二战期间，一位天才的波兰犹太钢琴家，四处躲藏以免落入纳粹的魔爪。他在华沙的犹太区里饱受着饥饿的折磨和各种羞辱，整日处在死亡的威胁下。他躲过了地毯式的搜查，藏身于城市的废墟中。幸运的是他的音乐才华感动了一名德国军官，在军官的冒死保护下，钢琴家终于捱到了战争结束，迎来了自由的曙光。

PBS电视台制作
Sara Crewe is the pampered darling of her father, an army colonel, and the Victorian London girls' school where he places her. But when her father dies, penniless, Sara becomes a skivvy in Miss Michin's school, befriended only by the scullery maid, Becky, her friends Ermengarde and Lottie, a little monkey, a lascar, and the mysterious man next door.

Angela Carter’s surreal imagination produced some of the most dazzling fiction of the last century.
Pioneering her own distinctive brand of magic realism, works like The Magic Toyshop and Nights At The Circus cracked open the middle-class conventions of the post-war novel and influenced a new generation of writers.
Yet in her lifetime Carter’s fierce politics, frank exploration of gender, and fondness for the supernatural unnerved the macho literary establishment. She never won the Booker Prize or received the staggering advances of her male contemporaries - and regularly struggled to pay the bills, despite creating the acclaimed film The Company Of Wolves.
Four decades on, Carter’s powerful tales of desire, fearless women and monstrous sexual predators have never felt more relevant. As Jeanette Winterson says in the film: “Every woman writing now has a debt to Angela Carter, whether or not they have read her. She was ahead of her time. And that’s why we’re so interested in her now because she’s coming into her time almost prophetically.”
Narrated by Sally Phillips, this film is a dark and delicious foray into Angela Carter’s extraordinary life.
While Carter’s early work drew on her creepily claustrophobic childhood and miserable early marriage; it was her experience of living in Japan in the 1970s that liberated both her writing and her sexuality.
And she continued to live out of kilter with polite society, horrifying critics with expletive laden put-downs, falling in love with a teenage builder in her 30s, becoming a mother at 43 - and, tragically, winning the reviews of her career for Wise Children, the week after her death at the age of 51.
Made by the team behind The Secret Life Of Sue Townsend (Aged 68 ¾), with animation by Emmy award-winning Peepshow Collective, this film is a visual treat inspired by the surreal imagery of Carter’s fiction.
Hattie Morahan plays the young Angela (with extracts from unpublished letters and diaries), while Maureen Lipman, Kelly MacDonald and Laura Fraser read from Carter’s fiction.
Including rare archive and family photos, with contributions from Angela’s friends, family, students and admirers - including Margaret Atwood, Salman Rushdie, Jeanette Winterson and Anne Enright.

On a day in the summer of 1912, the family of retired matinee idol James Tyrone grapples with the morphine addiction of Tyrone's wife Mary, the illness of their youngest son Edmund, and the alcoholism and debauchery of the older son Jamie. As day turns into night, guilt, anger, despair, and regret threaten to destroy the family

格里斯沃尔德一家在一场游戏秀上赢得了去欧洲度假的机会，因此收拾行李前往欧洲大陆。他们尽最大的努力去捕捉欧洲的味道，但他们就是不知道如何成为好游客。此外，他们很难在会说这种语言的国家度假。

故事发生在1911年的威尔士，盖诺（尼娅·罗伯茨 Nia Roberts 饰）出生在一个贫困的矿工家庭之中，家族里世世代代都靠着出卖体力来换取微薄的薪水。一次偶然中，盖诺邂逅了名为所罗门（艾恩·格拉法德 Ioan Gruffudd 饰）的男子，所罗门的家人们经营着典当行，很显然和盖诺不在一个阶层。
盖诺隐瞒了自己的真实出身，开始和所罗门交往，随着时间的推移，两人之间的爱越来越深厚。盖诺的腹中怀上了所罗门的孩子，这一意外让两人决定私奔。然而，就在约定之日到来的那一天，盖诺的哥哥找到了所罗门，他发誓要给妹妹出一口气。就在盖诺苦苦等待着自己的爱人的同时，所罗门遭到了盖诺的哥哥的毒打。

Forty years ago, broadcasting legend Bernard Braden recorded more than 350 interviews with the most iconic and recognised faces of the 1960s from the worlds of show business, film, politics and sport. Viewers will have unique access to the extraordinary, revealing portraits of iconic 60s names, such as Cilla Black, Robert Maxwell, Lulu, Enoch Powell, Quentin Crisp and Sean Connery. The programmes will re-interview some of those originally filmed to reveal what the 60s meant to them and examine what has really changed socially, politically and culturally in the intervening 40 years.
blue’s telecine and restoration department was asked by the BFI to archive more than 350 interviews shot by Braden from 1967 to 1968 and donated to the BFI. The 16mm film and ¼-inch tape are being transferred to HD for the BFI’s archive and 70 interviews have been transferred to digibeta for Silver River Productions. The transfer work started in August 2008 and is due to be completed in January 2009.
“We’re transferring the films at a rate of about 20-30 interviews a week,” said Martin Rogers, at blue’s telecine and restoration department. “It’s turned from a routine transfer/archiving job into a full post-production project. It’s very exciting as these interviews have never been seen before and feature names such as Tom Jones, Sammy Davis Jnr, Ronnie Scott, Quincy Jones, Spike Milligan, Vanessa Redgrave – the list is endless.”
'Sex Drugs and Rock 'n' Roll: The 60's Unseen' was graded by Graeme Hayes, onlined by Alex Pickering and sound mixed by Kevin Boyle at blue post production.

第一幕
　　二十世纪初，印第安人曾居住过的美国西部，牛仔和农民为争夺土地和水源矛盾频频。
　　爱勒姑姑(Aunt Eller)在自己房子外面搅拌奶油，年轻的牛仔克理(Curly)唱着歌走了过来(“Oh，What a Beautiful Morning” -- “哦，多美的早晨”)。克理是来邀请爱勒姑姑的侄女，劳瑞(Laurey)，去参加今晚的舞会的。劳瑞接待了克里，但是她对他的态度不甚热情，克理为了让她高兴，给她讲述了今晚他要驾驶的马车(“Surreywith the Fringe on Top”-- “带流苏的四轮马车”)。但是，最后他还是坦白了带流苏的四轮马车只是他自己的想象，惹得劳瑞更加生气。这时，维尔·帕克(WillParker)来了，他给他们讲了自己最近在堪萨斯城的经历(“Kansas City” -- “堪萨斯城”)。他在套小牛比赛上赢了五十块钱，对于他，这五十块钱可以说相当重要。他想娶爱多·安妮(AdoAnnie)，但是他的父亲，安德鲁·卡恩斯(Andrew Carnes)是当地的法官，不同意这门婚事，除非他有足够的能力攒五十块钱。
　　虽然对克里不理不睬，其实劳瑞真心喜欢的还是克理。为了让克理嫉妒，她决定和雇工查德(Jud)一起去舞会。当她听说克理要和别的姑娘去舞会的时候，她的反应只是淡淡的(“Manya New Day” -- “新的日子还多”)。这时，爱多·安妮公布了她的舞伴，原来是波斯小贩阿里·哈克姆(AliHakim)，她还说，她实在不能拒绝任何一个男人(“I Can't Say No” -- “我不会说不”)。阿里和爱多·安妮调笑被她的父亲看到，气愤的法官逼阿里娶他的女儿。维尔则把五十块钱全花在买给爱多·安妮的礼物上。
　　当克理和劳瑞再次见面，他们决定还是一道去参加舞会。但是他们又不想让邻居们知道他们真正的动机(“People Will Say We're in Love” -- “人们会以为我们坠入爱河”)。但是，接下来头疼的问题就是要告诉查德这个消息。克理找到查德的小屋，那其实是做熏肉的薰制室，又暗又破。克理先是告诉查德，虽然大家对他好像不友好，其实他们都觉得他不错，如果他死的话，会有好多人参加他的葬礼，而且会大哭一场的(“PoreJud!” -- “可怜的查德！”)。接着他就告诉查德劳瑞要和他一起去舞会。他走了之后，查德一个人在房间里难过(“Lonely Room” -- “孤独的房间”)。
　　劳瑞的梦境转化成一段场面浩大的舞蹈。她梦见嫁给了克理，但是他们的快乐被查德打断了，他痛打了克理，然后逼迫劳瑞跟他远走高飞。查德的到来惊醒了她的恶梦，他来是要求劳瑞和他一起去舞会的。接着，克理也来到劳瑞家里要求同样的事情。劳瑞害怕梦中的事情是未来的预告，她决定和查德一起去。而克理则剩在一边，大惑不解。
第二幕
　　当晚的舞会，果然十分欢快有趣，牛仔和农夫们为他们之间争吵开着玩笑(“TheFarmer and the Cowman” -- “农夫和牧牛人”)。接下来的活动是拍卖女孩子制作的食品盒，男人们纷纷掏钱，要购买他们喜欢的女孩子制作的盒子。劳瑞的盒子立刻成了克理和查德争夺的对象。克理最后卖掉了全部家当，以.31的高价买下了食品盒。与此同时，阿里用五十块钱买下了维尔的所有礼物，原来阿里并不想娶爱多，他更想帮维尔如愿以偿。于是维尔和爱多兴致勃勃地谈起他们未来的生活(“All or Nothing” -- “孤注一掷”)。
　　三个月后，克理和劳瑞的婚礼即将举行。这时候，喝醉了得查德突然在婚礼上出现了，他用刀威胁克理，两人扭打起来，之中，查德摔在刀刃上，死了。爱多的父亲，卡恩斯法官开始了紧急审讯，但是最终的结果是克理无罪施放，于是克理带着心爱的姑娘一路去度蜜月了(“Oklahoma!”-- “俄克拉荷马！”)。

Gregor Samsa, a traveling salesman, wakes up in his bed to find himself transformed into a large insect. After the metamorphosis, he becomes confined to his room and neglected by his family.