贝蒂·福特在1974年至1977年担任美国第一夫人，她也是历史上和政治上较为活跃的总统夫人之一，热衷于对各种时事热闻发表评论。在她公开与酗酒和药物过量进行斗争之后，她也提高了公众对成瘾的认知。

Julia（蔡斯·英菲尼迪 饰）是一名数学高手，她被助教Pascal（科里·迈尔彻 饰）所征募加入了一个精英预科课程，准备参加极具挑战性的数学竞赛：普特南竞赛。

Julia（蔡斯·英菲尼迪 饰）是一名数学高手，她被助教Pascal（科里·迈尔彻 饰）所征募加入了一个精英预科课程，准备参加极具挑战性的数学竞赛：普特南竞赛。

贝蒂•特普顿和露露•帕弗（Kathy Griffin 饰）是两个长相一模一样的女人，几年来她们如影随形走过美国17个州，换过17份工作。只要两人出现在同一个地方，势必会引起一场大混乱。当她们刚刚搬到堪萨斯城时，即有两名传教士和两名联邦探员互殴受伤。
穆德（David Duchovny 大卫•杜楚尼 饰）和斯科莉（Gillian Anderson 吉莲•安德森 饰）接手此案，随即调查曾和贝蒂相处过的摔角手普尼克。普尼克亦被两个女孩搞得晕头转向，更险些丢掉性命。斯科莉则在堪萨斯监狱找到两个女孩的“父亲”，一个精子库捐赠者……

一个人能自由地穿梭于平行宇宙，他在其中一个宇宙杀死了Monica，打伤了Doggett。

An in depth feature length piece on the creative efforts to approach the Hannibal television series' third season "reboot" of the Red Dragon arc.

《绛红雪白的花瓣》改编自Michel Faber的畅销同名小说。 香水制造商的儿子William Rackham(Chris o’ dowd饰)无心打理家族的香水生意，立志成为作家，偏偏郁郁不得志,与此 同时，神经质的妻子也让他尴尬痛苦，仿佛生活在无形的枷锁之中。直到有一天，他经朋友推荐遇到了神秘的妓女Sugar(Romola garai饰), 至此以后，仿佛找到了释放的出口…

《越界》是由Channel 4 制作的惊悚剧情剧集，讲述1975年，贝尔法斯特郊外的一座小镇上。某个夜晚，天主教教师库什拉在自家经营的酒吧里忙碌，那里聚集着形形色色的人，包括驻扎在附近的士兵。她在酒吧中邂逅了迈克尔——一位年长、已婚的新教徒律师，他常为被怀疑与爱尔兰共和军有关的人辩护，并与一群有文化气息的波西米亚派朋友来往，这群人让库什拉既反感又充满好奇。两人出生背景迥异，库什拉明白这段关系必定会惹来麻烦，但彼此间的吸引却无法抑止。

《山贼之女罗妮娅》的故事发生在有着中世纪欧罗巴风情的广袤森林里，主人公少女罗妮娅是生活在位于那片林中的巨大古城中的山贼马堤斯的独生女。在父亲、母亲和山贼伙伴们熏陶下成长起来的罗妮娅，有一天被允许一个人离开自家的地盘。依靠自己的力量慢慢学习着生存的她，随后便与一个名叫毕尔克少年相遇了……作品不仅描述了罗妮娅一个人的成长过程，同时还关乎于孩子们对未知事物的憧憬，以及绿林家族间的恩怨。

一名市长候选人的儿子被绑架，他和妻子被许多政治和其他方面的敌人包围，两人别无选择，只能采取肮脏手段以拯救儿子。

讲述了一对夫妇失去了家园，几天后在他们开始为期一年的沿海徒步旅行时发现丈夫被诊断出患有绝症的故事。

故事讲述经典恐怖IP《Camp Miasma》重启，在导演沉迷于原版神秘女主的同时，湖底一种新的邪恶力量浮出水面。

Robbie and Donner's wedding is interrupted when Donner is kidnapped by aliens. Robbie saves the day again though with the help of his friends and an alien crystal.

影片根据前电影记者汤姆-布莱迪的原著小说改编而来。故事的起源发生在1973年，一个名叫克洛特的小女孩，因为护送弟弟时失误而让弟弟惨遭杀害。20年之后，成年的克洛特为了复仇，成了一名非常激进的爱尔兰共和军，并和另外两个兄弟格里和科尼尔联手接下了组织安排的一个棘手任务——在伦敦地铁制造一场惊天爆炸。但在这次行动中，克洛特被英国军情五处的高级官员麦克截获，麦克给了克洛特两条路选择：一是去坐25年牢，永远别再想见到自己的儿子；二是背叛兄弟，成为军情五处的绝密线人。克洛特显然被迫选择了后者。但在一次次行动中，双方都发现了有内鬼在作怪，于是克洛特首当其冲地被当作了牺牲品......

Television series

《独家内幕》由真实事件改编，是关于坚韧新闻报道的内部故事，讲述了一次惊天动地的采访，即安德鲁王子在 BBC《新闻之夜》节目中备受争议的露面。从制片人萨姆·麦卡利斯特与白金汉宫重大谈判的紧张局势，一直到埃米莉·梅特利斯与王子的惊掉下巴的访谈对决，《独家内幕》与那些不惜一切代价获取真相的女性一起带我们深入了解这个故事。要得到这样一次重大的采访机会，你必须要大胆无畏。

There is more to this story than this review lets on. It reflects all different facets of society over one drivers shift. He starts out it seems as a cold, ignorant man. But his character develops as the different people of Chicago come & go. His character shows through when he tells a woman the truth about one of the huys he has in his cab. One highlight of this is the amount of cameos by well known faces who seem to be doing this film for the craic. The cab driver reacts well to the madness surrounding him & you can almost share his tiredness at the end of the shift. Crackheads, stoners, posh randy lawyers, irate Pakistanis and the high & lows of the working day are dealt with in this low budget film.

Margo Channing. Legend. True star of the theatre. The spotlight is hers, always has been.

But now there’s Eve. Her biggest fan. Young, beautiful Eve. The golden girl, the girl next door. But you know all about Eve… don’t you…?

Blanche DuBois is a fading, but still-attractive, Southern belle whose pretensions to virtue and culture only thinly mask alcoholism and delusions of grandeur. Her poise is an illusion she presents to shield others (but most of all, herself) from her reality, and an attempt to make herself still attractive to new male suitors. Blanche arrives at the apartment of her sister Stella Kowalski in the Faubourg Marigny neighborhood of New Orleans, on Elysian Fields Avenue; the local transportation that she takes to arrive there includes a streetcar route named "Desire." The steamy, urban ambiance is a shock to Blanche's nerves. Stella, who fears the reaction of her husband Stanley, welcomes Blanche with some trepidation. As Blanche explains that their ancestral Southern plantation, Belle Reve in Laurel, Mississippi, has been "lost" due to the "epic fornications" of their ancestors, her veneer of self-possession begins to slip drastically. Blanche tells Stella that her supervisor allowed her to take time off from her job as an English teacher because of her upset nerves, when in fact, she has been fired for having an affair with a 17-year-old student. This turns out not to be the only seduction in which she has engaged, and, along with other problems, has led her to escape Laurel. A brief marriage marred by the discovery that her husband, Allan Grey, was having a homosexual affair and his subsequent suicide has led Blanche to withdraw into a world in which fantasies and illusions blend seamlessly with reality.
In contrast to both the self-effacing and deferential Stella and the pretentious refinement of Blanche, Stella's husband, Stanley Kowalski, is a force of nature: primal, rough-hewn, brutish, and sensual. He dominates Stella in every way and is physically and emotionally abusive.[1] Stella tolerates his primal behavior as this is part of what attracted her in the first place; their love and relationship are heavily based on powerful—even animal-like—sexual chemistry, something that Blanche finds impossible to understand.
The arrival of Blanche upsets her sister and brother-in-law's system of mutual dependence. Stella's concern for her sister's well-being emboldens Blanche to hold court in the Kowalski apartment, infuriating Stanley and leading to conflict in his relationship with his wife. Blanche and Stanley are on a collision course, and Stanley's friend and Blanche's would-be suitor, Harold "Mitch" Mitchell,gets trampled in their path. Stanley discovers Blanche's past through a co-worker who travels to Laurel frequently, and he confronts her with the things that she has been trying to put behind her, partly out of concern that her character flaws may be damaging to the lives of those in her new home, just as they were in Laurel, and partly out of a distaste for her pretense in general. However, his attempts to "unmask" her are predictably cruel and violent. In their final confrontation, it is implied that Stanley rapes Blanche, resulting in her nervous breakdown. Stanley has her committed to a mental institution, and in the closing moments, Blanche utters her signature line to the kindly doctor who leads her away: "Whoever you are, I have always depended on the kindness of strangers."
The reference to the streetcar named Desire—providing the aura of New Orleans geography—is symbolic. Blanche not only has to travel on a streetcar route named "Desire" to reach Stella's home on "Elysian Fields" but her desire acts as an irrepressible force throughout the play—she can only hang on as her desires lead her.
The character of Blanche is thought to be based on Williams' sister Rose Williams who struggled with her mental health and became incapacitated after a lobotomy.