Prix Nobel de littérature 2018 Il y a un vieux remède contre les cauchemars qui hantent les nuits, c'est de les raconter à haute voix au-dessus de la cuvette des W.-C., puis de tirer la chasse. Après le grand succès des Pérégrins, Olga Tokarczuk nous offre un roman superbe et engagé, où le règne animal laisse libre cours à sa colère. Voici l'histoire de Janina Doucheyko, une ingénieure en retraite qui enseigne l'anglais dans une petite école et s'occupe, hors saison, des résidences secondaires de son hameau. Elle se passionne pour l'astrologie et pour l'œuvre de William Blake, dont elle essaie d'appliquer les idées à la réalité contemporaine. Aussi, lorsqu'une série de meurtres étranges frappe son village et les environs, au cœur des Sudètes, y voit-elle le juste châtiment d'une population méchante et insatiable. La police enquête. Règlement de comptes entre demi-mafieux ? Les victimes avaient toutes pour la chasse une passion dévorante. Quand Janina Doucheyko s'efforce d'exposer sa théorie ¿ dans laquelle entrent la course des astres, les vieilles légendes et son amour inconditionnel de la nature ¿, tout le monde la prend pour une folle. Mais bientôt, les traces retrouvées sur les lieux des crimes laisseront penser que les meurtriers pourraient être... des animaux !

WINNER OF THE NOBEL PRIZE IN LITERATURE

"A brilliant literary murder mystery." —Chicago Tribune

"Extraordinary. Tokarczuk's novel is funny, vivid, dangerous, and disturbing, and it raises some fierce questions about human behavior. My sincere admiration for her brilliant work." —Annie Proulx

In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . .

A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?

In September 1913, Mieczysław Wojnicz, a student suffering from tuberculosis, arrives at Wilhelm Opitz’s Guesthouse for Gentlemen, a health resort in what is now western Poland. Every day, its residents gather in the dining room to imbibe the hallucinogenic local liqueur, to obsess over money and status, and to discuss the great issues of the day: Will there be war? Monarchy or democracy? Do devils exist? Are women inherently inferior?

Meanwhile, disturbing things are beginning to happen in the guesthouse and its surroundings. As stories of shocking events in the nearby highlands reach the men, a sense of dread builds. Someone – or something – seems to be watching them and attempting to infiltrate their world. Little does Mieczysław realize, as he attempts to unravel both the truths within himself and the mystery of the sinister forces beyond, that they have already chosen their next target.

A century after the publication of The Magic Mountain , Olga Tokarczuk revisits Thomas Mann territory and lays claim to it, blending horror story, comedy, folklore and feminist parable with brilliant storytelling.

A NEW YORKER “ESSENTIAL READ”

“Just as awe-inspiring as the Nobel judges claimed.” – The Washington Post

“Olga Tokarczuk is one of our greatest living fiction writers. . . This could well be a decade-defining book akin to Bolaño’s 2666.” –AV Club

“Sophisticated and ribald and brimming with folk wit. . . The comedy in this novel blends, as it does in life, with genuine tragedy.” –Dwight Garner, The New York Times

LONGLISTED FOR THE 2022 NATIONAL BOOK AWARD

NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES, THE WALL STREET JOURNAL, TIME, THE NEW YORKER, AND NPR

The Nobel Prize–winner’s richest, most sweeping and ambitious novel yet follows the comet-like rise and fall of a mysterious, messianic religious leader as he blazes his way across eighteenth-century Europe.

In the mid-eighteenth century, as new ideas—and a new unrest—begin to sweep the Continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following. In the decade to come, Frank will traverse the Hapsburg and Ottoman empires with throngs of disciples in his thrall as he reinvents himself again and again, converts to Islam and then Catholicism, is pilloried as a heretic and revered as the Messiah, and wreaks havoc on the conventional order, Jewish and Christian alike, with scandalous rumors of his sect’s secret rituals and the spread of his increasingly iconoclastic beliefs. The story of Frank—a real historical figure around whom mystery and controversy swirl to this day—is the perfect canvas for the genius and unparalleled reach of Olga Tokarczuk. Narrated through the perspectives of his contemporaries—those who revere him, those who revile him, the friend who betrays him, the lone woman who sees him for what he is—The Books of Jacob captures a world on the cusp of precipitous change, searching for certainty and longing for transcendence.

In a nod to books written in Hebrew, The Books of Jacob is paginated in reverse, beginning on p. 955 and ending on p. 1 – but read traditionally, front cover to back.

Od lat porusza czytelników na całym świecie. Jedna z najpoczytniejszych i najgłośniejszych współczesnych polskich powieści, przełożona na ponad dwadzieścia języków.

Prawiek – wieś położona w centrum Polski – tutaj codzienność splata się z niezwykłością, rzeczywistość z mitem, a powszednie życie jest ważniejsze od wielkich wydarzeń. W burzliwych latach XX wieku kilka pokoleń kilku rodzin mieszkających w Prawieku walczy o swoje szczęście i przyszłość. Ich losy układają się w uniwersalną opowieść o czasie, przemijaniu i ludzkim losie.

The Nobelist's latest masterwork, set in a sanitarium on the eve of World War I, probes the horrors that lie beneath our most hallowed ideas.

In September 1913, Mieczysław, a student suffering from tuberculosis, arrives at Wilhelm Opitz’s Guesthouse for Gentlemen, a health resort in  what is now western Poland. Every day, its residents gather in the dining room to imbibe the hallucinogenic local liqueur, to obsess over money and status, and to discuss the great issues of the Will there be war? Monarchy or democracy? Do devils exist? Are women inherently inferior?

Meanwhile, disturbing things are beginning to happen in the guesthouse and its surroundings. As stories of shocking events in the surrounding highlands reach the men, a sense of dread builds. Someone--or something--seems to be watching them and attempting to infiltrate their world. Little does Mieczysław realize, as he attempts to unravel both the truths within himself and the mystery of the sinister forces beyond, that they have already chosen their next target.

A century after the publication of The Magic Mountain , Tokarczuk revisits Thomas Mann territory and lays claim to it, blending horror story, comedy, folklore, and feminist parable with brilliant storytelling.

Po sześciu latach ukazuje się nowa powieść znakomitej polskiej prozaiczki Olgi Tokarczuk. Książka ta dotyka problemów dla człowieka najbardziej uniwersalnych. Przenosi w trzy światy, które niepokoją swoją bliskością i coraz mocniej zaczynają dominować w wyobraźni czytelnika. Są to trzy opowieści, w pierwszej ocenie niepowiązane ze sobą, bo pokazane w niezależnym od siebie czasie i przestrzeni, ukazujące w niezwykle barwny sposób najtajniejsze zakątki duszy trzech, blisko ze sobą związanych kobiet. Trzy zupełnie inne światy, trzy zupełnie różnie tła i jeden, uniwersalny problem. Problem śmierci i przemijania. Jest to proza Tokarczuk bardziej wyciszona, bardziej kontemplacyjna, jeszcze bardziej intymna niż pozostałe jej wcześniejsze powieści. Autorka doskonale rysuje charaktery kobiet, w oryginalny i bardzo wyszukany, subtelny sposób prezentuje problem przemijania, upływu czasu w życiu człowieka. Książka jest wspaniale napisana i chociaż traktuje o kobietach, o kobiecym patrzeniu na świat, doskonale trafi również do męskiej wyobraźni.

The English translation of the prize-winning international bestseller
Winner of the Gunter Grass Prize Nowa Ruda is a small town in Silesia, an area that has been a part of Poland, Germany, and the former Czechoslovakia in the past. When the narrator moves into the area, she and discovers everyone-and everything-has its own story. With the help of Marta, her enigmatic neighbor, the narrator accumulates these stories, tracing the history of Nowa Ruda from the founding of the town to the lives of its saints, from the caller who wins the radio quiz every day to the tale of the man who causes international tension when he dies on the border, one leg on the Polish side, the other on the Czech side. Each of the stories represents a brick and they interlock to reveal the immense monument that is the town. What emerges is the message that the history of any place--no matter how humble--is limitless, that by describing or digging at the roots of a life, a house, or a neighborhood, one can see all the connections, not only with one's self and one's dreams but also with all of the universe. Richly imagined, weaving in anecdote with recipes and gossip, Tokarczuk's novel is an epic of a small place. Since its original publication in 1998 it has remained a bestseller in Poland. House of Day, House of Night is the English-language debut of one of Europe's best young writers.