An African-American Mafia hit man who models himself after the samurai of ancient Japan finds himself targeted for death by the mob.

Frank McBain is a big city cop with a habit of surviving getting shot in the line of duty over a dozen times. He earns the moniker "Bulletproof". When a super-secret ultra-comfortable prototype Tank is hijacked by Guerillas on the Mexican border, McBain is sent by the government to retrieve it. Not only does his girlfriend happen to be the commander in charge of the mission, but the terrorists turn out to be a multi-national invasion force with Mexicans, Nicaraguans, Cubans, Libyans, and Soviets all teamed up to destroy America with the help of their new tank.

When boredom, pride and a mad second of misjudgement leaves a hunter shot dead by one of five combat veterans also hunting in the Canadian hills, it is expected a police investigation will follow, but when the veterans discover the incident has not been reported, the leader of the team, Major Rex suspects the other party maybe plotting revenge. Convinced that he, his party, and their families will be targets themselves he decides to beat his suspected assailants at their own game, grouping together more army comrades and stocking up an arsenal of weapons for the forthcoming battle.

"Milano odia: la polizia non può sparare" aka. "Almost Human" of 1973 is a brutal and brilliant Poliziottesco, one of the most uncompromising films of its genre, coming along with an ingenious score by none other than Ennio Morricone. Apart from the brilliant score, the brutal, uncompromising violence, the raw atmosphere and gripping story it is furthermore two of the greatest stars in Italian 70s cinema that make "Milano Odia" an absolute must-see for lovers of cult cinema.
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MegaForce is an elite multi-national military unit that does the jobs that individual governments won't. When the peaceful Republic of Sardun in under threat from their more aggressive neighbor, the beautiful Major Zara and General Byrne-White see the help of Ace Hunter and MegaForce.

A bomb attack in a cinema in Palermo kills all the fellows of Attardi's clan a part from Cocchi. He immediately understands that the author of the bomb attack is Daniello from Don Corrasco's clan. Cocchi is determined to revenge. His actions, including the Corrasco's daughter kidnap, in a Palermo in which also the police is corrupted, will soon destroy the old equilibrium giving the way to an escalation of violence that won't save anyone. If Cocchi will survive to the mafia war he will be the new boss for sure.

Leave it to Italian sleazemeister Andreas Bianchi (here co-directing with his brother)to take a brutally violent and borderline misogynist genre like the Italian "polizieschi" and actually up the ante considerably. This movie begins with drug dealers trying to smuggle drugs into Italy sewed up in the body of a dead child(!), and it only gets more gratuitously violent from there. A brutal gang war is going between a traditional Italian mafia family and an Americanized godfather who has been deported back to Italy. Injected into this conflict is another Italian-American gangster, the protagonist (Henry Silva), and he begins to play the two rivals off against each other in the style of "A Fistful of Dollars" or "Yojimbo".
Silva's character might seem like the good guy, or at least the kind of anti-hero Clint Eastwood played in "Fistful" and other Westerns (and later in "Dirty Harry" which was a big influence on the Italian polizieschi). But the Silva character himself is quite psychotic when it comes to women, specifically the masochistic prostitute/mistress of the American gangster (played by Barbara Bouchet). The first time they meet he violently sodomizes her. And when she comes back for more he beats her with a belt. Now I have to admit the description I read somewhere of a naked Bouchet being whipped by a belt did not exactly dissuade me from seeing this, but it's not an accurate one. She is not naked (at least in that scene) and he literally beats her to a bloody pulp. Even her boyfriend, who otherwise is content to throw the promiscuous girl at his erstwhile partner, is horrified by the brutal beating and vows revenge.
This scene squanders any goodwill toward Silva's character (which may have been the intention, I don't know), but also toward the film itself--it's pretty hard to take even for someone like me accustomed to the casual misogyny of the genre. It certainly doesn't help that the actress is Barbara Bouchet, who along with Edwige Fenech and Rosalba Neri, was (and still is) one of the most popular European exploitation actresses of the era (although this probably would have been only marginally more palatable if it had been some anonymous Euro-bimbo). To its credit this movie at least can't be accused of glorifying any of its gangster characters like some other "polizieschi" tended to do. Still it might be a little bit too much for many viewers.

An accident causes the activation of the top-secret Cyber Warrior or 'Cyw' before his programming has been completed. Concerned that the Cyw may fall into the hands of enemies, prove unable to control or simply receive unwanted attention from the public or foreign powers, the military dispatches a crack squad led by Colonel Hammer to bring back the Cyw one way or another. (from Giallo Fever blog)

A ragtag group of people have to fight extermination squads amid their ruined city.

The second film in Fernando Di Leo's Milieu Trilogy focuses on Luca Carnali, a small-time mobster and pimp who has been set up by his gangland boss. When a shipment of heroin disappears between Italy and New York, Carnali is framed for the theft. Carnali is pursued through Milan by a pair of merciless American hit men (played by Henry Silva and Woody Strode) and referenced by Quentin Tarantino in PULP FICTION, whom mistakenly believe that he has stolen a drug shipment. Following the murder of his wife, the hunted becomes the hunter as Carnali takes his revenge on his boss, the hit men and anyone else who stand in his way.

A group of college students come across a redneck in the wilderness chasing his wife's lover. The students eventually become the objects of the redneck's crazed vengeance.

Capt. William "Buck" Rogers is a jovial space cowboy who is accidentally time-warped from 1987 to 2491. Earth is engaged in interplanetary war following a global holocaust, and Buck's piloting skills make him an ideal starfighter recruit for the Earth Defense Directorate.

In Hollywood, the lives of a successful film producer, his wife, a police detective and a surveillance agent intersect after a botched abduction.

Nico Toscani is an Italian immigrant, American patriot, ex-CIA agent, aikido specialist and unorthodox Chicago policeman. He is as committed to his job as he is to his personalized brand of justice—expert and thorough bone-crushing.

Mobster Louis "The King" Koster believes that his wife and sole heir is unfaithful. He hires a hit man to kill her for twenty thousand dollars. The hit-man agrees, but he then shoots Koster dead. The hit-man was Marian's lover. Since she will inherit everything, the hit-man decided to go with the better bargain.

An African-American Mafia hit man who models himself after the samurai of ancient Japan finds himself targeted for death by the mob.

Near the end of the Korean War, a platoon of U.S. soldiers is captured by communists and brainwashed. Following the war, the platoon is returned home, and Sergeant Raymond Shaw is lauded as a hero by the rest of his platoon. However, the platoon commander, Captain Bennett Marco, finds himself plagued by strange nightmares and soon races to uncover a terrible plot.