狂爱迈克尔·杰克逊成痴的男孩，沉浸在自己的想像世界当中，弟弟更是不遑多让，自认拥有致命法力，离家多年的老爸是男孩心中的英雄，当爸爸突然回来时，兴奋的男孩却发现心目中的英雄，似乎和现实有点差距。

该片以2013年同名英国纪录片为原型，讲述了美属萨摩亚足球队的故事，这支球队原本被称作世界上最差的球队，却不断努力最终在2014年的世界杯突破了自我。在球队取得佳绩的同时，同名纪录片也获得了英国独立电影奖最佳纪录片奖。

这部剧灵感来自真实人物Stede Bonnet的冒险，他原本是个富绅，但却放弃了自己的特权生活，于18世纪初成为了海盗。

20世纪70年代，梅拉塔·米塔突破了种族、阶级和性别的障碍，成为第一位创作和导演一部壮丽电影的女性。为了解决纪录片和小说中关于本土社会正义的争议问题，这位开创性的激进电影制片人面临着骚扰和暴力。她坚持不懈，成为新西兰最著名的电影制片人之一，也是世界各地土著人民的有力代言人。默拉塔也是圣丹斯研究所的长期顾问，当地艺术家协会以她的名字命名。
作为米拉塔·米塔作品的档案管理员，她最小的儿子赫皮·米塔开始了他母亲一生的旅程。在她作为一名电影人的工作和她的个人生活之间创造了一个对话，他的独特挖掘揭示了个人、政治和创造性是如何与已故的默拉塔米塔（1942-2010）有着深刻的联系。毛利人的第一位女导演的职业生涯始于20世纪70年代，由观察性纪录片《堡垒点：第507天》和《帕图》！她的处女作《毛里》（1988）不仅是第一部由毛利人妇女拍摄的电影，也是世界上第一部由土著妇女拍摄的故事片。将大量的档案片段与她采访的节录、孩子们的记忆、梅拉塔的个人故事——毛利人、一个女人、一个母亲和一个在奥特阿罗的电影人——交织在一起，讲述了当今世界各地的本土电影人仍然面临的更广泛的经验和普遍的斗争。这部纪录片不仅揭示了一位坚韧不拔的女性为实现“使屏幕本土化”的目标而奋斗，同时也揭示了这种政治工作给她的家庭带来的压力。
在《梅拉塔：妈妈如何使屏幕非殖民化》中，梅拉塔最小的儿子赫皮为他已故母亲制作了一幅非常贴心的肖像。赫皮从梅拉塔自己的作品中，以及在她拿起相机之前对她进行的采访中，捕捉到了梅拉塔作为电影制片人、母亲、妻子和导师的画面。来自他的兄弟姐妹和她所影响的那些人，如泰卡韦蒂的反思，强调了梅拉塔对家庭的至高无上的重要性，并揭示了她为积极为孩子和她的人民创造美好未来所做的个人牺牲。
In the 1970s, Merata Mita broke through barriers of race, class, and gender to become the first Māori woman to write and direct a featu re film. Tackling controversial issues of indigenous social justice in both documentaries and fiction, the pioneering activist-filmmaker faced harassment and violence. Persevering, she emerged as one of New Zealand’s best-known filmmakers and a powerful voice for indigenous peoples around the world. Merata was also a longtime advisor to Sundance Institute, and the indigenous artist fellowship bears her name.
As the archivist of Merata Mita’s work, her youngest son Hepi Mita embarks on a journey through his mother’s life. Creating a dialogue between her work as a filmmaker and her personal life, his unique excavation reveals how deeply connected the personal, the political, and the creative were for the late Merata Mita (1942–2010). The first female Maori director’s career began in the 1970s with the observational documentaries Bastion Point: Day 507 and Patu!. Her debut fiction film Mauri (1988) was not only the first film to be made by a Maori woman, it was also the first feature film ever to be made by an Indigenous woman anywhere in the world. Interweaving a wealth of archive footage with extracts from her interviews, as well as her children’s memories, Merata’s personal story - of being Maori, a woman, a mother and a filmmaker in Aotearoa - speaks to the wider experiences and universal struggles that are still being faced by Indigenous filmmakers everywhere in the world today. This documentary does not only shed light on a resilient woman who fought for her goal to ‘indigenise the screen’ - it also reveals the strain this kind of political work was to have on her family.
In MERATA: How Mum Decolonised the Screen, Merata’s youngest son, Hepi, crafts a deeply intimate portrait of his late mother. Drawing on footage from Merata’s own work, as well as from interviews with her from before she picked up a camera, Hepi captures Merata as a filmmaker, mother, wife, and mentor. Reflections from his siblings and those she influenced, such as Taika Waititi, underscore the overriding importance Merata placed on family and reveal the personal sacrifices she made to actively create a better future for her children and her people.

现在是第六季，瑞克和莫蒂回归了!从我们丢下他们的地方开始，他们的运气越来越差。他们会重新开始更多的冒险吗?或者他们会被尿的海洋卷走!谁知道呢? !尿!家庭!阴谋!一群恐龙!更多的尿!又一个不能错过你最喜欢的节目的季节。

Who says being an undead creature of the night is easy? With that in mind, three ancient friends—centuries-old vampires Vulvus, the romantic and temperamental Lord Byron wannabe; Viago, the flamboyant 19th-century dandy; and Deacon, the rebellious 107-year-old youngster—invite a documentary crew to shed light on a vampire’s daily life. Starting from the fateful day of their eternal transformation, these modern-day blood-suckers don’t shy away from answering deeply personal questions about their quirky flatmate situation—after all, this is an interview, not just an excuse for a quick bite.Will we ever truly find out what vampires do in the shadows?

A small-town couple finds the perfect apartment in the big city, except there's one catch: the apartment is home to the ritualistic suicides of a deranged cult.

这部剧灵感来自真实人物Stede Bonnet的冒险，他原本是个富绅，但却放弃了自己的特权生活，于18世纪初成为了海盗。

《海盗旗升起》（非常）松散地改编自18世纪绅士海盗Stede Bonnet的真实冒险故事。
在把看似美妙的绅士生活交换为惊心动魄的海盗生活后，Stede成为了复仇号海盗船的船长。Stede一直在努力赢得可能会叛变的船员的尊重，而在与臭名昭著的黑胡子船长发生一场决定性的冲突后，他的命运发生了变化。令他们惊讶的是，截然不同的Stede和黑胡子在公海上找到的不仅仅是友谊……他们找到了爱情。现在，两人必须从中幸存下来。

The documentary looks at the rise to celebrity status of NZ actor and musician Bret McKenzie, who appeared for 3 seconds as an extra in "The Lord of the Rings: The Fellowship of the Ring", during the Council of Elrond scene. His brief appearance sparked a huge internet fan-base dedicated to his "brooding pout" and "elvish good looks". McKenzie has been dubbed "FIGWIT", an acronym of "Frodo is Great; Who is That!!?
Directed by Stan Alley, Nick Booth and Hannah Clarke
Starring Bret McKenzie, Jemaine Clement and Taika Waititi (Cohen)
Released 25 July 2004 (New Zealand)

Finally, a sequel to the seminal Mel Brooks film, HISTORY OF THE WORLD PART I, with each episode featuring a variety of sketches that take us through different periods of human history.

主创David Jenkins已确认，如果本剧获得续订，那么第三季就是最终季。

新西兰3台10年推出的喜剧。

漫威动画系列剧《假如…？》的第三季同时也是最终季改编自同名漫威漫画系列，探索了多元宇宙中的替代时间线，展示了如果漫威电影宇宙 (MCU) 电影或电视剧中的主要场景以不同的方式发生会发生什么。

漫威动画系列剧《假如…？》的第三季同时也是最终季改编自同名漫威漫画系列，探索了多元宇宙中的替代时间线，展示了如果漫威电影宇宙 (MCU) 电影或电视剧中的主要场景以不同的方式发生会发生什么。

Behind-the-scenes series following the New Zealand All Blacks rugby team throughout 2017, taking an in-depth look at the players and coaches on and off the field.

在整个2017年跟踪新西兰全黑橄榄球队的幕后系列，深入了解球员和教练在球场内外的情况。

Shrimp explores the strange, interwoven and often hilarious daily lives of the women and men who work and play in a Los Angeles BDSM den.

派拉蒙和尼克宣布“降世神通”系列开发三部新的电影，仍是动画形式。第一部由《降世神通：最后的气宗》导演Lauren Montgomery执导，《最后的气宗》主创Bryan Konietzko和Michael DiMartino担任制片人。