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在一个聚会上,“肖恩”重逢了他青梅竹马的前女友“阿莉克丝”,之前两人因为肖恩妈妈的离去而逐渐疏远。阿莉克丝的新男友汤姆邀请她去一个危险的水库游泳,水流忽然变得湍急冲散了他们,随即不远处的电塔发出了强烈的蓝绿光击晕了水中的阿莉克丝;当她再次醒来的时候,她失去了记忆并发现自己拥有了强大的磁场超能力,她凭借身上肖恩写下的电话找到了他。而此时一个神秘的组织正急切地寻找着阿莉克丝,希望从她身上找到她受电击后存活下来的答案。肖恩陪同阿莉克丝逃亡的过程中,他们逐渐发现了关于她的超能力和有关未知生物实验的秘密...

The work of Elizebeth Smith Friedman, America's first female cryptanalyst, brings down Al Capone, breaks up a Nazi spy ring in South America, and lays the foundation for the National Security Agency (NSA).

电影讲述一部关于信仰扭曲的故事，为见证殉道者慷慨赴义的死后世界，一群崇尚怪奇道理的组织成员，不断绑架牺牲者，用尽残忍手法将他们虐杀，好从他们弥留的眼神里，窥见殉道者的世界。露西10岁时曾遭绑架犯监禁凌虐，即使后来幸运逃脱，阴影仍笼罩心头挥之不去，而露西在孤儿院结识的好友 安娜，则是她唯一的依靠。十年后，深受过往回忆折磨的露西，意外发现当年绑架她的绑匪一家人，便冒险展开了危机四伏的追踪，安娜担忧好友的安危与之同行，殊料两人正一步步陷入凶恶的处境，当年绑架案背后的恐怖真相也即将浮现…

卢克·伊万斯将主演Apple动作惊悚剧集《第三次回声》(Echo 3，暂译)。剧集共10集，包含英语、西班牙语两种对白，故事背景设定在南美，紧随一位杰出的年轻科学家Amber Chesborough展开，她是一个美国小家庭的情感中心。当她在哥伦比亚和委内瑞拉边境失踪时，她的哥哥和她的丈夫，两个有着多年军事经历和复杂过往的男人，在一次秘密战争的爆炸背景下，努力地去寻找她。伊万斯饰演Amber的哥哥。

television series

Billy Porter and Luke Evans return to Tribeca playing partners of thirteen years. Billy stars as Gabriel, an aspiring artist struggling to find creative and personal spark while caring for the young son he shares with his ambitious partner, Nicky (Luke Evans). Stress and anxiety flare as their relationship gets to an unrepairable place, forcing the couple to head for a divorce. Now the two must navigate the unenviable position of revealing the news to shared friends and family. Thus begins the journey to find themselves and support their son.
Drama meets mindfulness as audiences explore contemporary relationships between gay men trying to make their way in the world. This story unabashedly unfolds with the pride and wherewithal of the path paved before, as well as an engaging look at the space beyond the traumatic overtures and trappings that the queer community knows all too well. Evans and Porter are joined by an all-star cast including Phylicia Rashad, Robin Weigert, Andrew Rannells, and Kate Burton.
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小虾米玩翻大鲸鱼，散户联手刮起华尔街风暴。 改编超扯真实事件和本·麦兹里奇的新书《反社交网络》，聚焦“玩家的崛起”，业余大战专业——Reddit的WallStreetBets版块上的散户投资者（片名“傻钱”即是对个人投资者的戏称）如何在论坛上抱团集结对抗华尔街，让GameStop等陷入死境的公司股价飙升，与之对抗的对冲基金则 有巨幅亏损，和此后引发的深入调查。

It’s Bobbie’s 35th birthday party, and all her friends keep asking, Why isn’t she married? Why can’t she find the right man and isn’t it time to settle down and start a family? As Bobbie searches for answers, she discovers why being single, being married, and being alive in 21st-Century New York could drive a person crazy.

曾经两度获得托尼奖的凯文•克莱恩（Kevin Kline）十余年后重返百老汇舞台，挑战的正是英国传奇剧作家诺埃尔•考沃德（Noël Coward）爵士的经典喜剧《乐在当下》（Present Laughter）！
这部被视为考沃德半自传式的作品，讲述了一个陷入中年危机的自恋演员盖瑞•艾森戴（Garry Essendine）在开始一段非洲之旅前，不得不试图甩掉一个疯狂的剧作家、一些想要引诱他的女人和长期伴随他左右的秘书和伴侣。考沃德在1942年的首演版和1958年的百老汇复排版中都亲自上阵，身兼导演和主演。作为一个经典角色，此后有彼得•奥图尔爵士、伊恩•麦克莱恩爵士等戏骨演员先后出演，在纽约、伦敦及世界各地常演不衰。
此次百老汇复排由托尼奖提名导演Moritz von Stuelpnagel执导，在百老汇圣詹姆斯剧院连续演出101场，凭借《万尼亚和索尼亚和马莎和斯派克》（Vanya and Sonia and Masha and Spike）获得托尼奖提名的克莉丝汀•尼森（Kristine Niesen）、以及主演过《老爸老妈浪漫史》、《复仇者联盟》的寇碧•史莫德斯（Cobie Smulders）纷纷加盟，而暌违百老汇十年之久的克莱恩也不负这个伟大角色，凭此摘得个人第三座托尼奖杯，《纽约邮报》称赞克莱恩的表现“臻于完美”，《纽约时报》惊呼“它应该获得托尼奖最佳复排话剧”，Time Out纽约版也称赞本戏是 “对诺埃尔•考沃德的作品一次绝对精彩的复排。”
All three acts of the play are set in Garry Essendine's London flat.
Act I
Daphne Stillington, a young admirer of the actor Garry Essendine, has inveigled herself into the flat and has spent the night there. Garry is still asleep, and while waiting for him to wake, Daphne encounters in turn three employees of Garry, housekeeper (Miss Erikson), valet (Fred), and secretary (Monica). None of them displays any surprise at her presence. Garry finally wakes and with practised smoothness ushers Daphne out.
Liz Essendine, who left Garry years ago, nevertheless remains part of his tightly-knit 'family' along with Monica and his manager, Morris Dixon, and producer, Henry Lyppiatt. Liz tells Garry that she suspects that Morris is having an affair with Henry's glamorous wife Joanna, and is concerned that this might break up the family. Their discussion is interrupted by the arrival of Roland Maule, an aspiring young playwright from Uckfield, whose play Garry has rashly agreed to critique. Liz leaves, and Roland rapidly becomes obsessively fascinated by Garry, who gets him off the premises as quickly as he can.
Morris and Henry arrive and discuss theatrical business with Garry. Henry leaves for a business trip abroad, and Garry privately interrogates Morris, who denies that he is having an affair with Joanna. Garry telephones Liz to reassure her.
Act II
Scene 1, midnight, three days later.
Garry, alone in the flat, answers the doorbell to find Joanna. She claims (like Daphne in Act I) to have forgotten her own doorkey and asks Garry to accommodate her in his spare room. He correctly suspects her motives, but after much skirmishing allows himself to be seduced.
Scene 2, the next morning.
Joanna emerges from the spare room wearing Garry's pyjamas just as Daphne did in Act I. She too encounters Miss Erikson, Fred, and then Monica, who is horrified at her presence in such compromising circumstances. Liz arrives and puts pressure on Joanna by threatening to tell Morris that Joanna has spent the night with Garry. Joanna retreats to the spare room when the doorbell rings, but the caller is not Morris but Roland Maule, who says he has an appointment with Garry. Monica leads him to an adjacent room to wait for Garry.
Frantic comings and goings follow, with the flustered arrivals and departures of Morris and Henry, Roland's pursuit of Garry, and the arrival of a Lady Saltburn, whose niece Garry has promised an audition. The niece turns out to be Daphne Stillington, who recites the same Shelley poem with which he bade her farewell in Act I. Joanna flounces out from the spare room, Daphne faints with horror, Roland is entranced, and Garry is apoplectic.
Act III
A week later, on the eve of Garry's departure on tour in Africa, he is once more alone in the flat. The doorbell rings and Daphne enters saying she has a ticket to sail with him to Africa. The doorbell rings again, and Daphne retreats to an adjoining room. The new caller is Roland, who announces that he too has a ticket for the voyage to Africa. Garry tries to get him to leave, but as the doorbell rings a third time Roland bolts into the spare room and locks the door. The third caller is Joanna, who has also bought a ticket for the Africa voyage and has written a letter to Henry and Morris telling them everything. Liz arrives and saves the tottering situation, announcing that she too is travelling to Africa.
Henry and Morris arrive and berate Garry for his night with Joanna. Garry fights back by revealing the details of Morris and Joanna's affair, and Henry's extramarital adventures. Joanna angrily slaps Garry's face and leaves for good. Her departure goes unnoticed because Garry, Henry and Morris have become embroiled in what for them is a much more serious row when it emerges that Henry and Morris have committed Garry to appear at what he considers a shockingly unsuitable theatre. Garry objects: "I will not play a light French comedy to an auditorium that looks like a Gothic edition of Wembley Stadium."When that row has blown itself out, it is business as usual and Henry and Morris leave in good humour.
Liz pours Garry a brandy and tells him she is not only going to Africa with him but is coming back to him for good. Garry suddenly remembers Daphne and Roland lurking in the adjoining rooms and tells Liz: "You're not coming back to me... I'm coming back to you", and they tiptoe out.

曾经两度获得托尼奖的凯文•克莱恩（Kevin Kline）十余年后重返百老汇舞台，挑战的正是英国传奇剧作家诺埃尔•考沃德（Noël Coward）爵士的经典喜剧《乐在当下》（Present Laughter）！
这部被视为考沃德半自传式的作品，讲述了一个陷入中年危机的自恋演员盖瑞•艾森戴（Garry Essendine）在开始一段非洲之旅前，不得不试图甩掉一个疯狂的剧作家、一些想要引诱他的女人和长期伴随他左右的秘书和伴侣。考沃德在1942年的首演版和1958年的百老汇复排版中都亲自上阵，身兼导演和主演。作为一个经典角色，此后有彼得•奥图尔爵士、伊恩•麦克莱恩爵士等戏骨演员先后出演，在纽约、伦敦及世界各地常演不衰。
此次百老汇复排由托尼奖提名导演Moritz von Stuelpnagel执导，在百老汇圣詹姆斯剧院连续演出101场，凭借《万尼亚和索尼亚和马莎和斯派克》（Vanya and Sonia and Masha and Spike）获得托尼奖提名的克莉丝汀•尼森（Kristine Niesen）、以及主演过《老爸老妈浪漫史》、《复仇者联盟》的寇碧•史莫德斯（Cobie Smulders）纷纷加盟，而暌违百老汇十年之久的克莱恩也不负这个伟大角色，凭此摘得个人第三座托尼奖杯，《纽约邮报》称赞克莱恩的表现“臻于完美”，《纽约时报》惊呼“它应该获得托尼奖最佳复排话剧”，Time Out纽约版也称赞本戏是 “对诺埃尔•考沃德的作品一次绝对精彩的复排。”
All three acts of the play are set in Garry Essendine's London flat.
Act I
Daphne Stillington, a young admirer of the actor Garry Essendine, has inveigled herself into the flat and has spent the night there. Garry is still asleep, and while waiting for him to wake, Daphne encounters in turn three employees of Garry, housekeeper (Miss Erikson), valet (Fred), and secretary (Monica). None of them displays any surprise at her presence. Garry finally wakes and with practised smoothness ushers Daphne out.
Liz Essendine, who left Garry years ago, nevertheless remains part of his tightly-knit 'family' along with Monica and his manager, Morris Dixon, and producer, Henry Lyppiatt. Liz tells Garry that she suspects that Morris is having an affair with Henry's glamorous wife Joanna, and is concerned that this might break up the family. Their discussion is interrupted by the arrival of Roland Maule, an aspiring young playwright from Uckfield, whose play Garry has rashly agreed to critique. Liz leaves, and Roland rapidly becomes obsessively fascinated by Garry, who gets him off the premises as quickly as he can.
Morris and Henry arrive and discuss theatrical business with Garry. Henry leaves for a business trip abroad, and Garry privately interrogates Morris, who denies that he is having an affair with Joanna. Garry telephones Liz to reassure her.
Act II
Scene 1, midnight, three days later.
Garry, alone in the flat, answers the doorbell to find Joanna. She claims (like Daphne in Act I) to have forgotten her own doorkey and asks Garry to accommodate her in his spare room. He correctly suspects her motives, but after much skirmishing allows himself to be seduced.
Scene 2, the next morning.
Joanna emerges from the spare room wearing Garry's pyjamas just as Daphne did in Act I. She too encounters Miss Erikson, Fred, and then Monica, who is horrified at her presence in such compromising circumstances. Liz arrives and puts pressure on Joanna by threatening to tell Morris that Joanna has spent the night with Garry. Joanna retreats to the spare room when the doorbell rings, but the caller is not Morris but Roland Maule, who says he has an appointment with Garry. Monica leads him to an adjacent room to wait for Garry.
Frantic comings and goings follow, with the flustered arrivals and departures of Morris and Henry, Roland's pursuit of Garry, and the arrival of a Lady Saltburn, whose niece Garry has promised an audition. The niece turns out to be Daphne Stillington, who recites the same Shelley poem with which he bade her farewell in Act I. Joanna flounces out from the spare room, Daphne faints with horror, Roland is entranced, and Garry is apoplectic.
Act III
A week later, on the eve of Garry's departure on tour in Africa, he is once more alone in the flat. The doorbell rings and Daphne enters saying she has a ticket to sail with him to Africa. The doorbell rings again, and Daphne retreats to an adjoining room. The new caller is Roland, who announces that he too has a ticket for the voyage to Africa. Garry tries to get him to leave, but as the doorbell rings a third time Roland bolts into the spare room and locks the door. The third caller is Joanna, who has also bought a ticket for the Africa voyage and has written a letter to Henry and Morris telling them everything. Liz arrives and saves the tottering situation, announcing that she too is travelling to Africa.
Henry and Morris arrive and berate Garry for his night with Joanna. Garry fights back by revealing the details of Morris and Joanna's affair, and Henry's extramarital adventures. Joanna angrily slaps Garry's face and leaves for good. Her departure goes unnoticed because Garry, Henry and Morris have become embroiled in what for them is a much more serious row when it emerges that Henry and Morris have committed Garry to appear at what he considers a shockingly unsuitable theatre. Garry objects: "I will not play a light French comedy to an auditorium that looks like a Gothic edition of Wembley Stadium."When that row has blown itself out, it is business as usual and Henry and Morris leave in good humour.
Liz pours Garry a brandy and tells him she is not only going to Africa with him but is coming back to him for good. Garry suddenly remembers Daphne and Roland lurking in the adjoining rooms and tells Liz: "You're not coming back to me... I'm coming back to you", and they tiptoe out.

Hedda Gabler, daughter of an aristocratic general, has just returned to her villa in Kristiania (now Oslo) from her honeymoon. Her husband is Jørgen Tesman, an aspiring, young, reliable (but not brilliant) academic who has combined research with their honeymoon. It becomes clear in the course of the play that she has never loved him but has married him for reasons pertaining to the boring nature of her life. It is also suggested that she may be pregnant.
The reappearance of Tesman's academic rival, Ejlert Løvborg, throws their lives into disarray. Løvborg, a writer, is also a recovered alcoholic who has wasted his talent until now. Thanks to a relationship with Hedda's old schoolmate Thea Elvsted (who has left her husband for him), Løvborg shows signs of rehabilitation and has just completed a bestseller in the same field as Tesman.
The critical success of his recently published work transforms Løvborg into a threat to Tesman, as Løvborg becomes a competitor for the university professorship Tesman had been counting on. Tesman and Gabler are financially overstretched, and Tesman tells Hedda that he will not be able to finance the regular entertaining or luxurious housekeeping that Gabler had been expecting. Upon meeting Løvborg, however, the couple discover that he has no intention of competing for the professorship, but rather has spent the last few years labouring with Mrs. Elvsted over what he considers to be his masterpiece, the "sequel" to his recently published work.
Apparently jealous of Mrs. Elvsted's influence over Løvborg, Gabler hopes to come between them. She provokes Løvborg to get drunk and go to a party. Tesman returns home from the party and reveals that he found the manuscript of Løvborg's great work, which the latter has lost while drunk. When Gabler next sees Løvborg, he confesses to her, despairingly, that he has lost the manuscript. Instead of telling him that the manuscript has been found, Gabler encourages him to commit suicide, giving him a pistol. She then burns the manuscript and tells Tesman she has destroyed it to secure their future.
When the news comes that Løvborg has indeed killed himself, Tesman and Mrs. Elvsted are determined to try to reconstruct his book from Løvborg's notes, which Mrs. Elvsted has kept. Gabler is shocked to discover from Judge Brack (a friend of Tesman's), that Løvborg's death, in a brothel, was messy and probably accidental (this "ridiculous and vile" death contrasts with the "beautiful and free" one that Gabler had imagined for him). Worse, Brack knows the origins of the pistol. He tells Gabler that if he reveals what he knows, a scandal will likely arise due to her role in giving Løvborg the pistol. Gabler realizes that this places Brack in a position of power over her. Leaving the others, she goes into her smaller room and shoots herself in the head. The others in the room assume that Gabler is simply firing shots, and they follow the sound to investigate. The play ends with Tesman, Brack, and Mrs. Elvsted discovering her body.

胆识过人的企业家？还是彻头彻尾的骗子？安娜·德尔维让纽约的上层精英们相信自己是来自德国的富有继承人，她的故事也引发了一名记者的跟踪挖掘。

The life of an aging black slave, Tom, and the people he interacts with.

杰出的年轻科学家Amber Chesborough是一个美国小家庭的情核心感。当她在哥伦比亚和委内瑞拉边境失踪时，她的哥哥和她的丈夫，两个有着多年军事经历和复杂过往的男人，在一次秘密战争中努力地去寻找她。

悲痛欲绝、渴望找到人生意义的艾吉·威格斯（克莱尔·丹尼斯 饰），意外与曾被控谋杀的奈尔·贾维斯（马修·瑞斯 饰）纠缠不清。但当迷恋逐渐变质，危险也悄然逼近。

当家庭族长去世时，一段令人担忧的母女关系受到了可怕的考验，悲伤的母亲雇佣了一个神秘的陌生人让她的丈夫起死回生。