瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

This is a big ol' box of Baez; certainly more than any casual fan would need. The hits are here ("Diamonds and Rust" and "The Night They Drove Old Dixie Down"), along with a treasure trove of rare duets (with Kris Kristofferson, Bob Gibson, Donovan and others) and previously unreleased tracks (including a giddy 1965 concert duet with Bob Dylan on his "Mama, You Been on My Mind"). The depth and breadth of Baez's work--from her early traditional bent ("Silver Dagger") to her fine choices from contemporary writers (Merle Haggard, John Prine)--is well-represented; the striking beauty of her voice is, too. Newcomers, however, would be wiser to investigate single disc samplers from Vanguard and A&M. --Michael Ruby EMD

1961－1963年间的演唱会现场演出

瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

Comes in gatefold cover containing 6 pages of lyrics, notes & photos.

瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

Ahead of Woodstock's 50th anniversary this month, Craft Recordings released Baez's entire 1969 Woodstock set for the first time, which is available on streaming platforms as Live at Woodstock and features previously unheard recordings such as "Take Me Back To The Sweet Sunny South."

瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

戴維·范·洛克 是一位美國民謠歌手。在1960年代，他是美國民間音樂復興和紐約市格林威治村的一個重要人物，被稱為「麥克杜格爾街市長」。 戴維·范·洛克的作品包括古老英國民謠，藍調，福音，搖滾，紐奧良爵士樂和搖擺樂。

On January 27th, 2016, folk icon Joan Baez celebrated her 75th birthday with a historic performance at the Beacon Theatre in New York City. The special event honored her legendary 50-plus years in music in an intimate, career-spanning live performance. Baez performed alongside fellow artists and friends, including: David Bromberg, Jackson Browne, Mary Chapin Carpenter, Judy Collins, David Crosby, Indigo Girls, Emmylou Harris, Damien Rice, Paul Simon, Mavis Staples, Nano Stern and Richard Thompson.
This deluxe version also contains the DVD.

瓊·拜亞，美國鄉村民謠女歌手，作曲家。她的很多作品都與時事和社會問題有關，並於1960年代活躍於反戰運動。

by Dave Thompson
Not the greatest Joan Baez live album of them all, but a worthy souvenir of her 1980 European tour regardless. The problem lies in her choice of material -- neither
Paul Simon
's "The Boxer" nor the ever-grating "Don't Cry for Me Argentina" rank among songs that cried out for Baez to re-create them, although the audience sounds enthusiastic throughout, and the version of "Diamonds & Rust" is one of the most powerful she has ever released. But too much of the set sounds weary, and though Baez's voice is as powerful as ever, even she seems to be tiring of some of the songs. Where this album becomes most interesting is in attempting to compile the various different permutations released across Europe. In the U.K., eleven songs included exclusive versions of "Donna Donna" and "Jari Yahamouda." The 12-track French edition included "Pauvre Ruteboeuf," "Le Deserteur" and "Plaisir D'Amour," the German release substituted "For Sasha" and "Kinder (Sind So Kleine Hande)," and the Spanish featured "Maria Dolores," "No Nos Moveran" and "El Rossinyol." All add up to very different experiences for the listener, but still, if you seek just one Baez live album, this one -- whatever permutation you locate -- probably isn't the one you want.