This book from A Nos Amours gathers up all the research and writing that went into making the London Chantal Akerman retrospective possible.
Chantal Akerman Retrospective Handbook
Between 2013 and 2015, A Nos Amours presented in London a complete retrospective of the films of the celebrated film-maker Chantal Akerman. This was not easy as rights and screening copies turned out to be widely scattered and difficult to access. The research needed to present this retrospective is offered in this book so that others may easily follow suit.
Also included are the texts, journalism and blogging that was offered to the audience as a means to engage with film-works that are at once radical, heterodox and, in many cases, little known. The book aims to be accurate and a reliable source of detailed information about the films.
Illuminating texts are included that provide invaluable insight, from the likes of Raymond Bellour, Richard Brody, Ivone Margulies, Marion Schmid and Ginette Vincendeau.
Laura Mulvey has written a foreword, surveying Akerman's achievement, making use of this book as an aide-mémoire for what stands as one of the astonishing bodies of work in all cinema:
"As a collage of writing of many different kinds, the Handbook crucially bears witness to the effect that Akerman has had on the film community, from her earliest movies until her last... The high quality of the texts included in the book are all a reminder of the way that her ‘cinematic’ qualities have advanced our understanding of film."

How Directors Dress uses clothing to tell exciting new stories about directors, their lives, their movies, and the times in which they were made.

Along with pieces by some of the best style writers, How Directors Dress features hundreds of incredible photos of what directors wear to work, including Sofia Coppola in her signature button-up shirts, Hayao Miyazaki in his aprons, and Spike Lee in his sports caps and varsity jackets.