The Philippines, 1974: as Marcos’ oppressive regime becomes increasingly entrenched after he imposed martial law in 1972, Servando Monzon III, heir to his powerful clan’s hacienda and family business, refuses to capitulate to the dictator’s plans to control the country. In this adaptation of Ricardo Lee’s short story and screenplay Servando Magdamag, Lav Diaz, the unrelenting and incisive prober of Philippine history’s shadowy areas, offers a film of epic proportions. The aim, as unequivocally indicated by the title, is nothing less than to scrutinise Filipino violence and explore its roots from Spanish colonisation to the present day. Feudalism and power struggles are closely examined. Borne aloft by a remarkable cast – John Lloyd Cruz in the main role is a huge television and film star in the Philippines – this “sine novela”, according to the opening credits, mixes up the codes of the telenovela with Lav Diaz’ ostensibly very different filmmaking. The story unfolds of the mutual relationships of a profusion of characters over time, shot in the sumptuous black and white that is now the stuff of most of his movies. The filmmaker himself frames these magnificent shots that stretch out, sensuous experiences of living tableaux attentive to the bodies set in a place as well as to the languages used, to the inner movements and down-time. In this film that’s both a tragic saga set in the past and the tale of an “endless nightmare”, Diaz takes on a dual allegorical dimension – the figures of the philosopher and the blind man – and an informative one, like the revolutionary education meetings that pepper the story. This “tale of violence” is also an epic with very contemporary resonances, as the recent election to the presidency of another Marcos, a devoted son of the previous president, reminds us. (Nicolas Feodoroff)
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「高等人和低等人的分别，就在于前者无惧于和随时准备挑战不幸。」尼采如是说。拉夫狄亚兹镜前的罪恶克星干探虽非此中信徒，却百分百锲而不舍，坚持向前菲律宾总统杜特尔特的血腥手腕和谎言政治说不。前作《涌浪之后》突破扫毒梦魇，勇探今回要重启一宗沉埋十五年的悬案，追查有「菲律宾飞鹰」之称的艺术家运动分子死因。荒地迷湖，人性难辨；实时进行的长篇叙事，令观众如亲历案情披示，渐悟即或没有破不掉的罪案，仍有绵绵不绝的遗憾和痛苦。

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there.
From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)

2001 Filipino film

拉夫·迪亚兹将执导新片[麦哲伦](Magellan，暂译)。影片讲述一群菲律宾人前往葡萄牙，追寻葡萄牙探险家斐迪南·麦哲伦在葡萄牙北部的起源。本片将完全在葡萄牙拍摄。