This book analyses the relationship between Peronism and the Argentine working class from the foundation of the Peronist movement in the mid 1940s to the overthrow of Peron's widow in 1976. It presents an account of such crucial issues as the role of the Peronist union bureaucracy and the impact of Peronist ideology on workers. Drawing on a variety of untapped sources, Daniel James confronts many of the dominant myths which have surrounded the movement. He argues that its role in containing working-class militancy cannot be explained solely in terms of manipulation, corruption or union gangsterism. The integration of Peronism into Argentine society has always been a complex and fragile operation, constantly undermined by the survival of the movement's original heretical content: its vision of a juster society in which the claim of the working class for a recognition of its social and political weight would be accepted.

A provocative exploration of photography's relationship to capitalism, from leading theorists of visual culture.

Photography was invented between the publication of Adam Smith's The Wealth of Nations and Karl Marx and Frederick Engels's The Communist Manifesto. Taking the intertwined development of capitalism and the camera as their starting point, the essays in Capitalism and the Camera investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism's violence--and if so, how?

Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.

With essays by Ariella Aïsha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.