一个潦倒半生的女孩玛雅有天得知自己在乡下原来有间大屋，于是想借着卖屋大赚一笔。但当她与好友阿丁回到这条偏远的村落时，却发现人烟稀少怪事重重，更浑然不知村民一直在找她，为的就是杀死她来解除肆虐多年的恶咒。在她奋力逃生之际，自己的身世之谜亦慢慢浮面….

The 1960s in Indonesia were a period of dramatic political change and turmoil, with Suharto’s coup ousting Sukarno and leading to a violent anti-communist purge. Nana, a gentle, beautiful young woman, has been badly affected by the conflict. Her husband was kidnapped and taken into the forest. Although she managed to escape from the gang leader who wanted to force her to marry him, the incident cost her father his life and drove her into poverty. Several years later, she is living comfortably as the second wife of a rich Sundanese man, with a maid to help her adjust to her new environment. But Nana’s past re-emerges in her dreams.
Kamila Andini’s elegant direction effectively adopts her protagonist’s point of view, integrating her trauma into the film’s narration. Played with subtlety by Happy Salma, the secretive Nana seems never quite certain about her husband’s death and her memories are, perhaps for her own good, not always complete. This ambiguity informs the film and, combined with lush cinematography and a deep sense of nostalgia, makes Nana an elegiac wonder. At its heart lies an unexpected female friendship that feels like a crucial lifeline among the sea of adversities caused by men’s brutality.

As a new student, Tantri arrives at a hostel. But unexpectedly, in that hostel, Tantri discovers a terrible connection with spells and curses in her past. The spell and curse awaken the Demon Surugana which takes its life.

法里斯刚刚从士兵的义务中退役回来。然而，迎接他的并不是妻子的热情拥抱，而是妻子拉特娜提出的离婚要求。

Elena和Vladimir是一对老夫妻，他们来自不同的背景。Vladimir非常有钱，是一个冷血的男人；Elena在和善的环境长大，是一个顺从的妻子。他们于晚年相遇，各自在之前的婚姻中育有一个孩子。Elena的儿子失业在家，他无力支撑自己的家庭，还不断地问Elena要钱。Vladimir的女儿是个冷漠的年轻女孩，她和父亲关系疏远。因为心脏病发作，Vladimir住进了医院，他知道自己时日无多。在和女儿短暂却又温情的团聚之后，Vladimir做出了一个重大的决定：他的女儿将成为他全部财产的继承人。回到家后，Vladimir向Elena宣布了自己的决定。Elena在经济上支持儿子的希望顿时化为泡影。一度内向、卑微的家庭主妇想出了一个计划，她要给自己的儿子和孙子一个生命中真正的机会。