When staff salaries get stolen at his school, a reluctant new teacher sets out to recoup the money and soon discovers the joys of teaching.

film directed by Angga Dwimas Sasongko

Elang, who lived in the flat, is often haunted by images of bizarre murders involving a killer with a rabbit costume. His efforts to solve the mystery and save the lives of the people he presumed in danger, has in turn trapped him in a downward spiral and he became a suspect himself. In proving his innocence, he will be forced to unveil a horrible and long-buried secret.

Eight years after Herman's tragic death due to black magic, Sri is rebuilding her life with her daughter, Dina, and Andi, who has married Rani. Sri's father informs her that her mother is seriously ill. They come to visit, and that's the beginning of their disaster. A past sin Sri has been hiding now threatens her family.

Elena和Vladimir是一对老夫妻，他们来自不同的背景。Vladimir非常有钱，是一个冷血的男人；Elena在和善的环境长大，是一个顺从的妻子。他们于晚年相遇，各自在之前的婚姻中育有一个孩子。Elena的儿子失业在家，他无力支撑自己的家庭，还不断地问Elena要钱。Vladimir的女儿是个冷漠的年轻女孩，她和父亲关系疏远。因为心脏病发作，Vladimir住进了医院，他知道自己时日无多。在和女儿短暂却又温情的团聚之后，Vladimir做出了一个重大的决定：他的女儿将成为他全部财产的继承人。回到家后，Vladimir向Elena宣布了自己的决定。Elena在经济上支持儿子的希望顿时化为泡影。一度内向、卑微的家庭主妇想出了一个计划，她要给自己的儿子和孙子一个生命中真正的机会。

A young woman leaves her family for unknown reasons. Her husband, determined to find out the truth, starts following her. He initially suspects that a man is involved, but gradually, discovers more and more strange behaviors and bizarre incidents that indicate something more than a simple love affair.

As a new student, Tantri arrives at a hostel. But unexpectedly, in that hostel, Tantri discovers a terrible connection with spells and curses in her past. The spell and curse awaken the Demon Surugana which takes its life.

The 1960s in Indonesia were a period of dramatic political change and turmoil, with Suharto’s coup ousting Sukarno and leading to a violent anti-communist purge. Nana, a gentle, beautiful young woman, has been badly affected by the conflict. Her husband was kidnapped and taken into the forest. Although she managed to escape from the gang leader who wanted to force her to marry him, the incident cost her father his life and drove her into poverty. Several years later, she is living comfortably as the second wife of a rich Sundanese man, with a maid to help her adjust to her new environment. But Nana’s past re-emerges in her dreams.
Kamila Andini’s elegant direction effectively adopts her protagonist’s point of view, integrating her trauma into the film’s narration. Played with subtlety by Happy Salma, the secretive Nana seems never quite certain about her husband’s death and her memories are, perhaps for her own good, not always complete. This ambiguity informs the film and, combined with lush cinematography and a deep sense of nostalgia, makes Nana an elegiac wonder. At its heart lies an unexpected female friendship that feels like a crucial lifeline among the sea of adversities caused by men’s brutality.

A woman inherits a house in her ancestral village, but she's unaware that members of the community have been trying to locate and kill her to remove the curse that has plagued them for years.