这是一部关于一个真实天才的极富人性的剧情片。英俊而又十分古怪的数学家小约翰纳什念研究生时便发明了他著名的博弈理论，短短26页的论文在经济、军事等领域产生深远的影响，他开始享有国际声誉。但纳什出众的直觉受到了精神分裂症的困扰，使他向学术上最高层次进军的辉煌历程发生了巨大改变。面对这个曾经击毁了许多人的挑战，纳什在深爱着他的妻子艾丽西亚的相助下，与被认为是只能好转、无法治愈的疾病作斗争。经过十几年的不懈努力，完全通过意志的力量，他一如既往地坚持工作，并于1994年获得诺贝尔奖，他在博奕论方面颇具前瞻性的工作也成为20世纪最具影响力的理论。这是一个真人真事的传奇故事，今天纳什继续在他的领域中耕耘着。

On a bare country road Vladimir and his friend Estragon wait in hope of salvation from a man called Godot. Their hope of salvation lies in Godot's arrival. While waiting they play games, entertain one another with vaudevillian tricks, question whether Godot will arrive and how they will benefit when he does. They are interrupted by the arrival of Pozzo (a land owner) and Lucky (Pozzo's slave). Pozzo questions their reasoning for waiting. Lucky performs a staggering burst of a monologue. Pozzo and Lucky exit, night falls and a young boy arrives and tells Vladimir and Estragon that "Mr Godot won’t come here today but he'll surely arrive tomorrow.” In Act two Pozzo returns but he is blind and Lucky is mute. Vladimir and Estragon continue waiting. Still determining to go, the tramps do not move.

“I cannot express how much this show means to me,” writes artistic director, Peter Reid. “It is undoubtedly the greatest show of the 20th Century and has revolutionised the fabric of theatre.”

On a bare country road Vladimir and his friend Estragon wait in hope of salvation from a man called Godot. Their hope of salvation lies in Godot's arrival. While waiting they play games, entertain one another with vaudevillian tricks, question whether Godot will arrive and how they will benefit when he does. They are interrupted by the arrival of Pozzo (a land owner) and Lucky (Pozzo's slave). Pozzo questions their reasoning for waiting. Lucky performs a staggering burst of a monologue. Pozzo and Lucky exit, night falls and a young boy arrives and tells Vladimir and Estragon that "Mr Godot won’t come here today but he'll surely arrive tomorrow.” In Act two Pozzo returns but he is blind and Lucky is mute. Vladimir and Estragon continue waiting. Still determining to go, the tramps do not move.

“I cannot express how much this show means to me,” writes artistic director, Peter Reid. “It is undoubtedly the greatest show of the 20th Century and has revolutionised the fabric of theatre.”

In The Minutes, Tracy Letts’s scathing new comedy about small-town politics and real-world power, the writer who brought you August: Osage County exposes the ugliness behind some of our most closely-held American narratives while asking each of us what we would do to keep from becoming history’s losers.

Alienated, hopeful-filmmaker Pat Johnson's epic story growing up in rural Illinois, falling in love, and becoming the first fan of the movie that changed everything.

This evocative faux documentary imagines a dystopian near future in which the government monitors every woman's sexual activity. At its center is Allison Golding (Ali Thomas), serving a life sentence for having an abortion. As politicians, journalists and other key figures discuss Allison's case, they reveal how American society reached this totalitarian state.

贝拉Bella（Anna Thomson/Anna Levine）即将年满35岁，是纽约一家咖啡馆的服务员，多年来一直与已婚男子保持着没有未来的关系。当她住在千里之外的母亲建议她认识一个人时，贝拉试着不抱太大希望。这个人叫布鲁诺（杰米·哈里斯），是一名出租车司机，写着出版商拒绝他的小说。会议进展顺利，但贝拉决心不让他有结婚和组建家庭的梦想。她告诉布鲁诺，她讨厌孩子，这对布鲁诺来说是一个沉重的打击。尽管布鲁诺是一个花花公子，但他必须照顾他的两个孩子，他的前妻已经让他负责了。

It’s Harold Blodgett’s birthday, and the poor guy’s having a rough time of it. The alarm clock won’t shut off, his wife won’t wake up, the cleaner’s neglected to get that annoying stain out of his trousers, and so on. To cap it off, when he returns home from the office that same day, he finds a mysterious pair of shady characters lounging around his apartment. According to them, Harold hired them to murder his wife, and they’ve done just that. Have they? Did he? What’s going on here?