强尼·弗林 — 演员 (34)
动机与提示 [演出] 豆瓣
The Motive and the Cue
类型:
Theater
编剧:
Jack Thorne
其它标题:
The Motive and the Cue
/
动机与线索
剧团:
英国国家剧院
剧院:
英国国家剧院
导演:
Sam Mendes
演员:
Johnny Flynn
/
Mark Gatiss
/
Tuppence Middleton
Sam Mendes directs a startling new play on the making of Burton and Gielgud’s Hamlet.
Why would the most famous movie star in the world choose to do a play which everyone already knows? And what lures us back to the same plays, year after year?
Richard Burton, newly married to Elizabeth Taylor, is to play the title role in an experimental new production of Hamlet under John Gielgud’s exacting direction.
But as rehearsals progress, two ages of theatre collide and the collaboration between actor and director soon threatens to unravel.
This fierce and funny new play by Jack Thorne offers a glimpse into the politics of a rehearsal room and the relationship between art and celebrity.
Sam Mendes directs Johnny Flynn as Burton, Mark Gatiss as Gielgud and Tuppence Middleton as Taylor.
Why would the most famous movie star in the world choose to do a play which everyone already knows? And what lures us back to the same plays, year after year?
Richard Burton, newly married to Elizabeth Taylor, is to play the title role in an experimental new production of Hamlet under John Gielgud’s exacting direction.
But as rehearsals progress, two ages of theatre collide and the collaboration between actor and director soon threatens to unravel.
This fierce and funny new play by Jack Thorne offers a glimpse into the politics of a rehearsal room and the relationship between art and celebrity.
Sam Mendes directs Johnny Flynn as Burton, Mark Gatiss as Gielgud and Tuppence Middleton as Taylor.
第十二夜 [演出] 豆瓣
Twelfth Night
其它标题:
Twelfth Night
导演:
Thomas Caron
/
Tim Carroll
…
演员:
Mark Rylance
/
Johnny Flynn
/
Stephen Fry
/
Samuel Barnett
/
Liam Brennan
一次悲惨的海难使孪生兄妹薇奥拉和西巴斯辛失散,然而当他们分别被海浪冲到伊利里亚的岸边时,这片被热情和一群或欢快或忧郁的多姿多彩的人物所颠覆的土地把悲剧变成了喜剧。在SRT的作品《第十二夜》中,这个充满着莎士比亚戏剧性的张冠李戴,巧妙安排和出乎意料的故事将被设定在1939年的欧洲,第二次世界大战的夜晚。抒情,动人,苦涩而甜蜜且令人捧腹,《第十二夜》是一部令人目乱睛迷的精彩作品,这其中每个人都爱着错误的对象。薇奥拉爱上了奥西诺,奥西诺爱上了奥丽维娅,而奥丽维娅爱上了薇奥拉假扮的西萨里奥!
第十二夜 Shakespeare's Globe版 [演出] 豆瓣
所属 演出: 第十二夜
语言:
英语 english
导演:
Tim Carroll
一次悲惨的海难使孪生兄妹薇奥拉和西巴斯辛失散,然而当他们分别被海浪冲到伊利里亚的岸边时,这片被热情和一群或欢快或忧郁的多姿多彩的人物所颠覆的土地把悲剧变成了喜剧。在SRT的作品《第十二夜》中,这个充满着莎士比亚戏剧性的张冠李戴,巧妙安排和出乎意料的故事将被设定在1939年的欧洲,第二次世界大战的夜晚。抒情,动人,苦涩而甜蜜且令人捧腹,《第十二夜》是一部令人目乱睛迷的精彩作品,这其中每个人都爱着错误的对象。薇奥拉爱上了奥西诺,奥西诺爱上了奥丽维娅,而奥丽维娅爱上了薇奥拉假扮的西萨里奥!
刽子手 [演出] 豆瓣
Hangmen
类型:
Theater
编剧:
Martin McDonagh
其它标题:
Hangmen
剧院:
Royal Court Theatre
导演:
Matthew Dunster
演员:
David Morrissey
/
Johnny Flynn
/
Reece Shearsmith
In his small pub in Oldham, Harry is something of a local celebrity. But what’s the second-best hangman in England to do on the day they’ve abolished hanging? Amongst the cub reporters and sycophantic pub regulars, dying to hear Harry’s reaction to the news, a peculiar stranger lurks, with a very different motive for his visit.
理查三世 莎士比亚环球剧院2012版 [演出] 豆瓣
所属 演出: 理查三世
语言:
英语 english
剧团:
Royal Shakespeare Company
剧院:
The Globe, London
导演:
Tim Carroll
《理查三世》是著名英國劇作家莎士比亞之力作,探討人性的黑暗面、惡魔的魅力。
原本為英國公爵的理查三世受盡身體畸殘的壓抑,咬緊牙關,誓要登上皇位。他運用驚人才智,剷除異己,六親不認,內心受著恨與妒的煎熬,良知與仇恨的掙扎,邁向自我毀滅的一步!劇本本身對於人性的陰暗面,有著精闢的刻畫,劇力萬鈞。
一生 (2023) [电影] 维基数据 豆瓣 TMDB IMDb
One Life
其它标题:
원 라이프
/
One Life
…
安东尼·霍普金斯、强尼·弗林将主演大屠杀题材新片[一生](One Life,暂译)。艾斯林·沃什([莫娣])执导,露辛达·考克森([丹麦女孩])、尼克·德雷克([我的父亲,罗穆卢斯])操刀剧本。该片根据尼古拉斯·温顿的真实故事改编,讲述在二战期间,29岁的尼古拉斯在纳粹的威胁下,解救了669名捷克斯洛伐克的儿童(其中大部分为犹太人),并安全送到了英国的寄宿家庭中。半个世纪后,尼古拉斯与这些已成年的孩子们在BBC的电视节目《一生》(One Life)中重聚。See-Saw影业负责该片制作。
正港西部 版本3 [演出] 豆瓣
所属 演出: 正港西部
语言:
英语 english
剧院:
Vaudeville Theatre
导演:
Matthew Dunster
True West is about the sibling rivalry between two estranged brothers who have reconnected. Austin, the younger brother, is a Hollywood screenwriter writing a screenplay while house sitting for his mother, who is vacationing in Alaska. His older brother, Lee, appears at the house after the two have not seen each other for years. Lee is a drifter and thief and has been living in the desert. The two are not on good terms, but Austin attempts to appease his older brother, who is more dominant.
The play starts out with the two characters, Austin and Lee, sitting in their mom’s house-this is the first time they’ve seen one another in five years. We learn that their Mom is on vacation in Alaska and Austin is house-sitting for her. Austin is trying to work on his screenplay but Lee continually distracts him with non-sense questions. The two brothers seem on edge with one another and at one point Austin suggests Lee leaves but Lee threatens to steal things from their mother’s neighborhood. Austin tries to calm him down and the night ends with the two of them on neutral terms.
Austin and Lee sit in their mother’s house and Lee talks about the security level of their mother’s house, and how Lee went into the desert to find their dad. Austin then tells Lee that he needs to leave the house because a film producer is coming by to look at Austin’s screenplay about a “period piece.” Lee says he will leave if Austin gives him the keys to his car. Austin is reluctant at first but eventually gives Lee the keys to his car and Lee promises that he will have it back by six. Lee departs.
Saul and Austin have a conversation discussing the agreement they have made when Lee suddenly walks in with a stolen television set. Saul and Lee start up a conversation about golfing and make plans to go the next day. Austin is embarrassed because he does not know how to play golf, and he also does not want Lee to be involved in the relationship he has with Saul. Lee proposes a script idea to Saul and Saul likes it.
Austin begins writing Lee’s story as he tells it out loud. Austin stops Lee and tells him that his story is bad because it doesn’t resemble real life. The two brothers begin to fight and eventually Austin asks Lee for his car keys back. Lee assumes this means Austin is trying to kick him out, and Lee makes the point that he can’t be kicked out. Austin says he wouldn’t kick him out because he’s his brother, and Lee suggests that being brothers means nothing because in family murders are the most common. Austin says they couldn’t be driven to murder over a movie script. The two admit to being jealous of each other’s lives, and Austin kindly returns the car keys. The scene closes with Austin typing Lee’s story again.
Lee returning from his game of golf with Saul. He continues to tell Austin that Saul is going to give him an advance and continue with his idea from the outline that Austin had written for him. They begin celebrating but the celebration comes to a halt when Lee informs Austin that he is going to also be writing the screenplay for his idea. Austin questions this knowing he has his own work to be completed but Lee continues to inform him that Saul has chosen to drop Austin's idea for a screen play and just continue forward with his own idea. Austin informs Lee that he needs to be careful with who he messes with in this line of work and tells Lee that he has a lot at stake on his own project. The scene ends with Austin threatening to leave and go to the desert as Lee tries to calm him down before the lights go out and the scene ends.
Austin confronts Saul about his decision to buy Lee’s screenplay. He argues that Saul only offered to buy the screenplay because he lost a bet. Saul wants Austin to write both his and Lee’s story but Austin refuses to do both. Austin thinks that Lee’s story is illegitimate and not relevant to the time period. Due to Austin’s rejection to the job, Saul decides to drop Austin’s story and to find a different writer for Lee’s story. The scene ends with Saul making plans for lunch with Lee and then exiting.
Austin is drunk and annoying Lee, who is now the one trying to concentrate and create a screenplay. Lee makes a bet with Austin and Austin appears to be going crazy. Austin resolves to leave the house and they continue to bicker about the authenticity of Lee's ability as a screen writer. Lee finally gets frustrated and asks for Austin's help writing the script and starts drinking with him.
Austin is polishing toasters that he stole while Lee is smashing a typewriter early in the morning. The two continue to do this while they are carrying on a conversation. Austin is proud of what he has done. Lee wants to see a woman, but Austin refuses because he is married. Lee throws a fit while on the phone with the operator because he cannot find a pen to write down what the operator is saying. Austin begs Lee to go to the desert with him because he thinks there is nothing for him where he is. The brothers make a deal that Austin will write the play for Lee if Lee takes him to the desert.
In the final scene, the house is ransacked and Lee and Austin are working vigorously on their script. The mom comes in and Lee first takes notice to her. She seems confused by her son’s appearances and the state of her house. Austin tells her that he and Lee are going to take off into the desert, but then Lee says they might have to postpone the trip. He doesn’t think Austin is cut out for the desert life-style. Austin gets upset and starts strangling Lee. The mother is in disarray and storms out of the house. Austin finally lets go of Lee, and is worried for a second that he’s killed his brother. As Austin moves for the door, Lee rises. The two brothers face one another as the lights fade.
The play starts out with the two characters, Austin and Lee, sitting in their mom’s house-this is the first time they’ve seen one another in five years. We learn that their Mom is on vacation in Alaska and Austin is house-sitting for her. Austin is trying to work on his screenplay but Lee continually distracts him with non-sense questions. The two brothers seem on edge with one another and at one point Austin suggests Lee leaves but Lee threatens to steal things from their mother’s neighborhood. Austin tries to calm him down and the night ends with the two of them on neutral terms.
Austin and Lee sit in their mother’s house and Lee talks about the security level of their mother’s house, and how Lee went into the desert to find their dad. Austin then tells Lee that he needs to leave the house because a film producer is coming by to look at Austin’s screenplay about a “period piece.” Lee says he will leave if Austin gives him the keys to his car. Austin is reluctant at first but eventually gives Lee the keys to his car and Lee promises that he will have it back by six. Lee departs.
Saul and Austin have a conversation discussing the agreement they have made when Lee suddenly walks in with a stolen television set. Saul and Lee start up a conversation about golfing and make plans to go the next day. Austin is embarrassed because he does not know how to play golf, and he also does not want Lee to be involved in the relationship he has with Saul. Lee proposes a script idea to Saul and Saul likes it.
Austin begins writing Lee’s story as he tells it out loud. Austin stops Lee and tells him that his story is bad because it doesn’t resemble real life. The two brothers begin to fight and eventually Austin asks Lee for his car keys back. Lee assumes this means Austin is trying to kick him out, and Lee makes the point that he can’t be kicked out. Austin says he wouldn’t kick him out because he’s his brother, and Lee suggests that being brothers means nothing because in family murders are the most common. Austin says they couldn’t be driven to murder over a movie script. The two admit to being jealous of each other’s lives, and Austin kindly returns the car keys. The scene closes with Austin typing Lee’s story again.
Lee returning from his game of golf with Saul. He continues to tell Austin that Saul is going to give him an advance and continue with his idea from the outline that Austin had written for him. They begin celebrating but the celebration comes to a halt when Lee informs Austin that he is going to also be writing the screenplay for his idea. Austin questions this knowing he has his own work to be completed but Lee continues to inform him that Saul has chosen to drop Austin's idea for a screen play and just continue forward with his own idea. Austin informs Lee that he needs to be careful with who he messes with in this line of work and tells Lee that he has a lot at stake on his own project. The scene ends with Austin threatening to leave and go to the desert as Lee tries to calm him down before the lights go out and the scene ends.
Austin confronts Saul about his decision to buy Lee’s screenplay. He argues that Saul only offered to buy the screenplay because he lost a bet. Saul wants Austin to write both his and Lee’s story but Austin refuses to do both. Austin thinks that Lee’s story is illegitimate and not relevant to the time period. Due to Austin’s rejection to the job, Saul decides to drop Austin’s story and to find a different writer for Lee’s story. The scene ends with Saul making plans for lunch with Lee and then exiting.
Austin is drunk and annoying Lee, who is now the one trying to concentrate and create a screenplay. Lee makes a bet with Austin and Austin appears to be going crazy. Austin resolves to leave the house and they continue to bicker about the authenticity of Lee's ability as a screen writer. Lee finally gets frustrated and asks for Austin's help writing the script and starts drinking with him.
Austin is polishing toasters that he stole while Lee is smashing a typewriter early in the morning. The two continue to do this while they are carrying on a conversation. Austin is proud of what he has done. Lee wants to see a woman, but Austin refuses because he is married. Lee throws a fit while on the phone with the operator because he cannot find a pen to write down what the operator is saying. Austin begs Lee to go to the desert with him because he thinks there is nothing for him where he is. The brothers make a deal that Austin will write the play for Lee if Lee takes him to the desert.
In the final scene, the house is ransacked and Lee and Austin are working vigorously on their script. The mom comes in and Lee first takes notice to her. She seems confused by her son’s appearances and the state of her house. Austin tells her that he and Lee are going to take off into the desert, but then Lee says they might have to postpone the trip. He doesn’t think Austin is cut out for the desert life-style. Austin gets upset and starts strangling Lee. The mother is in disarray and storms out of the house. Austin finally lets go of Lee, and is worried for a second that he’s killed his brother. As Austin moves for the door, Lee rises. The two brothers face one another as the lights fade.
恋人们 (爱人们) (2023) [剧集] 豆瓣
The Lovers 所属 电视剧集: 恋人们
Sky确认旗下的黑色幽默新剧《爱人们》(The Lovers),日前正式在贝尔法斯特开机。本剧来自《福斯特医生》和《纯粹》背后的出品方Drama Republic,找到了许久不在英剧里出现的《性爱后遗症》男主Johnny Flynn与早前领衔了喜剧《清醒时分》(The Dry)的Roisin Gallagher联袂出演。
剧中,Roisin饰演一名超市的工作人员“Janet”,她对包括自己生活在内的一切事物都不关心;而Johnny饰演的“Seamus”,则是一名帅气、以自我为中心、在伦敦和自己的名人女朋友过着完美生活的时政新闻播报员。当两人出乎意料地相遇,立即就产生了冲突——但同时,Janet与Seamus也发现彼此都被对方吸引着。
两人以外,《权力的游戏》“Varys” Conleth Hill将出演“Janet”工作的超市的老板。定于明年开播的本剧将由曾经参与了《德里女孩》编剧工作、活跃于戏剧界的北爱尔兰剧作家David Ireland执笔,Sky介绍这个项目也表示David为剧集带来独特、欢乐、暖心的剧本。
剧中,Roisin饰演一名超市的工作人员“Janet”,她对包括自己生活在内的一切事物都不关心;而Johnny饰演的“Seamus”,则是一名帅气、以自我为中心、在伦敦和自己的名人女朋友过着完美生活的时政新闻播报员。当两人出乎意料地相遇,立即就产生了冲突——但同时,Janet与Seamus也发现彼此都被对方吸引着。
两人以外,《权力的游戏》“Varys” Conleth Hill将出演“Janet”工作的超市的老板。定于明年开播的本剧将由曾经参与了《德里女孩》编剧工作、活跃于戏剧界的北爱尔兰剧作家David Ireland执笔,Sky介绍这个项目也表示David为剧集带来独特、欢乐、暖心的剧本。
National Theatre Live: The Motive and the Cue (2024) [电影] TMDB 豆瓣
National Theatre Live: The Motive and the Cue
回望、致敬,《动机与提示》是一封戏剧人给剧院的深情情书。该剧由杰克·索恩(Jack Thorne)创作,奥斯卡、奥利弗、托尼奖获奖导演萨姆·门德斯(Sam Mendes)执导,2022年在英国国家剧院首演获誉无数,2023年12月移至西区再次上演,2024年奥利弗奖上获得最佳新剧、最佳导演、最佳男主角3项大奖提名,最终马克·加蒂斯(Mark Gatiss)获得最佳话剧男主角奖。
《动机与提示》再现了1964年百老汇复排版《哈姆雷特》的传奇幕后。成名已久的古典派戏剧导演约翰·吉尔古德爵士应邀执导当红电影演员理查德·伯顿演绎新版哈姆雷特,伯顿与大明星伊丽莎白·泰勒新婚不久,个性张扬又我行我素,很快便就如何演绎哈姆雷特的问题与吉尔古德导演爆发了灾难性的争吵。排练无以为继之时,两代戏剧人需要在现代与古典、电影与戏剧、激情与规则等看似水火不容的观念上相互倾听,调和方法,最终成就了一版不可复制的经典佳作。
马克·加蒂斯(Mark Gatiss,《神探夏洛克》《九号秘事》)、约翰尼·弗林(Johnny Flynn,《刽子手》)和塔彭丝·米德尔顿(Tuppence Middleton)分别在剧中扮演约翰·吉尔古德爵士、理查德·伯顿和伊丽莎白·泰勒,并贡献了精彩万分的对手戏。多次获得大奖的舞美设计埃斯·德芙琳(Es Devlin)巧妙为酒店内室、排练厅与虚幻的剧中场景铺陈了不同的色彩风格,流畅的场景切换让观众跟随剧中人,周旋于舞台与名利场之间。
《动机与提示》再现了1964年百老汇复排版《哈姆雷特》的传奇幕后。成名已久的古典派戏剧导演约翰·吉尔古德爵士应邀执导当红电影演员理查德·伯顿演绎新版哈姆雷特,伯顿与大明星伊丽莎白·泰勒新婚不久,个性张扬又我行我素,很快便就如何演绎哈姆雷特的问题与吉尔古德导演爆发了灾难性的争吵。排练无以为继之时,两代戏剧人需要在现代与古典、电影与戏剧、激情与规则等看似水火不容的观念上相互倾听,调和方法,最终成就了一版不可复制的经典佳作。
马克·加蒂斯(Mark Gatiss,《神探夏洛克》《九号秘事》)、约翰尼·弗林(Johnny Flynn,《刽子手》)和塔彭丝·米德尔顿(Tuppence Middleton)分别在剧中扮演约翰·吉尔古德爵士、理查德·伯顿和伊丽莎白·泰勒,并贡献了精彩万分的对手戏。多次获得大奖的舞美设计埃斯·德芙琳(Es Devlin)巧妙为酒店内室、排练厅与虚幻的剧中场景铺陈了不同的色彩风格,流畅的场景切换让观众跟随剧中人,周旋于舞台与名利场之间。
名利场 (2018) [剧集] 维基数据 IMDb TMDB
Vanity Fair
其它标题:
베니티 페어
/
Vanity Fair
…
故事发生在十九世纪的英国,贝姬(Reese Witherspoon 饰)出生于贫寒家庭,但是,野心勃勃的她做梦都想要能够跻身上流社会,为此,贝姬来到了爵士彼得考利(Bob Hoskins 饰)家中,担任起了家庭教师的职务。聪明伶俐的贝姬很快就获得了姑妈玛蒂尔达(Eileen Atkins 饰)的认可和信任,之后,贝姬跟随玛蒂尔达来到了梦寐以求的伦敦。
在伦敦,贝姬同曾经的好友艾米利亚(Romola Garai 饰)重逢了。艾米利亚深爱着军官乔治(Jonathan Rhys Meyers 饰),为了同他结婚不惜背弃了家庭,与此同时,贝姬亦同考利家的继承人罗顿(James Purefoy 饰)秘密踏入了婚姻的殿堂。然而,等待着他们的并非光明的前程,而是残酷的战争。
在伦敦,贝姬同曾经的好友艾米利亚(Romola Garai 饰)重逢了。艾米利亚深爱着军官乔治(Jonathan Rhys Meyers 饰),为了同他结婚不惜背弃了家庭,与此同时,贝姬亦同考利家的继承人罗顿(James Purefoy 饰)秘密踏入了婚姻的殿堂。然而,等待着他们的并非光明的前程,而是残酷的战争。
小气财神:圣诞颂歌 (2022) [电影] Eggplant.place TMDB
Scrooge: A Christmas Carol
导演:
Stephen Donnelly
演员:
Luke Evans
/
Olivia Colman
…
其它标题:
Scrooge: Canto di Natale
/
Scrooge: Et juleeventyr
…
在一个寒冷的平安夜,自私又吝啬的埃比尼泽·斯克鲁奇有一个晚上的时间来面对过去、改变未来 — 但时间所剩不多了。