監督：富田克也　出演：川瀬陽太、Ai、スシットラボン・ヌッチリ、レイザーラモンRG
40歳過ぎてもなかなか芽の出ない役者でキンちゃんと呼ばれる男。結婚して子供もいるが家族との関係もはかばかしくない模様だ。小銭かせぎのため怪しげな撮影に参加した彼は、カメラマンからタイのすばらしさを聞かされ、思ったより高額だったお金をつかんで着のみ着のままバンコクに降り立つ。はじめて訪れたタイは日本での生活を忘れさせるに十分な魅力を発していた。そこで知り合ったストリート・ガールのメイと楽しい一夜を過ごした後、今度は行きがかりでメイの友達フォンとともにフォンの故郷である北の街チェンライを目指すことに。言葉もままならぬひとりの日本人とふたりの女はそれぞれの思惑を抱えながら北へ向かって旅立っていく。(2012年/HD/49分)

“Hana-Dama”—a flower in the wasteland. This flower is a symbol of earthly desires and every human is overwhelmed by desire and their rationality collapses wherever the flower is in bloom. And even today, the “Hana-Dama” continues to blossom profusely somewhere in the world. The story is set in a film theater, the facility keeps on closing one after another during recent years. The last day has come to a film theater which has been maintained by a film-loving owner, the staff, and their unique audiences. The symbol of human desire, “Hana-Dama,” blossoms at the theater and instigates people’s erratic behavior. Upon facing its closure, tremendous chaos that will be noted in the history of Japanese film takes place within this film theater.

Nami Matsushima is used as a spy by her first real boyfriend, a police detective named Sugimi, to investigate a drug smuggling ring. However, her role is discovered and she is raped by several drug dealers. It emerges that Sugimi was simply using Matsushima as a pretext to obtain a bribe from the Yakuza. Seeking revenge, Matsushima makes a failed attempt to stab Sugimi on the steps of the Tokyo Metropolitan Police headquarters. She is sentenced to do hard time in a women's prison, where she is given the number 701.