Young Jeanne falls in love with photographer Francis, who soon takes her with him when he emigrates to America. In a small town in the still wild west, they build up a small photo shop. Meanwhile, animal doctor David lives on his lonesome farm together with his unlucky wife. It takes years and two tragic accidents until Jeanne and David meet. She has already decided to return to France as soon as possible, but love, and fate, have other plans.

麦克和乔希两兄弟到乡村度假,路上碰到当地村民的刁难,汽车抛锚,只好到小镇上去求助,不知什么原因,第二天醒来,镇上的人都不见了.麦克也失踪了,乔希到处去寻找,他不知道,因为化学污染,所有的人都被感染,一夜之间都变成了僵尸,乔希能否逃出这个活死的小镇吗?

It’s 2018—the necessity of discussions surrounding women filmmakers and Hollywood’s gender bias should have diminished by now. But within the first few moments of Half the Picture, it is abundantly clear that discrimination against women filmmakers remains a highly relevant story. This is a fundamental civil rights issue: women in the industry are not offered equal opportunities as compared to their male counterparts.
Gender-parity experts and academics discuss Hollywood’s dismal employment practices, and these conversations are woven between interviews with a wealth of prominent women directors (including Kasi Lemmons, Catherine Hardwicke, Penelope Spheeris, Ava DuVernay, and many others), telling their stories of breaking into a male-centered business. They confirm the double standards that still exist while eloquently outlining their career paths, their struggles, and their hopes for the future. First-time director Amy Adrion smartly deals with the inherent sexism in the industry and considers many of the stereotypes and biases that have prevented women from rising through the ranks. Amid the current political climate and recent cascade of sexual harassment allegations, the time to listen and act is now.