泰德·克雷默是一位广告职员，他整天忙碌而无暇照顾妻子乔安娜和6岁的儿子比利。然而有一天，厌倦了整日忙碌家务事的乔安娜终于再也无法忍受这样的生活，抛下丈夫和儿子离家出走。泰德的生活骤然间陷入了混乱之中。他无法兼顾繁忙的工作和照顾孩子两件事，经常遭至上司和儿子两方面的不满。幸而有邻居泰尔玛帮忙，总算还能对付过去。泰德父子俩相依为命地生活着。渐渐地父子俩已是亲密无间，难以分离了。在一次游玩中比利不慎弄伤了眼睛，泰德抱着儿子疯狂地跑到医院。手术时，泰德紧紧地守在儿子身边寸步不离。转眼间一年多过去了，泰德忽然接到乔安娜的电话，两人在一家餐馆见了面。如今乔安娜已是收入丰厚的设计师，她前来纽约是想获得比利的抚养权，两人不欢而散。一场官司不可避免。然而就在此时，泰德却不幸失业。他几经努力，终于在二十四小时内又找到了一份工作。在法庭上，双方的律师全都咄咄逼人。虽然有泰尔玛出庭作证说泰德是位好父亲，法官还是把监护权判给了乔安娜。为了避免给比利带来影响，泰德放弃了上诉，但泰德在法庭上的陈词也已经打动了乔安娜。父子俩分离在即，俩人在一起做最后一顿早餐。就在等待中，乔安娜打来了电话，她见到了泰德，告诉他自己改变了主意，不再要求获得比利的监护权了。泰德父子终于不必分离了。

2月11日晚7点30分,第66届柏林电影节如约而至。开幕影片《凯撒万岁》在柏林宫举行了放映。影片导演科恩兄弟,主演蒂尔达·斯文顿、乔治·克鲁尼、查宁·塔图姆、乔什·布洛林、阿尔登·埃伦瑞奇等人亮相红毯。而华人影星方面,《长江图》的导演杨超,也和该片的男女主角秦昊、辛芷蕾一同亮相。评委会主席梅丽尔·斯特里普等人也均亮相红毯。

Gerry Miller, a professional hockey player, gives in to internal and outside pressures and adopts a more aggressive style on the ice. During one particularly violent game a player on an opposing team dies, and the authorities charge Miller with manslaughter.

A determined single mother, with nothing but guts and vision, breaks through notorious art world barriers to become one of the preeminent painters of our time.

破案太成功，弄巧反招凶？Charles（史蒂夫·马丁 Steve Martin 饰）、Oliver （马丁·肖特 Martin Short 饰）同 Mabel（赛琳娜·戈麦斯 Selena Gomez 饰）的人气侦探播客将要拍成大电影。
上一季中，Charles的前替身Sazz（简·林奇 Jane Lynch 饰）被发现中枪死在Charles 屋中，但其实凶手目标可能是Charles？

故事发生於20世纪80年代中期的纽约，《千禧年降临》的第一幕介绍了中心人物路易·爱恩森（Louis Ironson）。他是一名犹太人，与同性恋爱人普莱尔·沃尔特（Prior Walter）住在一起。但普莱尔後来发现自己患有艾滋病，社会在当时对此病仍然知之甚少，路易无法承受住巨大的压力便抛弃了对方搬了出去。与此同时，在城市中另一方，也有一位名为乔·皮特（Joe Pitt）的共和党律师。他是一位摩门教徒，同时也在尽力压制自己的同性恋倾向。剧中，臭名昭著的麦卡锡主义者罗依·康（Roy Cohn）为他提供了一份十分有前途的工作，而乔并没有立刻接受，因为他担心自己服用安定上瘾的妻子哈珀（Harper）。 　　随着剧情发展，普莱尔发现经常有鬼魂和天使来拜访他，还被这些人称为先知；乔在自己的宗教信仰和性取向的矛盾中痛苦挣扎；路易十分後悔抛弃了爱人，时刻受到良心的折磨；乔的妈妈汉娜（Hannah）得知儿子是同性恋後搬到纽约，要照顾儿媳；而罗依·康本人也是一位同志，因为艾滋病住进了医院，负责护理他的护士是一位名为伯利兹（Belize）的黑人同志，他是普莱尔的好友，原来从事过女装表演；最后，原来冷战时期因为罗依·康的幕後操纵而被美国司法处以极刑的共产党人艾瑟尔·罗森堡（Ethel Rosenberg）也化为鬼魂来報復他。 　　全剧充满了黑色幽默与悲剧色彩，对白极为出色，在一些需要特殊效果衬托的地方展现出很浓的戏剧风格。大多数演员都一人分饰几角，比如扮演普莱尔的护士的演员，也同时扮演美国天使。剧中对圣经和美国政治、经济、文化、种族、环境现象有非常多的引用，也有发生在南极和天堂的戏份，也涉及了旧金山的大地震与纽约中央公园中的毕士大（Bethesda）天使像。 　　很多观众与评论家都认为此剧是美国近年来最有影响力的戏剧之一。

Through both comedy and tragedy, "Seagull" explores lives that are precariously balanced between love and indifference, success and failure, hope and despair. The first of what are considered to be Chekhov's four great plays, it sets the scene for the playwright's unmistakable mix of melancholia and laughter combined with a unique understanding of the daily torment of an unfulfilled.　

Prior to the first act, an induction frames the play as a "kind of history" played in front of a befuddled drunkard named Christopher Sly who is tricked into believing that he is a lord.
In the play performed for Sly, the "Shrew" is Katherina Minola, the eldest daughter of Baptista Minola, a lord in Padua. Katherina's temper is notorious and it is thought no man would ever wish to marry her. On the other hand, two men – Hortensio and Gremio – are eager to marry her younger sister Bianca. However, Baptista has sworn not to allow his younger daughter to marry before Katherina is wed, much to the despair of her suitors, who agree that they will work together to marry off Katherina so that they will be free to compete for Bianca.
The plot becomes more complex when Lucentio, who has recently come to Padua to attend university, sees Bianca and instantly falls in love with her. Lucentio overhears Baptista announce that he is on the lookout for tutors for his daughters, so he has his servant Tranio pretend to be him while he disguises himself as a Latin tutor named Cambio, so that he can woo Bianca behind Baptista's back.
In the meantime, Petruchio arrives in Padua, accompanied by his servant, Grumio. Petruchio tells his old friend Hortensio that he has set out to enjoy life after the death of his father and that his main goal is to wed. Hearing this, Hortensio seizes the opportunity to recruit Petruchio as a suitor for Katherina. He also has Petruchio present to Baptista a music tutor named Litio (Hortensio himself in disguise). Thus, Lucentio and Hortensio, pretending to be the teachers Cambio and Litio, attempt to woo Bianca unbeknownst to her father, and to one another.
Petruchio, to counter Katherina's shrewish nature, woos her with reverse psychology, pretending that every harsh thing she says or does is kind and gentle. Katherina allows herself to become engaged to Petruchio, and they are married in a farcical ceremony during which (amongst other things) he strikes the priest and drinks the communion wine, and then takes her home against her will. Once they are gone, Gremio and Tranio (disguised as Lucentio) formally bid for Bianca, with Tranio easily outbidding Gremio. However, in his zeal to win, he promises much more than the real Lucentio actually possesses, and Baptista determines that once Lucentio's father confirms the dowry, Bianca and Tranio can marry. Tranio thus decides that they will need someone to pretend to be Vincentio, Lucentio's father, at some point in the near future. Elsewhere, as part of their scheme, Tranio persuades Hortensio that Bianca is not worthy of his attentions, thus removing any problems he may cause.
Meanwhile, in Petruchio's house, he begins the "taming" of his new wife. She is refused food and clothing because nothing – according to Petruchio – is good enough for her; he claims perfectly cooked meat is overcooked, a beautiful dress doesn't fit right, and a stylish hat is not fashionable. He also sets about disagreeing with everything she says, and forcing her to agree with everything he says, no matter how absurd; on their way back to Padua to attend Bianca's wedding, she agrees with Petruchio that the sun is the moon, and proclaims that "if you please to call it a rush-candle,/Henceforth I vow it shall be so for me" (4.5.14–15). Along the way, they meet Vincentio who is also on his way to Padua, and Katherina agrees with Petruchio when he declares that Vincentio is a woman and then apologises to Vincentio when Petruchio tells her he is a man.
Meanwhile, back in Padua, Lucentio and Tranio convince a passing pedant to pretend to be Vincentio and confirm the dowry for Bianca. The man does so, and Baptista is happy for Bianca to wed Lucentio (actually Tranio in disguise). Bianca then secretly elopes with the real Lucentio. However, Vincentio arrives in Padua, and encounters the Pedant, who claims to be Lucentio's father. Tranio (still disguised as Lucentio) appears, and the Pedant acknowledges him to be his son Lucentio. There is much confusion about identities, and the real Vincentio is set to be arrested when the real Lucentio appears with his newly betrothed Bianca, and reveals all to a bewildered Baptista and Vincentio. Lucentio explains everything that has happened and all is forgiven by the two fathers.
Meanwhile, Hortensio has married a rich widow, and so in the final scene of the play there are three newly married couples at Baptista's banquet; Bianca and Lucentio, the widow and Hortensio, and Katherina and Petruchio. Because of the general opinion that Petruchio is married to a shrew, a quarrel breaks out about whose wife is the most obedient. Petruchio proposes a wager whereby each will send a servant to call for their wives, and whichever comes most obediently will have won the wager for her husband. Katherina is the only one of the three who comes, winning the wager for Petruchio. At the end of the play, after the other two wives have been hauled into the room by Katherina, she gives a speech on the subject of why wives should always obey their husbands and the play ends with Baptista, Hortensio and Lucentio marvelling at how successfully Petruchio has tamed the shrew.

Apple TV+预定气候变化题材诗选类剧集《外推》。
本剧来自《秘密特工》编剧Scott Z. Burns，他将担任编剧、导演和执行制片。
剧集会讲述私人且意料之外的故事，地球面临的变化是如何在个人和人类层面影响着我们的爱、信仰、工作及家庭。通过8集有内在关联的故事呈现，每个故事都将追踪21世纪以来，世界各地为了我们共同生存而进行的斗争。

浪漫愛情小說作家瑪麗，勾引胖女人露絲的老公鮑伯後，倆人進而同居，但日常家居生活顯然不若偷情有趣，原有的優美浪漫氣氛全然褪色，生活有了180度的轉變，接著又發生一連串意想不到的事情，胖女人露絲在婚變後不僅煥然一新，並且展開復仇大計﹍﹍﹍

该剧根据同名畅销书改编，主要讲述三个年轻母亲看似完美的生活因卷入一宗谋杀案而被搅得天翻地覆。

第三季中，查尔斯、奥利弗和梅布尔在百老汇演出的幕后调查一起谋杀案。本·格伦罗伊是一位好莱坞动作明星，他的百老汇首秀因英年早逝而被迫中止。在联合主演洛雷塔·德金的帮助下，我们的三人组开始调查他们迄今为止最棘手的案件，而导演奥利弗则拼命想让他的演出重新恢复原样。开演！

Meryl Streep早期出演的一个舞台剧。

The first full-length, high-definition documentary film ever made about legendary environmentalist Aldo Leopold, Green Fire highlights Leopold’s extraordinary career, tracing how he shaped and influenced the modern environmental movement. Leopold remains relevant today, inspiring projects all over the country that connect people and land.

22 November 1998 (Season 5, Episode 1)

Auschwitz is synonymous with the Holocaust, but it’s also a place on the map with a surprising history preceding World War II. Narrated by Meryl Streep, this short documentary tells the story of Auschwitz, from its construction to its infamy.

Meet one of America’s late, great directors, Mike Nichols (The Graduate, Angels in America), who discusses his life and 50-year artistic career, from the comedy duo Nichols and May to his final film, Charlie Wilson’s War. The documentary includes new interviews with Meryl Streep, Tom Hanks, Nathan Lane, Paul Simon and more, plus insights from Nichols’ acclaimed films. Directed by Elaine May.

2006年，德国天才戏剧作家Bertolt Brecht的“Mother Courage and Her Children" 被搬上舞台。
这部记录片得以记录了整个排演的过程，其中穿插了Bertolt Brecht的历史资料。

《生命海洋》是IMAX1995年二月上映的反映大海的一部纪录片，它在呈现给我们海底美丽与神奇的画面以外更加侧重表现了人类与大海生生相息的关系，全片仅40分钟，但包括了很多内容：有介绍海底风光的绚丽画面、也有与大海拚搏人们的激情展现、还有研究大海科学家们的沉思，当然也少不了夏日里面海边俊男美女。在《海中颜面博览会》中，我们欣赏到了海底的奇幻世界，而在这部的反映大海的影片中，我们主要看到的是人类是如何与大海息息相关，人类是如何在大海的怀抱中生存，我们会看到岸边那白色的帆船随着日出划向大海的深处，伴着日落静静的停靠在岸边，我们还会看到原来依靠大海生存的土著部落现在是如何依靠科技设备带着下一代去领略大海的无穷奥秘，我们更会看到缤纷夏日中，不同肤色不通种族的人们尽情享受大海带来的快乐。也正因为如此，本片在观众中得到的评价是截然相反的，支持的人们认为这才是真正的大海，这才真正表现了人与大海的关系，而反对的人们则要求更多的精美的海底画面。而导演Greg MacGillivray的拍摄本片的意图恰恰是着重表现人与大海的关系，正如片中的解说“大海就是生命之源”，本片主旨不在美丽的画面而在思考生命与生命之源的关系。

Nora Ephron's autobiographical novel chronicling the breakup of her marriage to investigative journalist Carl Bernstein (ALL THE PRESIDENT'S MEN) is adapted for the big screen by director Mike Nichols and solidly acted by Meryl Streep and Jack Nicholson. Rachel Samstat (Streep) is Ephron's stand-in, a New York food writer who falls for and marries Washington political columnist Mark Forman (Nicholson) despite her initial misgivings. And it isn't long before a second pregnancy, separate homes, and the return of Mark's womanizing places a strain on the marriage that results in a bitter divorce and inspires Rachel's cynical musings on the nature of love, sex, and relationships.