Lou Reed — 艺术家 (66)
Very Best of Lou Reed [音乐] 豆瓣
Lou Reed
类型:
Pop
发布日期 2000年4月4日
出版发行:
BMG International
路易斯·艾倫·瑞德,暱稱為路·瑞德是一位美國搖滾樂歌手與吉他手。是地下絲絨樂團於1965到1973年間的成員之一。於1971年起離開樂團。著名歌曲包括《Walk on the Wild Side》、《Sunday Morning》等
Live in Italy [音乐] 豆瓣
Lou Reed
类型:
Rock
发布日期 2005年7月11日
出版发行:
Camden International
柏林风云录 [音乐] 豆瓣
Lou Reed
类型:
Rock
发布日期 1973年7月3日
出版发行:
RCA Records
Berlin is a 1973 album by Lou Reed, his third solo album. The album is a tragic rock opera about a doomed couple, and addresses themes of drug use and depression. Musically, Berlin differs greatly from the bulk of Reed's work, due to the use of heavy orchestral arrangements, horns, and top session musicians. Instrumentally, Reed himself only contributes acoustic guitar.
The Bells [音乐] 豆瓣
Lou Reed
类型:
Rock
发布日期 1979年4月1日
出版发行:
Arista Records
by Mark Deming
After the harrowing triumph of Street Hassle, Lou Reed's The Bells sounded like a bit of a step back; it returned Reed to the more listener-friendly, keyboard-dominated sound of Rock and Roll Heart, the lyrics lacked the caustic self-loathing of songs like "Dirt" or "I Wanna Be Black," and it even featured a four-and-a-half-minute funk workout called "Disco Mystic" (hey, this was 1979). But lyrically, The Bells found Reed moving away from the boho decadence of most of his 1970s work and toward a more compassionate perspective on his characters; "Families" and "All Through the Night" display an empathy and emotional depth Reed didn't often allow himself as a solo artist, and "Stupid Man" and "Looking for Love" rocked hard while making the loneliness of their protagonists felt. And the title cut, with Reed experimenting with a guitar synthesizer and free jazz hero Don Cherry inviting the spirit on trumpet, is both a brave exploration of musical space and a lyrically touching sketch of loss and salvation. An album that's worn well over time, The Bells gains depth with each playing and now sounds like one of Reed's finest solo efforts of the 1970s.
After the harrowing triumph of Street Hassle, Lou Reed's The Bells sounded like a bit of a step back; it returned Reed to the more listener-friendly, keyboard-dominated sound of Rock and Roll Heart, the lyrics lacked the caustic self-loathing of songs like "Dirt" or "I Wanna Be Black," and it even featured a four-and-a-half-minute funk workout called "Disco Mystic" (hey, this was 1979). But lyrically, The Bells found Reed moving away from the boho decadence of most of his 1970s work and toward a more compassionate perspective on his characters; "Families" and "All Through the Night" display an empathy and emotional depth Reed didn't often allow himself as a solo artist, and "Stupid Man" and "Looking for Love" rocked hard while making the loneliness of their protagonists felt. And the title cut, with Reed experimenting with a guitar synthesizer and free jazz hero Don Cherry inviting the spirit on trumpet, is both a brave exploration of musical space and a lyrically touching sketch of loss and salvation. An album that's worn well over time, The Bells gains depth with each playing and now sounds like one of Reed's finest solo efforts of the 1970s.
Growing Up in Public [音乐] 豆瓣
Lou Reed
类型:
Pop
发布日期 2000年6月20日
出版发行:
Buddha
路易斯·艾倫·瑞德,暱稱為路·瑞德是一位美國搖滾樂歌手與吉他手。是地下絲絨樂團於1965到1973年間的成員之一。於1971年起離開樂團。著名歌曲包括《Walk on the Wild Side》、《Sunday Morning》等