故事发生在意大利的维罗纳，罗密欧与朱丽叶陷入了疯狂的爱恋，却发现他们的家族蒙太古和凯普莱特结有世仇。最终，年轻的爱侣用死亡消弭了家族的仇恨。《罗密欧与朱丽叶》是莎士比亚最著名的剧作之一，“朱丽叶的阳台”更是从虚拟走进现实成为维罗纳最热门的旅游景点。
四百多年来，《罗密欧与朱丽叶》一直是艺术家们二度创作的重要题材。1867年，法国作曲家古诺创作了同名歌剧。1935年，前苏联作曲家普罗科菲耶夫写下了著名的芭蕾配乐。1961年，美国作曲家伯恩斯坦据此改编创作了音乐剧《西区故事》。更是几经被拍摄成电影，包括1968年泽菲雷里导演的版本，1996年莱昂纳多·迪卡普里奥主演的版本，都是影史经典。
2017-2018季度，莫斯科大剧院芭蕾舞团推出了由前任艺术总监、编舞家阿列克谢·罗曼斯基创作了新版芭蕾舞剧《罗密欧与朱丽叶》。这个版本充满了戏剧性和新鲜感，罗曼斯基才华横溢、细致入微的改编，将普罗科菲耶夫浪漫的音乐视觉化，重燃莎翁经典中这对年轻男女的爱火。莫斯科大剧院芭蕾舞团首席舞者叶卡捷琳娜·克雷萨诺娃和弗拉季斯拉夫·兰特拉托夫饰演这对文学史上最耀眼的明星情侣。

古典芭蕾舞剧《舞姬》(La Bayadere) ，又译《印度寺庙的舞女》，改编自印度著名诗剧《沙恭达罗》，原剧的编导是有着“古典芭蕾之父”和“俄罗斯学派奠基人”美誉的马里于斯·珀蒂帕，也是著名作曲家路德维希·明库斯继舞剧《堂·吉诃德》之后的又一力作。
1877年2月4日，该剧在圣彼得堡帝国剧院（今马林斯基剧院）由俄罗斯帝国芭蕾舞团（今马林斯基剧院芭蕾舞团）首演，编剧S.库德科夫、M.珀蒂帕，作曲A.明库斯，编导佩蒂帕，布景K.伊万诺夫、P.朗班、O.阿莱格里和A.夸普，舞姬妮姬娅（Nikiya）由Y.瓦泽姆饰演，公主甘姆扎蒂（Gamzatti）由M.戈尔申科娃饰演，国王（Dugmanta）由C.约翰松饰演，武士索罗尔（Solor）由L.伊万诺夫饰演，三幕中的男子独舞由P.热德特担任。
《舞姬》是古典芭蕾最辉煌时期俄罗斯古典芭蕾的一部经典作品，它的出现比《天鹅湖》还要早，对世界芭蕾的发展起着十分深远的影响，许多芭蕾经典作品都是在其基础上而变化衍生过来的，堪称世界芭蕾的奠基作品之一。
《舞姬》也是佩蒂帕创作中期最为成功的作品之一，究其原因，可谓多方面的：不仅有简练单纯的动作、气势恢弘的音乐、七彩斑斓的服装、变幻莫测的灯光，以及由此创造出的艺术魅力——扣人心弦的悲剧、扑朔迷离的幻觉、崇高圣洁的气氛、玲珑剔透的美感，而且有辉煌铺张的舞台景观、令人心醉的异国情调、对刻骨铭心的爱情与灵魂不朽的生命之讴歌、对芭蕾的诗意品质之强调。
在编舞史上，《舞姬》可谓真正开了芭蕾舞剧交响编舞法之先河，比《天鹅湖》早了17年。熟悉《天鹅湖》二幕“天鹅湖畔”舞蹈的观众，不难在《舞姬》四幕一场《幽灵王国》中的白色大群舞中，看到熟悉的舞姿变奏、队型调度、诗情画意和透明美感。 在《舞姬》中，珀蒂帕充分显示了编排古典芭蕾双人舞、群舞的才能。他的舞蹈既保存了古典芭蕾的高度技术，又有严整、合于逻辑的发展。
“舞姬”是印度寺庙中特有的职业舞女，其职能是用美妙的舞蹈去专门侍奉诸神。这部芭蕾舞剧的文学基础来自印度著名诗剧《沙恭达罗》，并融合了西方童话故事《泥人卡尔》中的线索。剧情梗概是，倾国倾城的舞姬妮姬娅与英勇潇洒的武士索罗尔一见钟情，并深深地堕入爱河不可自拔，但悲剧则在于索罗尔随后却在不得已的情况下，同国王的千金甘姆扎蒂订了婚。出于嫉妒之心，甘姆扎蒂送给妮姬娅一篮藏有毒蛇的鲜花，使妮姬娅因遭毒蛇之咬而死于非命。索罗尔梦中来到幽灵王国，与妮姬娅相会，两人情不自禁地缠绵共舞，深情缅怀更默默追忆那朝露般短暂的爱情。在索罗尔与甘姆扎蒂的婚礼上，善定胜恶的奇迹发生了：随着山崩地裂般的巨响，寺庙倒塌了，将两位同床异梦的新婚燕儿，连同他们的不幸婚姻一道埋葬。
该剧有许多版本，其中一种版本如下：
第一场 古印度的神殿
一队武士在外狩猎，来到一座神殿饮水休憩。神殿的舞姬上前伺候。武士首领被一舞姬的美色和仪态吸引。大祭司看出领队的心仪，催他和部下离开，同时警告众舞姬不可和神殿外的人来往，她们必须对神忠心耿耿。武士返回，向等候他的舞姬表明他矢志不渝的爱情。武士和舞姬却不知，大祭司已窥见他们的爱情盟誓。
第二场 皇宫-夜晚
国王对女儿即将举行的婚礼兴高采烈，对未来的女婿赞不绝口，却不知道女儿的未婚夫最近竟然和神殿的舞姬幽会。大祭司赶到皇宫，告诉公主武士不忠之事。公主不信，让他带舞姬来宫中。公主和舞姬当面对质后，舞姬被卫士关押。
第三场 宫殿-第二天
为了庆祝女儿将要举行的婚礼，国王决定举办盛大的庆典。在庆典当中，大祭司请求释放舞姬。国王不知道这一切，询问女儿，才发现女儿真地囚禁了大祭司的舞姬。舞姬被释放，立即冲向心爱的武士怀抱，但武士并不情愿接纳她。舞姬痛苦地避开，不敢相信那晚发生的一切已不复存在的事实。公主认为根除舞姬的时机已到，她递给舞姬一个藏有毒蛇的花篮。毒蛇发现目标后，立即攻击，但在混乱当中毒蛇也咬中了公主。毒蛇迅速被杀死，国王唤人拿来解药给公主。大祭司给垂死的舞姬同样的解药，但她宁愿死。
第四和第五场 皇宫寝室
武士深深地被白天的事困扰，吸鸦片来麻痹他的精神。在昏迷中，他梦到舞姬的灵魂进入了一个幽灵王国。他进入那个王国祈求，并得到了她的原谅。在梦中他再次誓言对她的爱，但被他的朋友叫醒了，因为去神殿完婚的时辰到了。
第六场 神殿
神殿里气氛肃穆，舞姬们默默地怀念死去的朋友。一对新人和急着进行婚礼的国王一起进入神殿。仪式中，武士被他所背叛的女孩的幻影所烦扰，行为变得怪异。那个幽灵提醒他在金色神像前的誓言，他惊恐万分。国王强制婚礼进行下去，大祭司祈求金色神像完成武士和公主的婚礼，但是神灵发怒了，一阵强烈的地震摧毁了神殿和其中的一切。一个白色的温柔的幽灵悲哀地俯瞰着这最后的场景。

古典芭蕾舞剧《舞姬》(La Bayadere) ，又译《印度寺庙的舞女》，改编自印度著名诗剧《沙恭达罗》，原剧的编导是有着“古典芭蕾之父”和“俄罗斯学派奠基人”美誉的马里于斯·珀蒂帕，也是著名作曲家路德维希·明库斯继舞剧《堂·吉诃德》之后的又一力作。
1877年2月4日，该剧在圣彼得堡帝国剧院（今马林斯基剧院）由俄罗斯帝国芭蕾舞团（今马林斯基剧院芭蕾舞团）首演，编剧S.库德科夫、M.珀蒂帕，作曲A.明库斯，编导佩蒂帕，布景K.伊万诺夫、P.朗班、O.阿莱格里和A.夸普，舞姬妮姬娅（Nikiya）由Y.瓦泽姆饰演，公主甘姆扎蒂（Gamzatti）由M.戈尔申科娃饰演，国王（Dugmanta）由C.约翰松饰演，武士索罗尔（Solor）由L.伊万诺夫饰演，三幕中的男子独舞由P.热德特担任。
《舞姬》是古典芭蕾最辉煌时期俄罗斯古典芭蕾的一部经典作品，它的出现比《天鹅湖》还要早，对世界芭蕾的发展起着十分深远的影响，许多芭蕾经典作品都是在其基础上而变化衍生过来的，堪称世界芭蕾的奠基作品之一。
《舞姬》也是佩蒂帕创作中期最为成功的作品之一，究其原因，可谓多方面的：不仅有简练单纯的动作、气势恢弘的音乐、七彩斑斓的服装、变幻莫测的灯光，以及由此创造出的艺术魅力——扣人心弦的悲剧、扑朔迷离的幻觉、崇高圣洁的气氛、玲珑剔透的美感，而且有辉煌铺张的舞台景观、令人心醉的异国情调、对刻骨铭心的爱情与灵魂不朽的生命之讴歌、对芭蕾的诗意品质之强调。
在编舞史上，《舞姬》可谓真正开了芭蕾舞剧交响编舞法之先河，比《天鹅湖》早了17年。熟悉《天鹅湖》二幕“天鹅湖畔”舞蹈的观众，不难在《舞姬》四幕一场《幽灵王国》中的白色大群舞中，看到熟悉的舞姿变奏、队型调度、诗情画意和透明美感。 在《舞姬》中，珀蒂帕充分显示了编排古典芭蕾双人舞、群舞的才能。他的舞蹈既保存了古典芭蕾的高度技术，又有严整、合于逻辑的发展。
“舞姬”是印度寺庙中特有的职业舞女，其职能是用美妙的舞蹈去专门侍奉诸神。这部芭蕾舞剧的文学基础来自印度著名诗剧《沙恭达罗》，并融合了西方童话故事《泥人卡尔》中的线索。剧情梗概是，倾国倾城的舞姬妮姬娅与英勇潇洒的武士索罗尔一见钟情，并深深地堕入爱河不可自拔，但悲剧则在于索罗尔随后却在不得已的情况下，同国王的千金甘姆扎蒂订了婚。出于嫉妒之心，甘姆扎蒂送给妮姬娅一篮藏有毒蛇的鲜花，使妮姬娅因遭毒蛇之咬而死于非命。索罗尔梦中来到幽灵王国，与妮姬娅相会，两人情不自禁地缠绵共舞，深情缅怀更默默追忆那朝露般短暂的爱情。在索罗尔与甘姆扎蒂的婚礼上，善定胜恶的奇迹发生了：随着山崩地裂般的巨响，寺庙倒塌了，将两位同床异梦的新婚燕儿，连同他们的不幸婚姻一道埋葬。
该剧有许多版本，其中一种版本如下：
第一场 古印度的神殿
一队武士在外狩猎，来到一座神殿饮水休憩。神殿的舞姬上前伺候。武士首领被一舞姬的美色和仪态吸引。大祭司看出领队的心仪，催他和部下离开，同时警告众舞姬不可和神殿外的人来往，她们必须对神忠心耿耿。武士返回，向等候他的舞姬表明他矢志不渝的爱情。武士和舞姬却不知，大祭司已窥见他们的爱情盟誓。
第二场 皇宫-夜晚
国王对女儿即将举行的婚礼兴高采烈，对未来的女婿赞不绝口，却不知道女儿的未婚夫最近竟然和神殿的舞姬幽会。大祭司赶到皇宫，告诉公主武士不忠之事。公主不信，让他带舞姬来宫中。公主和舞姬当面对质后，舞姬被卫士关押。
第三场 宫殿-第二天
为了庆祝女儿将要举行的婚礼，国王决定举办盛大的庆典。在庆典当中，大祭司请求释放舞姬。国王不知道这一切，询问女儿，才发现女儿真地囚禁了大祭司的舞姬。舞姬被释放，立即冲向心爱的武士怀抱，但武士并不情愿接纳她。舞姬痛苦地避开，不敢相信那晚发生的一切已不复存在的事实。公主认为根除舞姬的时机已到，她递给舞姬一个藏有毒蛇的花篮。毒蛇发现目标后，立即攻击，但在混乱当中毒蛇也咬中了公主。毒蛇迅速被杀死，国王唤人拿来解药给公主。大祭司给垂死的舞姬同样的解药，但她宁愿死。
第四和第五场 皇宫寝室
武士深深地被白天的事困扰，吸鸦片来麻痹他的精神。在昏迷中，他梦到舞姬的灵魂进入了一个幽灵王国。他进入那个王国祈求，并得到了她的原谅。在梦中他再次誓言对她的爱，但被他的朋友叫醒了，因为去神殿完婚的时辰到了。
第六场 神殿
神殿里气氛肃穆，舞姬们默默地怀念死去的朋友。一对新人和急着进行婚礼的国王一起进入神殿。仪式中，武士被他所背叛的女孩的幻影所烦扰，行为变得怪异。那个幽灵提醒他在金色神像前的誓言，他惊恐万分。国王强制婚礼进行下去，大祭司祈求金色神像完成武士和公主的婚礼，但是神灵发怒了，一阵强烈的地震摧毁了神殿和其中的一切。一个白色的温柔的幽灵悲哀地俯瞰着这最后的场景。

Time: Baroque
Place: Europe
Prologue (The Christening)
King Florestan XXIV and his Queen have welcomed their first child, Princess Aurora, and declare a grand christening ceremony to honor her. Six fairies are invited to the ceremony to bestow gifts on the child. Each fairy brings a gift of a virtue or positive trait, such as beauty, courage, sweetness, musical talent, and mischief. The most powerful fairy, the Lilac Fairy, arrives with her entourage, but before she can bestow her gift, the evil fairy Carabosse arrives with her minions. Carabosse furiously asks the King and Queen why she had not received an invitation to the christening. The blame falls on Catalabutte, the Master of Ceremonies who was in charge of the guest list. Carabosse gleefully tears his wig off and beats him with her staff, before placing a curse upon the baby princess as revenge: Aurora will indeed grow up to be a beautiful, healthy, delightful young lady, but on her sixteenth birthday she will prick her finger on a spindle and die. The King and Queen are horrified and beg Carabosse for mercy, but she shows none. However, the Lilac Fairy intervenes. Though she does not have enough power to completely undo the curse, she alters it, allowing the spindle to cause a peaceful 100-year sleep for the princess, rather than death. At the end of those 100 years, she will be woken by the kiss of a handsome prince. Relieved that Aurora's life will ultimately be spared, the court is set at ease.
Act I (The Spell)
It is the day of Princess Aurora's sixteenth birthday. Celebrations are underway, though the King is still unsettled by Carabosse's omen. The master of ceremonies discovers several peasant ladies frolicking about with knitting needles and alerts the King, who initially sentences the women to a harsh punishment. The Queen gently persuades him to spare the innocent citizens, and he agrees. An elaborate waltz is performed and Princess Aurora arrives. She is introduced to four suitors by her doting parents. Aurora and the suitors perform the famous Rose Adagio. Presently, a cloaked stranger appears and offers a gift to the princess: a spindle. Having never seen one before, Aurora curiously examines the strange object as her parents desperately try to intervene. As predicted, she pricks her finger. While initially appearing to recover quickly, she falls into a swoon and collapses. The cloaked stranger reveals herself to be Carabosse, who believes that her curse still stands and that the princess is dead. Once again, the Lilac Fairy quells the hubbub and reminds the King and Queen that Aurora is merely asleep. The princess is carried off to bed, and the Lilac Fairy casts a spell of slumber over the entire kingdom, which will only be broken when Aurora awakens. A thick layer of thorny plants grows over the palace, hiding it from view.
Act II (The Vision)
One hundred years later, Prince Désiré is attending a hunting party. Though his companions are lighthearted, the prince is unhappy and eventually asks to be left alone. On his own in the forest, he is met by the Lilac Fairy, who has chosen him to awaken Aurora. She shows him a vision of the beautiful princess, and the prince is immediately smitten. The Lilac Fairy explains the situation, and Désiré begs to be taken to the princess. The Lilac Fairy takes him to the hidden castle. Carabosse makes one last attempt to cement her vengeful curse, but the Lilac Fairy and the prince manage to defeat her together at last. Once inside the castle, Désiré awakens Aurora with a kiss. The rest of the court wakes as well, and the King and Queen heartily approve when the prince proposes marriage and the princess accepts.
Act III (The Wedding)
The royal wedding is under way. Guests include the Jewel Fairies: Diamond, Gold, Silver and Sapphire, and of course the Lilac Fairy. Fairytale characters are in attendance, including Puss in Boots and The White Cat, Princess Florine and the Bluebird, and others. Aurora and Désiré perform a grand Pas de Deux, and the entire ensemble dances. The prince and princess are married, with the Lilac Fairy blessing the union.

{'plainText': 'Maria Alexandrova and Vladislav Lantratov are international ballet superstars. Everything in their lives is connected to dance. Being on stage means everything to performers, no matter if it is a theatre in their city, the Bolshoi Theatre, or other famous venues. But their lives take a dramatic turn in the spring of 2019 when Masha and Vlad both get their Achilles tendons injured, she during rehearsal, and he - in the middle of an important premiere in front of a big audience. Their careers, beloved work, and the joy of routines are put on hold. The feet of the artists turn into independent characters, whom their owners address accordingly. "What if this time she doesn\'t want to?" asks Maria Aleksandrova, an extraordinary ballet dancer, who is experiencing this trauma and recovery for the second time. How to accept everything that has happened to you, without resentment towards yourself and your destiny? How to move ahead while acknowledging that there are things you can\'t hurry and that maybe there will never be another stage performance? Temporary Limitation is a documentary portrait and an observation of two big artists in a difficult and unpredictable situation.', '__typename': 'Markdown'}

凯瑟琳（Ekaterina Krysanova 饰）是衔着金汤匙出生的千金大小姐，和她尊贵的身份一样驰名远洋的，是她火爆的臭脾气。父亲受不了女儿整天给自己找气受，急着想把凯瑟琳给嫁出去，可无论他奉上多么昂贵的嫁妆，也没有勇士敢迎娶凯瑟琳。
一天，一个名叫彼特鲁乔（Vladislav Lantratov 饰）的男人来到了凯瑟琳的面前，向她求婚。就这样，凯瑟琳成为了彼特鲁乔的妻子，两人的争吵从求婚到结婚，几乎就没有停止过。为了治疗妻子的暴脾气，彼特鲁乔想出了“以暴制暴”的方法，他要让凯瑟琳尝一尝被别人“无理取闹”、“撒泼耍横”的滋味。在彼特鲁乔的调教之下，凯瑟琳的身上发生了惊人的蜕变。

The Bolshoi is “at the top of its game” (Telegraph, U.K.) in acclaimed choreographer Jean-Christophe Maillot’s effervescent production of The Taming of the Shrew. Set to a tapestry of Shostakovich’s most colorful music, Shakespeare’s famously chauvinistic comedy is transformed into a battle of wits between two equally feisty individuals: stormy individualist Katharina and smug bad boy Petruchio. With their signature bravura, the Bolshoi’s incomparable dancers bring to hilarious life all of the fawning, preening, and hypocrisy that well-born Kate finds so tiresome—and that ultimately makes the rough-edged outsider Petruchio seem so appealing to her.

In Verona, Romeo and Juliet fall madly in love while their respective families, the Montagues and the Capulets, are caught in a bitter rivalry ending in heart-wrenching tragedy…
Alexei Ratmansky, former artistic director of the Bolshoi Ballet, stages the company’s premiere of his production with dramatic urgency and a fresh re-telling of Shakespeare’s beloved classic. His brilliant and detailed adaptiation set to Prokofiev’s romantic and cinematic score, reignites the story of literature’s most celebrated star-crossed lovers like no other classical ballet choreographer today.

斯科大剧院2003年演出前苏联题材两幕芭蕾舞剧《明亮的小溪》（The Bright Stream）

In the past, Soviet prima ballerina and now world-renowned choreographer Ruta Myers returns to the country after almost 40 years to stage a performance at the country's main ballet theater. Ruta is forced to rebuild relationships with friends and enemies, who have become key people in the Russian ballet over the past time, but most importantly — with the artistic director of the theater Andrei Pronin and his family. They were once a couple, and now old feelings and old resentments flare up with renewed vigor. A lot of money, ambitions, and a career are at stake — Ruta, despite all her efforts, finds herself in the epicenter of passions and intrigues very far from the world of art.