俄亥俄州的一个小镇，25岁的胖女孩吉布斯和18岁的男孩克莱夫是狂热的哥特摇滚迷，The Cure，邦豪斯等乐队都是他们的最爱，不过斯蒂夫·尼克斯更是首选，吉布斯在镇上一家摄影店工作，薪水不高，她觉得生活索然无味，可克莱夫却视她为偶像，尽管在他的心中梦想着有一天能投入某个英雄般的男人的怀抱。不久他们得知纽约即将举行年度“斯蒂夫千人夜”的卡拉OK活动，两人决定抛开小镇的沉静前往纽约去实现自己的哥特梦想，于是一段奇妙的公路旅行开始了，这里距离纽约大概五百多英里，我们可以看到路牌指示了解他们到达梦想的距离还有多远，在110公里处，吉布斯从另一个女孩儿身上看到自己的音乐梦经受着前所未有的考验；在165公里处，一个英俊的男人差点夺走了吉布斯的芳心；在368公里处，克莱夫关于浪漫的幻想都被一个粗野小男孩毁灭了，糟糕的性经历也动摇着他的理想和希望。然而最终两个人还是来到了光怪陆离的纽约，参加了斯蒂夫的梦幻之夜，原来只要有梦，生活就有希望。

女主角长的很苍白很古怪，在学校很受人欺负。她好像没有爸爸，妈妈找了一个男的不知道结婚没。
自从家里有了那面大镜子，就发生了很多事。 记得有个女同学好像开她了玩笑。她低着头很生气，用笔不停的乱划着，那个女同学就突然开始狂留鼻血。 在游泳课上，有个女同学被老师呵斥然后生气的回去洗澡。结果美根在水里游泳着，那个洗澡的女同学却被洗澡间里的蒸汽活活烧死了。
魔镜白天会有血流下来，他们家狗狗看到了汪汪叫，后来也死了。魔镜后来不受控制了，甚至弄死了美根的“继父”和妈妈。
最后有个女的可能是女主角的好朋友，她知道了魔镜的事，赶来找女主角。结局是女主角死在了一个座椅上，那个好朋友抱着她一直哭，最后用黑布盖上了镜子。

Andras Varda grows up in a turbulent, war-torn Hungary, where he procures local girls for the occupying G.I.'s during World War II. Disappointed by girls of his age, he meets Maya, a married women in her thirties, who tutors him in the lessons of love and romance. Maya is only the first of many mature women that Andras will meet through his teenage and young adult life.

三个恐怖选集故事，以凯伦·布莱克为主角，扮演四个不同的角色的痛苦女人。
第一个故事中，朱莉·埃尔德里奇克斯（凯伦·布莱克）是一位性欲压抑的高中老师，她的一个学生因为过去的轻率行为而敲诈她，而她扮演了一个不情愿的角色。但这位学生并没有意识到朱莉打算一有机会就把矛头转向他。
在第二个故事中，米莉森特·拉里莫尔（凯伦·布莱克饰）是一个相貌平平、几乎与世隔绝的女人，她和她的双胞胎妹妹特蕾丝（也叫凯伦·布莱克）住在一起，特蕾丝喜欢折磨她。然而，只有他们的医生，时不时访问，了解背后的真实情况。
在最后一个故事中，阿米莉亚（凯伦·布莱克…再次）在一个单独的恐怖故事独白中，一女人为她的新男友买了一个非洲土著洋娃娃，洋娃娃在她自己的公寓里复活并恐吓她。

颓唐邋遢的哈伯（Chance A. Rearden 饰）曾经是某个名噪一时的儿童秀主持人，但他早已不复当年的辉煌，节目收视率持续走低，哈伯则自暴自弃，饮酒作乐，任意妄为，甚至搞砸节目的录制。最终，他失去了这份干了半辈子的工作。在此之后，他打电话找来自己的粉丝以及唯一好友——刚刚通过医生考试的青年德文（Wade F. Wilson 饰）。醉醺醺的哈伯声称要从事人偶生意，而且还送给德文一个大号的偶噶布噶（Ooga Booga）土著人偶。归家途中，德文意外遭遇一场抢劫案，谁知报警后却被带有种族偏见的警察当作劫犯射杀。
德文含冤而死，未曾料他的灵魂却附到那个可怕的偶噶布噶人偶身上……

The lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond and their impact on American cinema.
The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave.
Laszlo Kovacs and Vilmos Zsigmond were two of the best and most influential cinematographers working in Hollywood in the Sixties and Seventies; between them, they worked with the likes of Robert Altman, Martin Scorsese, Steven Spielberg, Brian DePalma, John Boorman, Peter Bogdanovich, Hal Ashby, Peter Fonda, Dennis Hopper, and Paul Mazursky, helping shape the look of some of the most vital films of the decade and showing new ways to balance beauty and realism on screen. Surprisingly, these two master cameramen were not professional rivals, but close friends who came to the United States in 1957, fleeing their native Hungary after Soviet troops rolled into the country to put down a people's revolution (which the young cinematographers helped document with newsreel cameras). After cutting their teeth in the United States shooting a variety of low-budget projects, Kovacs enjoyed a commercial breakthrough when he shot Easy Rider in 1969, and Zsigmond made his name a few years later with McCabe and Mrs. Miller and Deliverance; the two remained close friends and colleagues, and Zsigmond remains active today, while Kovacs stayed in the film business up until his death in 2007. No Subtitles Necessary: Laszlo and Vilmos is a documentary which explores the professional and personal lives of these two gifted craftsmen, created with their cooperation; it features interviews with a number of their friends and collaborators, including Peter Fonda, Dennis Hopper, Bob Rafelson, Karen Black, Sharon Stone, Haskell Wexler and Tatum O'Neal.
A documentary on Laszlo Kovacs and Vilmos Zsigmond, two men who during their youth chronicled the Hungarian Revolution and made a dangerous pilgrimage to the United States to present their work -- the first step in each man's path to becoming prominent cinematographers.
由James Chressanthis执导，纪录片《无需对白》跟随著名摄影师拉兹罗·科瓦克斯与维蒙·齐格蒙，记录了从1956年前苏联入侵匈牙利至今他们的生活。当时还在读电影专业的他们，拍下了前苏联入侵布达佩斯的情景，并自愿将镜头资料偷运出匈牙利。他们逃到美国，在好莱坞定居下来，最后攒钱买下属于自己的16毫米摄影机，开始电影生涯。
拉兹罗·科瓦克斯与维蒙·齐格蒙在上个世纪60-70年代成名，代表作有：《逍遥骑士》（Easy Rider），《五只歌》（Five Easy Pieces），《花村》（McCabe and Mrs. Miller），《激流四勇士》（Deliverance），《纸月亮》（Paper Moon），《第三类接触》（Close Encounters of the Third Kind）。那时，他们与众多知名导演合作，如罗伯特·奥特曼，马丁·斯科塞斯等，建立起一种全新的美国电影审美学，开拓了创新大胆的叙事风格。
《无需对白》是一段长达50年的历程，它描绘了两位电影巨人对现代电影形象塑造的贡献，他们之间超越想象的深厚友情，他们的殊途同归。该片于2008年5月22日在戛纳电影节全球首映。

年轻的Griffith在位于密西西比州的一个小镇上度过了他的童年、少年•••
人至青年的他终于不甘这种囚禁式的生活，试图寻觅良机出外闯荡•••
然而责任心极强的Griffith无法舍下身患旷野恐惧症的Summer阿姨——他的再生父母•••
就在此时，以流浪为乐的Lee误打误撞地走进这个被遗忘的小镇•••
长期的平静瞬间瓦解•••

1922年，23岁的希区柯克执导他的首部电影《13号》，宣告了一代悬念大师的银幕初登场。曾执导过多部电影史纪录片的英国导演马克·卡曾斯以《13号》百年庆为契机，推出了这部致敬希区柯克的论文电影。影片出人意料地从希区柯克的角度出发，以口述方式（由著名影星阿利斯泰尔·麦高恩配音）、模拟了一出“希区柯克带你看希区柯克电影”的戏码。通过这个虚拟的主观视点，向影迷介绍希区柯克数量庞大的经典作品中的共通点、以及隐藏在趣味和高能背后的视听技巧，亦展现了卡曾斯本人的博学和洞察力。

In a futuristic society, a sword-wielding roller skater fights evil ninjas, punk roller skaters and is sent on an important rescue mission

捷克导演伊凡．帕瑟到美国拍摄的第一部电影，也是罗伯特·德尼罗成名前演出的作品。男主角是在七十年代当红的喜剧巨星乔治．西格尔，他在片中饰演发型师杰杰，因为染上毒瘾，每天要花上一百美元买海洛因，在走投无路之余只有去抢钱，但失手被擒。转而成为警方的线人，以出卖线报维生。影片对纽约市下层社会的气氛烘托得活灵活现，乔治．西格尔更是显得出色，除了搞笑之外也将主人翁的矛盾心情表演得细致入微，罗伯特·德尼罗在片中饰演小混混丹尼。

Will Tenneray and Abe Cross are two aging, famous gunfighters, both in need of money. Tenneray comes up with the idea to stage a duel to the death in a bullfight arena, with the ticket proceeds going to the winner.

After a hurricane reeks havoc on Sister Island, Mississippi, rescue parties find a young girl on the shore...

A city-woman moves to a foreign country with her future husband, giving up all the comforts of cosmopolitan life. Life in the countryside finally takes its toll on her, and she finds herself involved sexually with another man.

作为一个电影公司的制片人，Griffin Mill（蒂姆·罗宾斯 Tim Robbins 饰）每天要从无数的剧本里面挑选极少的几部拍成电影。他最近的日子不太好过，先是Larry Levy（彼得·盖勒 Peter Gallagher饰）和他竞争日益激烈，然后又是不断收到匿名的恐吓信，让他忐忑不安。他怀疑是某个被他拒绝了的编剧所为。他把怀疑集中到一个叫David Kahane的编剧身上，于是他在电影院找到David并和他一起来到酒吧。后来两人竟争吵起来，在停车场甚至发展成打斗。在打斗中，David不慎摔下下水道身亡，Griffin只能将其伪装成是被抢劫身亡的样子。作为最后一个见到David的人，Griffin成了警方的嫌疑人，更让他恐惧的是，他还是收到匿名的恐吓信，甚至在他的车上发现了一条蛇......接下来，Griffin该怎么玩这个游戏？

Two writers must face a dilemma that is common to anyone who has ever had an artistic friend: what happens when you have to give feedback, and the news isn't good? Sam, an aspiring screenwriter, and David, a successful magazine editor, have been pals for years. When David doesn't appreciate Sam's latest attempt, it opens a fissure in their friendship, one that spreads through the rest of their lives. Ultimately, both men must reevaluate their motivations to write, their need for praise and validation, and what it means to see yourself as you actually are.

John Vandermark (Cumming) has taken in a struggling writer, Sebastian St. Germain (Boreanaz), who overstays his welcome. When John discovers that Sebastian has simply been using him, he turns the tables on his young tenant in an effort to make him work off his rent debt. When Sebastian dies accidentally in the process, John tries to make it up to him by helping him get his book published posthumously. When the book is published, John can't help but take credit for the work of genius... and Sebastian comes back to haunt him.

This film follows the further adventures of the lone samurai Hawk, as he continues his battle to defeat the evil Pharaoh, Saint Offender and the Black Knight. Guided by his Psychic, Hawk ultimate defeats his adversaries and brings order to the universe.