这部电影的前半部分介绍了著名心理学家威廉·赖希（Wilhelm Reich）的研究成果与生平，包括对相关人物的访问与影像资料。赖希致力于将精神分析与共产主义结合，宣称来自生命自身的倭格昂能是拯救人类病症的关键，并发明了看似荒诞的倭格昂能储存器。赖希的所作所为很快被美国政府查禁，不幸病死狱中。1971年的南斯拉夫，一位工人狂躁的反对国家新产生的红色资产阶级，信奉性自由才能达到共产主义的米伦娜（Milena Dravic 饰）在室友和一男人纵情的房间外，向邻居们宣讲性的伟大。与此同时，一位身着破烂服装，头戴钢盔手执枪模的男人在美国街头游荡，他的背景音乐是高昂的战斗旋律。米伦娜与一位苏联的人民艺术家相识，两人的分歧最终导致了怪诞又无奈的结局。

加拿大小姐（Carole Laure 饰）在贞操带基金会主办的世界小姐大赛中胜出，得以同基金会主席身价五百亿美元的富翁儿子成婚，新婚当晚，加拿大小姐惊见对方的阳具闪耀着金属的色泽。与此同时，一艘名为幸存者的船在河面摇曳，一位英俊水手被美艳的船长安娜（Anna Prucnal 饰）吸引，沿河岸追逐；加拿大小姐欲终止婚姻，反被富翁的母亲交给一名健硕黑人处理，黑人把加拿大小姐邮寄到了埃菲尔铁塔下。在那里，加拿大小姐遇到了一位西班牙歌手，两人发生了关系之后却一时无法分离；水手终于登上了安娜的船，安娜称他为波坦金号的难民，船上有数不清的糖，安娜与水手纵情享受，又引诱了一些儿童上船；加拿大小姐被一群嬉皮士收留，他们疯狂的行为令加拿大小姐失魂；最终安娜杀死了水手，被警察带走。加拿大小姐则拍摄了一则色情巧克力广告。

电影甫开场，一位性学博士向观众介绍各地关于性崇拜的传统……电话接线员伊莎贝拉（Eva Ras 饰）和好友露扎闲聊着关于男人的话题，轻薄的邮递员米卡百般纠缠二人但始终得不到伊莎贝拉的好感。卫生督察艾哈迈德（Slobodan Aligrudic 饰）出现在伊莎贝拉的生活中并得到了她的芳心。与此同时，伊莎贝拉的尸体在一处深水井中被打捞出来，尸检发现她已有孕在身。政府掀起了灭鼠运动的高潮，艾哈迈德则搬入了伊莎贝拉家中，两人开始甜蜜的同居生活，不久伊莎贝拉发现自己怀孕，情绪顿时陷入低谷，与艾哈迈德的关系濒临崩溃，两人在街上互相撕扯追逐时艾哈迈德不慎失手……
本片又名《爱情档案》（Love Dossier），导演马卡维耶夫在电影中加入了诸如灭鼠运动之类的春秋笔法表达对现实的看法。

一名工程师被派到一处灰蒙蒙的工业基地，在那里，他爱上了房东的女儿，而她是一个很有个性、崇尚自由的女子，最终造成英雄气短。导演杜山?马卡维加夫(Dusan Makavejev)，来自塞尔维亚和黑山共和国，是从心理学专业毕业的。

Innocence Unprotected is composed of footage of the 1941 film of the same name. Innocence Unprotected was originally filmed in 1941 under the title Nevinost bez zaštite which was meant to be the first sound feature film made in Serbia.Nevinost bez zaštite was made by the Yugoslav gymnast Dragoljub Aleksić, who wrote, produced, directed, and starred in the film. Nevinost bez zaštite was never released due to the Nazi censors while ironically later during the Yugoslav communist period some accused and condemned it as being pro-Nazi.
In 1968 filmmaker Dušan Makavejev found the film and expanded upon it with newsreel footage of Nazi Propaganda and German occupation as well. Other footage includes Aleksić performing his acrobatics and filmed interviews of the surviving cast members. Makavejev tinted some of the black and white scenes in the film and hand colored some details. The film was referred to by Makavejev as a "montage of attractions", with a montage styled celebration of Serbian customs, folklore, and humor.

猪与珍珠——马卡维耶夫煽动佳作


小女孩问动物园的猴子：你为什么住在这里？这里比你原来住的地方好吗？猴子面无表情。

玛里琳是个家庭主妇，整天在家搞卫生，伺候轮椅上的老爷爷和两个儿女，老公马丁每日工作，对玛里琳的性要求也十分冷淡，受到压抑的玛里琳时常显得有点异样。

(.......省略 自己想吧)

玛里琳终于回家了，全家和阿萨姆医生围坐在桌前，马丁十分欣慰又恢复了正常，医生宣称这是个必要的经历，而脑海中闪现着蒙蒂纳哥形象的玛里琳则说：“以后还会有的”。然后把水果分给家中的每一个人。
字幕：水果有毒。本片根据真实事件改编。

前南斯拉夫“贝尔格莱德学派”著名导演马卡维耶夫，自1965年推出自己的处女作以来，赢得了世界影坛的关注和赞赏。虽然有人认为他的作品对情色渲染过重，煽动性强不够客观，矫揉造作等多种缺点，但不可否认马卡维耶夫是60年代以后南斯拉夫电影最重要的代表人物之一，也是世界级的著名导演。马卡维耶夫的作品一向比较关注现实，常以看似出离现实的寓言式故事令人反思普通人生活中的荒谬和现实的阴暗低沉。
这个面带微笑的冷酷结尾不由让人想起前捷克名导福尔曼70年代末的名作“飞跃疯人院”，但比之还要残酷，虽然影片最后字幕说明根据真实事件改编，但导演自己的用心却也实在是再明白不过的了。

Makavejev's interest in political and sexual liberation, which he believed could not be separated, was evident early in his career. His second short, Spomenicima Ne Treba Verovati (1958), won praise at Cannes but censorship at home, when the Yugoslav authorities held it back for five years because of an "overly erotic" seduction scene. This would be the first of many run-ins with the censors that would plague his career and, arguably, keep him from being recognized as a major postwar film artist.

“贝尔格莱德”电影俱乐部成员合作完成的三段式电影。
第一部分：水（导演：日沃因·帕夫洛维奇） 这是一部无对话的戏剧，故事背景是1943年。一名地下组织成员逃避警察追捕，躲在河岸的贫民窟里。在一艘废弃货船附近，睡在小艇的女孩看到了他。他们共同经历了短暂的亲切时光。女孩离开，警察杀了那人。女孩惊讶地看着警察的船走开，上面载着那人的尸体。在她身处的残酷世界中，那个是唯一待她友善的人。
第二部分：士兵（导演：马尔科·巴巴茨；共同编写对白：斯洛博丹·诺瓦科维奇） 医院里躺着两个重病的病人。其中一个睡在窗边，另一个在门口附近。他们每天接受食物，输血。靠近窗户的那个人死了，靠近门口的病人试图接近室友的空床。他现在可以看到室友告诉他的两个恋人了吗？可是，他望眼欲穿，却只看见一堵巨大的灰色墙壁……
第三部分：雨滴（导演：沃伊斯拉夫·拉孔亚茨；编写独白：杜尚·马卡维耶夫） 一个关于爱情美好和苦涩的故事，一个关于误解和责任的故事，一个关于即将逝去的亲密关系的故事。这个故事关于一个酗酒男人和他的女友日渐变坏的关系。

One of the first films made by Makavejev, the central figure of the Serbian/Yugoslavian Black Wave cinema.
This is short film in it's best form.
Amazing camera work, innovative storyline. This 1957 film looks much older, probably because the only copy preserved isn't that good at all.
Tag line of the film (which shows up with the rest of the title cards somewhere around the middle of the film) is "A fairy tale of a man who broke his dream".
First five minutes of the film show a weird fellow who is playing marbles with kids and seems to be just biding his time. Film after the titles continues to follow his adventures as his love story unfolds. A love story between him and a doll in a window shop.
Also, what's interesting is the main role which is played by Dragoljub Ivkov, the most versatile person in Serbian cinema. This man has been involved in so many different projects in so many different roles:
Actor, writer, director, art director, producer, editor, costume designer, cinematographer, production designer...

Story about seven women who escape from a camp and try to get a job and to put their lives together. They start by visiting old friends who aren't very friendly. Hardships follow. This is a classic social drama about no ups and plenty downs for seven young women who try to make it on their own, doing everything from factory work to smuggling. Some of most talented (and beautiful) actresses play together in this movie, like Mirjana Karanovic, Tanja Boskovic, Dara Dzokic. If you like tragic social dramas you'll like this, if not for the quality of the story, then for the strong performances.
This is classified as a rollicking comedy in Yugoslavian territories, despite having a story dealing with a realistic and horrifying catalogue of woes. In the film, seven women friends have grown tired of working for a farmer who refuses to pay their wages. They steal one of his tractors to go into town. There, they employ a black-market labor operative to help them find work in Munich. He takes their money and passports to try and help them do just this but winds up arrested before he can do anything to help them. The women are then forced to go through a local health exam to be passed as eligible for work, and after that, they somehow pull through, despite a series of rapes, pregnancies, and beatings. When they finally do get a job together at a new factory, they discover that the factory has no access to raw materials and will shortly be shutting down.

Story about seven women who escape from a camp and try to get a job and to put their lives together. They start by visiting old friends who aren't very friendly. Hardships follow. This is a classic social drama about no ups and plenty downs for seven young women who try to make it on their own, doing everything from factory work to smuggling. Some of most talented (and beautiful) actresses play together in this movie, like Mirjana Karanovic, Tanja Boskovic, Dara Dzokic. If you like tragic social dramas you'll like this, if not for the quality of the story, then for the strong performances.
This is classified as a rollicking comedy in Yugoslavian territories, despite having a story dealing with a realistic and horrifying catalogue of woes. In the film, seven women friends have grown tired of working for a farmer who refuses to pay their wages. They steal one of his tractors to go into town. There, they employ a black-market labor operative to help them find work in Munich. He takes their money and passports to try and help them do just this but winds up arrested before he can do anything to help them. The women are then forced to go through a local health exam to be passed as eligible for work, and after that, they somehow pull through, despite a series of rapes, pregnancies, and beatings. When they finally do get a job together at a new factory, they discover that the factory has no access to raw materials and will shortly be shutting down.