "Di Da". Produced by David Kershenbaum and Baez, it's simply one of her best albums ever.

瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

Where Are You Now, My Son? is an album Joan Baez released in early 1973. One side of the album featured recordings Baez made during a US bombing raid on Hanoi over Christmas 1972. Included on the recording are the voices of Barry Romo, Michael Allen, and human rights attorney Telford Taylor, with whom Baez made her famous 1972 visit to North Vietnam.
The album's other side, featuring songs, written by Baez, Mimi Fariña and Hoyt Axton, was recorded in Nashville in January 1973.
From the album's liner notes:
"...The war in Indochina is not yet over, and the war against violence has barely begun...." - Joan Baez

1996 compilation on A&M featuring 33 of the folksinger's best recordings for the label, 1972-1976. The first disc includes the top 40 hit 'Diamonds And Rust', plus 'Blue Sky'& 'In The Quiet Morning'; the second disc has 16 tracks recorded live in 1976, including her top five cover of The Band's 'The Night They Drove Old Dixie Down', as well as hermemorable cover of Bob Dylan's 'Blowin' In The Wind'. Doubleslimline jewel case.

Joan Baez: How Sweet The Sound" Original Soundtrack includes material spanning Joan's career, including many rare, previously unreleased performances.

French live release. Subtitled 'Children Of The Night'. Fourteen tracks including 'Farewell Angelina', 'A Hard Rain's A Gonna Fall', 'Me And Bobby McGee' & 'Imagine'.

瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

The recordings are divided onto two discs – both made to resemble old vinyl LPs. The first disc consists of all 13 tracks from her 1960 (major label) debut album Joan Baez released on Vanguard in the US and Fontana in the UK. As far as I can tell all these tracks are the original versions from that early album, and although I have them on vinyl as well as CD it is nice to have them again in this package. The songs are now so well known to Baez fans that there is really no need to say much about them, but I will say that all songs are Joan accompanying herself on acoustic guitar, with Fred Hellerman of the Weavers on 2nd guitar. I have to say that my favourite tracks are ‘John Riley’ and ‘Mary Hamilton’. These, and most of the other songs on the album are traditional and Joan faithfully sings them in the original style. Both ‘Mary Hamilton’ and ‘Henry Martin’ are Child Ballads. Joan’s most widely available albums date from 1960 onwards, so maybe of more interest is disc 2 entitled ‘Folksingers ‘Round Harvard Square’ recorded in 1959 and originally released on the independent label Veritas. The 10 tracks on this disc were produced by Lemuel Marshall Wells and recorded in a Boston basement in May 1959 when Joan was just 17-years-old. Her voice is somewhat huskier on these early recordings but still as amazing as we know it today. Only 7 of what were originally 18 songs were solo efforts by Joan but for some reason only 6 of the 7 have been included here. Three of the remaining four songs are duets with Bill Wood and the final track is shared by Baez, Wood and Ted Alevizos. Joan only occasionally sang duets in the early days, so these 4 songs are a real find for completists. Of the 10 songs only two were re-recorded – ‘The Banks Of The Ohio’ which is also on ‘Joan Baez Vol 2′ (1961) and ‘Black Is The Color’ which is on ‘Joan Baez in Concert’(1962). As far as I can tell none of the others have been recorded again by her and so are relatively unknown, though of course ‘Careless Love’ has been covered by many singers over the years.